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DTSTART;TZID=America/New_York:20261030T193000
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SUMMARY:Dvořák\, Debussy\, and Chaminade at Lincoln Center
DESCRIPTION:French composer Cécile Chaminade composed more than four hundred works in the shadows of her contemporaries Brahms and Saint-Saëns\, yet her music was so popular that “Chaminade Clubs” sprang up in the United States during her lifetime. Debussy’s early trio\, also overtly Romantic\, is offered as a companion work\, with both trios now increasingly heard in concert halls around the world. And to illustrate just how beloved piano trios can be\, look no further than Dvořák’s musical farewell to his homeland. \n\nProgram \n\n\nProgram\n\n\n\nClaude Debussy\n(1862–1918) \n\n\n\n\nTrio in G major for Piano\, Violin\, and Cello\n(1880) \n\n\n\n\n\n\nCécile Chaminade\n(1857–1944) \n\n\n\n\nTrio No. 1 in G minor for Piano\, Violin\, and Cello\, Op. 11\n(1881) \n\n\n\n\n\n\nAntonín Dvořák\n(1841–1904) \n\n\n\n\nTrio in E minor for Piano\, Violin\, and Cello\, Op. 90\, “Dumky”\n(1890–91) \n\n\n\n\n\n\n\nPerformers \n\n\n\n\n\n\n\n\nAnna Geniushene\nPiano\n\n\n\n\n\n\n\nWu Han\nPiano\n\n\n\n\n\n\n\nChad Hoopes\nViolin\n\n\n\n\n\n\n\nArnaud Sussmann\nViolin\n\n\n\n\n\n\n\nEdward Arron\nCello\n\n\n\n\n\n\n\nDavid Finckel\nCello\n\n\n\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nAnna Geniushene\nPiano \n\n\n\n\n\nAnna Geniushene won the silver medal at the 2022 Van Cliburn International Piano Competition and is a current member of CMS’s Bowers Program. Born in Moscow in 1991\, she made her recital debut just seven years later in the small hall of the Berlin Philharmonic. She has since developed a versatile career\, with performances in major venues such as the Town Hall in Leeds\, National Concert Hall in Dublin\, Museum of Arts in Tel Aviv\, Teatro Carlo Felice in Genova\, Great Hall of Moscow Conservatory\, and Sala Greppi in Bergamo. A dedicated chamber musician\, she has performed piano duo repertoire with her husband\, Lukas Geniušas\, and has collaborated with the Quartetto di Cremona. Recent and upcoming engagements include debuts with the Atlanta Symphony Orchestra\, Orquesta Filarmónica de Buenos Aires\, Stavanger Symphony Orchestra\, Des Moines Symphony\, Kristiansand Symfonieorkester\, and Osaka Philharmonic. She also returns to the Taipei Symphony Orchestra and Grand Teton Music Festival Orchestra. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nWu Han\nPiano \n\n\n\n\n\n\nPianist Wu Han\, recipient of Musical America’s Musician of the Year Award\, enjoys a multi-faceted musical life that encompasses artistic direction\, performing\, and recording at the highest levels. Co-Artistic Director of the Chamber Music Society of Lincoln Center since 2004 as well as Founder and Co-Artistic Director of Silicon Valley’s innovative chamber music festival Music@Menlo since 2002\, she also serves as Artistic Advisor for Wolf Trap’s Chamber Music at the Barns series and Palm Beach’s Society of the Four Arts\, and as Artistic Director for La Musica in Sarasota\, Florida. Her recent concert activities have taken her from New York’s Lincoln Center stages to the most important concert halls in the United States\, Europe\, and Asia. In addition to countless performances of virtually the entire chamber repertoire\, her concerto performances include appearances with the Philadelphia Orchestra\, the Atlanta Symphony\, and the Aspen Festival Orchestra. She is the Founder and Artistic Director of ArtistLed\, classical music’s first artist-directed\, internet-based recording label\, which has released her performances of the staples of the cello-piano duo repertoire with cellist David Finckel. Her more than 80 releases on ArtistLed\, CMS Live\, and Music@Menlo LIVE include masterworks of the chamber repertoire with numerous distinguished musicians. Wu Han’s educational activities include overseeing CMS’s Bowers Program and the Chamber Music Institute at Music@Menlo. A recipient of the prestigious Andrew Wolf Award\, she was mentored by some of the greatest pianists of our time\, including Lilian Kallir\, Rudolf Serkin\, and Menahem Pressler. Married to cellist David Finckel since 1985\, Wu Han divides her time between concert touring and residences in New York City and Westchester County. