Emerging from the devastation inflicted on the New York City music performance scene will be a big job, and PIANYC is getting ready to resume its small part. Our readers have seen months of zombie listings for what were planned piano concerts that became canceled due to the pandemic. Thankfully spared by the infection, we have been fazed and even dazed, but we are waking up, clearing out the cobwebs and shaking our limbs. We have eliminated many canceled concert listings. And we have kept those still planned, mostly those at Carnegie Hall and Spectrum, venues that certainly are showing their optimism. We will be filling in new listings as they become available at the large public venues, the music schools, houses of worship, and all other NYC venues where we can find public piano performances. We will keep our ears open for online performances that have specific appeal to New Yorkers.
When looking at one of our event listings, please make sure to click the link to the host-venue website, to make sure the event is still planned:
Stay healthy, and hope with us for a speedy return of the sound of the keys out in public.
A recent article in the Times reveals the surprising finding that many piano dealers across the U.S. have seen an upswing in sales during the COVID-19 lockdown.
“Isaac Namias, who sells restored acoustic pianos in Brooklyn, said email inquiries shot up when the virus hit New York. Under lockdown, he said, he sold nearly twice as many units per month as during normal times, mostly instruments in the lower price range, about $2,500 to $6,500. About half his business was driven by piano teachers referring students. Notably absent from the client list were professional performing pianists. Mr. Namias said, ‘They want to touch the piano, they know exactly what they’re looking for.'”
Claire Huangci performed works of D. Scarlatti, Schubert, Chopin and Debussy at the IKIF.
Two years ago, when I attended my first performance at the International Keyboard Institute and Festival, I spoke with a fellow attendee. The recital we were about to see was one of the last in the series, and she had made a point to attend every one. Looking back, which performer was her favorite? Her answer was Claire Huangci. On the second day of this year’s festival, Claire Huangci showed an abundance of the skill, style and emotion that made her an audience favorite in 2016. These also helped her win the Jury Discretionary Award at the 2013 Cliburn, first prize at last month’s Concours Géza Anda competition in Zurich, and all our hearts in her recordings and in the professionally produced videos featuring her, which can be found online. Continue reading →
Are we at risk of betraying an infatuation with the playing of Christina and Michelle Naughton? After all, they provided our first interview and were the subjects of one of our first reviews. But how could we resist writing a note about so memorable a performance as last Wednesday’s at the Caspary Auditorium at the Rockefeller University, that edifice of scientific advancement. Continue reading →