Show Times:
Aug 1st: 7pm and 9.30pm
Aug 2nd: 7pm and 9.30pm

Over more than 20 years as a recording artist, the jazz piano phenomenon Hiromi has shifted seamlessly from one spellbinding project to the next. In the process, she’s earned a reputation as one of the most explosive live performers in jazz history and a global ambassador for the art form. Her many triumphs include an NPR Tiny Desk Concert that has racked up 2 million views; the opportunity to represent her native Japan with a performance at the 2021 Summer Olympics in Tokyo; 2024 winner for Best Music Score for the animated feature film Blue Giant (Award of the Japanese Academy); and a GRAMMY Award for a collaboration with fusion hero Stanley Clarke. Her artistry is — to borrow a descriptor the New Yorker favored — “dazzling.” In 2023, she released Sonicwonderland, debuting perhaps the most expressive, dynamic and versatile working band of her career. Called Hiromi’s Sonicwonder and featuring Hadrien Feraud on bass, Gene Coye on drums and the trumpeter Adam O’Farrill, the group furthered Hiromi’s distinctive musical alchemy: the spirit of classic jazz-rock fusion melded with classically rooted virtuosity, entrancing funk, pop flourishes and, through O’Farrill’s trumpet, acoustic jazz’s state of the art. The album also did a remarkable job of capturing Hiromi’s mastery as a live entertainer. As the Guardian noted, “Sonicwonderland is perhaps the closest thing to Hiromi’s onstage exuberance.” But that was only the beginning. Over the past two years, Sonicwonder has continued to tour and work together consistently, advancing their deep chemistry and fearless sense of interplay. The results can be heard on Hiromi’s new Concord release and 13th studio full-length album, OUT THERE, in which the group’s powerful rapport meets the pianist’s astonishing abilities as a composer on equal footing. As Hiromi explains, “On Sonicwonderland, I had the concept and the songs first, and I was looking for the people who could play the music in the ideal way that I had in my mind. “Being with this group for well over a year,” she continues, “playing a lot of shows together and understanding each other, I started to see more of their strength and what shines in them the most. So I started to write music with them in mind.” Sonicwonder brings together world-class musicians of fascinatingly diverse backgrounds. French-born Feraud is a fusion virtuoso who has been rightfully compared to bass god Jaco Pastorius. Coye hails from Chicago, where he grew up playing in church, and combines technical mastery with a soulful knack for groove and pocket. Brooklyn-raised O’Farrill, part of a dynasty that includes his father and grandfather, Latin-jazz titans Arturo and Chico O’Farrill, ranks among the most important and progressive trumpeters of his generation. Throughout the album, O’Farrill conjures up audacious new sonic textures through electronics — part of his toolbox that Hiromi encouraged him to develop fully. “[Bass legend and collaborator] Anthony Jackson always told me that a first-class musician can do anything,” Hiromi says. “You don’t really have to put them in one genre or one category.” Knowing that anything she composed would be met with outstanding performances, Hiromi let her fiercest ambitions run wild when crafting the music for OUT THERE. “It all comes from curiosity,” she explains. “I think curiosity is the key to everything. How can you express yourself more? How can you write more?” The core of OUT THERE is its four-part title suite, which Hiromi would like fans to hear as a focused front-to-back listen. “I know that these days streaming gives you one song at a time,” she says, “but I hope they listen to it straight through, giving them a whole new experience.” The suite is nothing less than a tour de force, and certainly deserves undivided attention. It opens with the rapid-fire melody of “Takin’ Off,” shared nimbly on the frontline between Hiromi and O’Farrill, and traverses the sly ’70s fusion grooves of “Strollin’,” which calls to mind Herbie Hancock, George Duke and Grover Washington Jr. “Orion” follows, with bold and triumphant bookends that could score a great work of science fiction. Hiromi wrote it as a kind of “answer song” to “Polaris,” included on Sonicwonderland. Both compositions reflect the fact that “stars are a guide,” she says.