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nChad Hoopes\nViolin \n\n\n\n\n\n\nAmerican violinist Chad Hoopes is a consistent and versatile performer with the world’s leading orchestras\, including the Philadelphia Orchestra\, l’Orchestre de Paris\, l’Orchestre National du Capitole de Toulouse\, Orpheus Chamber Orchestra\, the Konzerthausorchester Berlin\, and the Minnesota and National Arts Centre orchestras\, as well the San Francisco\, Pittsburgh\, Houston\, and National symphonies. An alum of CMS’s Bowers Program\, he performs regularly on tour and at Alice Tully Hall with the Chamber Music Society of Lincoln Center. He has been a guest of the Moritzburg Festival\, Rheingau Musik Festival\, and Aspen Music Festival\, and has been featured on recordings including the recent Moritzburg Festival Dvořák album with cellist Jan Vogler\, released by Sony Classical\, and with the MDR Leipzig and conductor Kristjan Järvi performing the Mendelssohn Violin Concerto on the Naïve label. He has performed in recital at the Ravinia Festival\, the Tonhalle Zürich\, and the Louvre\, as well as on Lincoln Center’s Great Performers series. He is a 2017 recipient of Lincoln Center’s Avery Fisher Career Grant and appeared as the cover feature on the November 2021 edition of The Strad. Hoopes attended the Cleveland Institute of Music before studying with Ana Chumachenco at the Kronberg Academy. He plays the 1991 Samuel Zygmuntowicz\, ex Isaac Stern violin. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nArnaud Sussmann\nViolin \n\n\n\n\n\n\nWinner of a 2009 Avery Fisher Career Grant\, Arnaud Sussmann has recently appeared as soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician\, he has performed at London’s Wigmore Hall\, the Dresden Music Festival\, and the Phillips Collection in Washington\, DC. He has also given concerts at the Moritzburg\, Caramoor\, Music@Menlo\, La Jolla SummerFest\, Mainly Mozart\, Seattle Chamber Music\, Chamber Music Northwest\, and Moab Music festivals. An alum of CMS’s Bowers Program\, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program\, and teaches at Stony Brook University. In September 2022\, he was named Founding Artistic Director of the Boscobel Chamber Music Festival. Mr. Sussmann plays a 1731 Stradivarius violin on loan from a private owner. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nEdward Arron\nCello \n\n\n\n\n\nCellist Edward Arron has garnered recognition worldwide for his elegant musicianship\, impassioned performances\, and creative programming. The 2026–27 season marks his 14th year as the co-artistic director with his wife\, pianist Jeewon Park\, of the Performing Artists in Residenceseries at the Clark Art Institute in Williamstown\, Massachusetts. He tours and records as a member of the Ehnes Quartet\, and appears regularly at the Boston and Seattle Chamber Music Societies\, the Brooklyn Chamber Music Society\, Bargemusic\, Caramoor\, Bowdoin International Music Festival\, Charlottesville Chamber Music Festival\, Seoul Spring Festival in Korea\, Music in the Vineyards Festival\, Lake Champlain Chamber Music Festival\, Manchester Music Festival\, and the Kuhmo Chamber Music Festival in Finland. A native of Cincinnati\, Ohio\, Arron studied in New York with Peter Wiley and graduated from the Juilliard School\, where he was a student of Harvey Shapiro. He served on the faculty at New York University from 2009 to 2016 and at University of Massachusetts Amherst from 2016 to 2026.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nDavid Finckel\nCello \n\n\n\n\n\nCo-Artistic Director of CMS since 2004\, cellist David Finckel’s dynamic musical career has included performances on the world’s stages in the roles of recitalist\, chamber artist\, and orchestral soloist. The first American student of Mstislav Rostropovich\, he joined the Emerson String Quartet in 1979\, and during 34 seasons garnered nine Grammy Awards and the Avery Fisher Prize. His quartet performances and recordings include quartet cycles of Mozart\, Beethoven\, Schubert\, Schumann\, Mendelssohn\, Dvorák\, Brahms\, Bartók\, and Shostakovich\, as well as collaborative masterpieces and commissioned works. In 1997\, he and pianist Wu Han founded ArtistLed\, the first internet-based\, artist-controlled classical recording label. ArtistLed’s catalog of more than 20 releases includes the standard literature for cello and piano\, plus works composed for the duo by George Tsontakis\, Gabriela Lena Frank\, Bruce Adolphe\, Lera Auerbach\, Edwin Finckel\, Augusta Read Thomas\, and Pierre Jalbert. In 2022\, Music@Menlo\, an innovative summer chamber music festival in Silicon Valley founded and directed by David and Wu Han\, celebrated its 20th season. As a young student\, David was winner of the Philadelphia Orchestra’s junior and senior divisions\, resulting in two performances with the orchestra. Having taught extensively with the late Isaac Stern in America\, Israel\, and Japan\, he is currently a professor at both the Juilliard School and Stony Brook University\, and oversees both CMS’s Bowers Program and Music@Menlo’s Chamber Music Institute. David’s 100 online Cello Talks\, lessons on cello technique\, are viewed by an international audience of musicians. Along with Wu Han\, he was the recipient of Musical America’s 2012 Musicians of the Year Award. \n\nRead full profile
URL:https://www.pianyc.net/event/dvorak-debussy-and-chaminade-at-lincoln-center/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261025T170000
DTEND;TZID=America/New_York:20261025T183000
DTSTAMP:20260812T030937Z
CREATED:20260810T224536Z
LAST-MODIFIED:20260812T030937Z
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SUMMARY:Beethoven Piano Sonatas I at Lincoln Center
DESCRIPTION:CMS is thrilled to present one of the greatest cycles of music ever created: Ludwig van Beethoven’s sonatas for solo piano. \nThe first program in the cycle of Beethoven’s piano sonatas traces the extraordinary evolution of his compositional language—from his first published sonata to the heroic “Waldstein” and finally to the “Hammerklavier\,” the definitive\, hard-earned breakthrough to his late style. \n\nProgram \n\n\nProgram\n\n\n\nLudwig van Beethoven\n(1770–1827) \n\n\n\n\nSonata No. 1 in F minor for Piano\, Op. 2\, No. 1\n(1795) \n\n\n\n\n\n\nLudwig van Beethoven\n(1770–1827) \n\n\n\n\nSonata No. 21 in C major for Piano\, Op. 53\, “Waldstein”\n(1803-04) \n\n\n\n\n\n\nLudwig van Beethoven\n(1770–1827) \n\n\n\n\nSonata No. 29 in B-flat major for Piano\, Op. 106\, “Hammerklavier”\n(1817-18) \n\n\n\n\n\n\n\nPerformers \n\n\n\n\n\n\n\n\nGilles Vonsattel\nPiano\n\n\n\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nGilles Vonsattel\nPiano \n\n\n\n\n\nSwiss-born American pianist Gilles Vonsattel boasts remarkable versatility and artistic originality. Winner of an Avery Fisher Career Grant\, the 2016 Andrew Wolf Chamber Music Award\, and top prizes in the Naumburg and Geneva competitions\, he has graced prestigious stages worldwide\, enthralling audiences with recitals and chamber performances\, and collaborating with renowned orchestras including the Munich Philharmonic and the Boston\, Chicago\, and San Francisco symphonies. As a champion of new music\, he has premiered compositions by celebrated composers such as Jörg Widmann\, Heinz Holliger\, Anthony Cheung\, and George Benjamin. He is an alum of CMS’s Bowers Program and has earned degrees from Columbia University and the Juilliard School. Today\, Vonsattel shares his passion for music as a Professor of Piano at the University of Massachusetts\, Amherst. \n\nRead full profile
URL:https://www.pianyc.net/event/beethoven-piano-sonatas-i-at-lincoln-center/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261018T170000
DTEND;TZID=America/New_York:20261018T183000
DTSTAMP:20260812T022924Z
CREATED:20260810T224535Z
LAST-MODIFIED:20260812T022924Z
UID:10009525-1792342800-1792348200@www.pianyc.net
SUMMARY:Mendelssohn's B-minor Piano Quartet at Lincoln Center
DESCRIPTION:In a program where music evolves from work to work\, all roads lead to Mendelssohn\, who assimilated and combined the best of his predecessors during the midst of the Romantic era. The wit of Haydn\, the strength of Beethoven\, and the lyricism of Schubert all found a home in Mendelssohn’s prolific pen. Join us for an exciting journey from the elegant Age of Reason into the turbulent 19th century. \n\nProgram \n\n\nProgram\n\n\n\nJoseph Haydn\n(1732–1809) \n\n\n\n\nTrio in B-flat major for Violin\, Cello and Piano\, Hob. XV:20\n(1794) \n\n\n\n\n\n\nLudwig van Beethoven\n(1770–1827) \n\n\n\n\nAllegretto in B-flat major for Piano\, Violin\, and Cello\, WoO 39\n(1812) \n\n\n\n\n\n\nFranz Schubert\n(1797–1828) \n\n\n\n\nSonata in A minor for Viola and Piano\, D. 821\, “Arpeggione”\n(1824) \n\n\n\n\n\n\nFelix Mendelssohn\n(1809–1847) \n\n\n\n\nQuartet in B minor for Piano\, Violin\, Viola\, and Cello\, Op. 3\n(1825) \n\n\n\n\n\n\n\nPerformers \n\n\n\n\n\n\n\n\nOrion Weiss\nPiano\n\n\n\n\n\n\n\nJulian Rhee\nViolin\n\n\n\n\n\n\n\nTimothy Ridout\nViola\n\n\n\n\n\n\n\nSterling Elliott\nCello\n\n\n\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nOrion Weiss\nPiano \n\n\n\n\n\n\nOne of the most sought-after soloists and chamber music collaborators of his generation\, Orion Weiss is widely regarded as a “brilliant pianist” (New York Times) with “powerful technique and exceptional insight” (Washington Post). He has performed with dozens of orchestras in North America including the Chicago Symphony\, Baltimore Symphony\, Boston Symphony\, San Francisco Symphony\, Philadelphia Orchestra\, Los Angeles Philharmonic\, and New York Philharmonic and at major venues and festivals worldwide. \nKnown for his affinity for chamber music\, Weiss performs regularly with violinists Augustin Hadelichand James Ehnes; pianists Michael Brown and Shai Wosner; and the Ariel\, Parker\, and Pacifica Quartets. In recent seasons\, he has also performed with the Israel Philharmonic Orchestra\, Pittsburgh Symphony\, Toronto Symphony Orchestra\, National Arts Centre Orchestra\, and Orpheus Chamber Orchestra. Weiss can be heard on the Naxos\, Telos\, Bridge\, First Hand\, Yarlung\, and Artek labels. \nWeiss has been awarded the Classical Recording Foundation’s Young Artist of the Year\, Gilmore Young Artist Award\, an Avery Fisher Career Grant\, and the Mieczyslaw Munz Scholarship. A native of Ohio\, Weiss attended the Cleveland Institute of Music and the Juilliard School\, where he studied with Emanuel Ax. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJulian Rhee\nViolin \n\n\n\n\n\nWinner of the prestigious 2024 Avery Fisher Career Grant\, Korean-American violinist Julian Rhee came to international prominence following his prize-winning performances at the 2024 Queen Elisabeth International Violin Competition and Silver Medal finish at the 11th Quadrennial International Violin Competition of Indianapolis. He has appeared with orchestras including the Stuttgarter Kammerorchester\, Oregon Symphony\, Milwaukee Symphony\, Calgary Philharmonic\, Belgian National Orchestra\, Antwerp Symphony\, Indianapolis Symphony\, Pittsburgh Symphony\, Richmond Symphony\, and San Diego Symphony. Julian is a member of CMS’s Bowers Program and has performed at festivals including Marlboro Music\, Ravinia Steans Institute\, and North Shore Chamber Music Festival. He studied at the New England Conservatory with Miriam Fried\, and currently works with Christian Tetzlaff at the Kronberg Academy. Julian is the recipient of the 1699 “Lady Tennant” Antonio Stradivari violin and a Jean Pierre Marie Persoit bow on extended loan through the generosity of the Mary B. Galvin Foundation and the Stradivari Society. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nTimothy Ridout\nViola \n\n\n\n\n\nViolist Timothy Ridout has appeared with orchestras including the Bavarian Radio Symphony Orchestra\, Chamber Orchestra of Europe\, Tonhalle-Orchester Zürich\, BBC Symphony Orchestra\, Tokyo Symphony Orchestra\, and the Netherlands Philharmonic\, working alongside conductors such as Sakari Oramo\, Sir András Schiff\, Sylvain Cambreling\, and Sir Simon Rattle. A committed chamber musician\, he performs regularly at Wigmore Hall\, Alice Tully Hall\, and the Musikverein\, with partners including Janine Jansen\, Leonidas Kavakos\, and Yo-Yo Ma. A champion of new music\, Ridout premiered Mark Simpson’s Viola Concerto Hold Your Heart in Your Teeth with the Deutsches Symphonie-Orchester Berlin under Robin Ticciati. He records with Harmonia Mundi\, and has made appearances at the BBC Proms\, Verbier Festival\, and Festspiele Mecklenburg-Vorpommern. Ridout is a former BBC New Generation Artist\, an alum of CMS’s Bowers program\, and a Borletti-Buitoni Trust Fellow. He performs on a viola by Peregrino di Zanetto\, c.1565–75\, on generous loan from a patron of Beare’s International Violin Society.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nSterling Elliott\nCello \n\n\n\n\n\nAcclaimed for his stellar stage presence and joyous musicianship\, cellist Sterling Elliott is a 2021 Avery Fisher Career Grant recipient and winner of the 2019 National Sphinx Competition. He has appeared with major orchestras including the Philadelphia and Cleveland Orchestras; the New York and Los Angeles Philharmonics; and the Boston\, Dallas\, and Detroit Symphonies. In 2025–26 Sterling debuts with the Phoenix Symphony and the Buffalo Philharmonic\, and at the BBC Proms. As featured soloist with the Sphinx Virtuosi\, he will perform during a mutli-city tour at Carnegie Hall\, Shriver Concert Series\, and Philadelphia Chamber Music Society. He also continues his residency in CMS’s Bowers Program\, performing at Alice Tully Hall and on tour throughout the United States\, as well as in trio performances with Anthony McGill and Gloria Chien. He performs on a 1741 Gennaro Gagliano cello on loan through the Robert F. Smith Fine String Patron Program\, in partnership with the Sphinx Organization. \n\nRead full profile
URL:https://www.pianyc.net/event/mendelssohns-b-minor-piano-quartet-at-lincoln-center/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261013T193000
DTEND;TZID=America/New_York:20261013T210000
DTSTAMP:20260812T022601Z
CREATED:20260810T224534Z
LAST-MODIFIED:20260812T022601Z
UID:10009523-1791919800-1791925200@www.pianyc.net
SUMMARY:Copland's Appalachian Spring at Lincoln Center
DESCRIPTION:From ragtime to music for ballet and film\, this program showcases American music in a wide range of styles from four of its greatest composers: William Bolcom\, an American icon as prolific as Mozart; Amy Beach\, who broke the gender barrier with works of genius; Bernard Herrmann\, a New York City wunderkind who took Hollywood by storm; and Aaron Copland\, whose music personified the American spirit. \n\nProgram \n\n\nProgram\n\n\n\nWilliam Bolcom\n(b. 1938) \n\n\n\n\nThree Rags for String Quartet\n(1989) \n\n\n\n\n\n\nAmy Beach\n(1867–1944) \n\n\n\n\nQuintet in F-sharp minor for Piano\, Two Violins\, Viola\, and Cello\, Op. 67\n(1907) \n\n\n\n\n\n\nBernard Herrmann\n(1911-1975) \n\n\n\n\nPsycho: A Narrative for String Ensemble\n(1960\, rev. 1968 (ed. Mauceri 1999)) \n\n\n\n\n\n\nAaron Copland\n(1900–1990) \n\n\n\n\nAppalachian Spring Suite for Ensemble\n(1944) \n\n\n\n\n\n\n\nPerformers \n\n\n\n\n\n\n\n\nAnne-Marie McDermott\nPiano\n\n\n\n\n\n\n\nFrancisco Fullana\nViolin\n\n\n\n\n\n\n\nKristin Lee\nViolin\n\n\n\n\n\n\n\nLun Li\nViolin\n\n\n\n\n\n\n\nRichard Lin\nViolin\n\n\n\n\n\n\n\nPaul Neubauer\nViola\n\n\n\n\n\n\n\nDaniel Phillips\nViola\n\n\n\n\n\n\n\nDmitri Atapine\nCello\n\n\n\n\n\n\n\nNicholas Canellakis\nCello\n\n\n\n\n\n\n\nNina Bernat\nDouble Bass\n\n\n\n\n\n\n\nTara Helen O’Connor\nFlute\n\n\n\n\n\n\n\nDavid Shifrin\nClarinet\n\n\n\n\n\n\n\nMarc Goldberg\nBassoon\n\n\n\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nAnne-Marie McDermott\nPiano \n\n\n\n\n\nOne of the most dazzling American pianists of her generation\, Anne-Marie McDermott has performed concertos\, recitals\, and chamber music throughout the United States\, Europe\, and Asia. She is an insightful interpreter of Baroque and Classical masterpieces\, 20th-century modernism\, and music by influential contemporary composers. McDermott has soloed with the New York Philharmonic\, Hong Kong Philharmonic\, and the National Symphony Orchestra. She is currently recording the complete Beethoven piano concertos with Mexico City’s Orquesta Sinfónica de Minería under Carlos Miguel Prieto. Her recordings also include the complete piano sonatas of Prokofiev\, solo works by Chopin\, Bach’s English Suites and Partitas\, and Gershwin’s works for piano and orchestra. She received a 2024 Honorary Doctorate from the Manhattan School of Music. McDermott is the Artistic Director of the Ocean Reef Chamber Music Festival\, and of the McKnight Center’s Chamber Music Festival. Her tenure as Artistic Director of Bravo! Vail Music Festival concluded in summer 2026.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nFrancisco Fullana\nViolin \n\n\n\n\n\nSpanish-American violinist Francisco Fullana has been praised by BBC Music Magazine for “managing to combine Itzhak Perlman’s warmth with the aristocratic poise of Henryk Szeryng.” Recipient of the Avery Fisher Career Grant and an alum of CMS’s Bowers Program\, Fullana makes concerto appearances across three continents this season\, including debuts with the San Francisco and Utah Symphonies\, and serves as artistic advisor to the Chamber Orchestra of Philadelphia and The Orchestra San Antonio. As Outhere Music’s newest recording artist\, he will release an album of Lalo and Ginastera concertos under Carlos Miguel Prieto. His passion for curating audience experiences continues with a new project centered on Goya’s The Forge\, premiering at the opening night of the Frick Collection’s Music at the Frick series in fall 2026. Fullana performs on the 1735 “Mary Portman” ex-Kreisler Guarneri del Gesù\, generously loaned by Clement and Karen Arrison through the Stradivari Society of Chicago.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nKristin Lee\nViolin \n\n\n\n\n\nA recipient of the Avery Fisher Career Grant as well as a top-prize winner of the International Naumburg Violin Competition and the Astral Artists’ National Auditions\, Kristin Lee is a violinist of remarkable versatility and impeccable technique who enjoys a vibrant career as a soloist\, recitalist\, and chamber musician. Lee has appeared as soloist with the Philadelphia Orchestra\, St. Louis Symphony\, Hawai’i Symphony\, the Hong Kong Philharmonic\, and many others. She is also the co-founder and Artistic Director of Emerald City Music in Seattle. Lee released her critically acclaimed debut solo album\, American Sketches\, on First Hand Records in November 2024. In 2026\, she will collaborate with Grammy-nominated ensemble Sandbox Percussion\, featuring a new commission by Vivian Fung. Lee’s violin was crafted in Naples in 1759 by Gennaro Gagliano and is generously loaned to her by Paul and Linda Gridley. She is an alum of CMS’s Bowers Program. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nLun Li\nViolin \n\n\n\n\n\nViolinist Lun Li\, a native of Shanghai based in New York\, is the First Prize winner of the 2021 Young Concert Artists Susan Wadsworth International Auditions. He has appeared on major stages including Carnegie Hall\, Helsinki Music Center\, Konzerthaus Berlin\, Kulturpalast Dresden\, Wiener Konzerthaus\, and Verizon Hall\, and has recently made recital and concerto debuts at Merkin Hall\, the Kennedy Center\, Lincoln Center\, the Tokyo Symphony\, the Osaka Symphony\, and the Kyoto Symphony. An avid chamber musician\, he has performed at the Marlboro\, Music@Menlo\, Verbier\, Tippet Rise\, Newport\, and Bard music festivals. A member of CMS’s Bowers Program\, Li holds degrees from the Curtis Institute of Music and the Juilliard School\, where his teachers included Ida Kavafian\, Catherine Cho\, and Joseph Lin. He plays the 1735 “Samazeuilh” Stradivarius\, on loan from the Nippon Music Foundation. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nRichard Lin\nViolin \n\n\n\n\n\nRichard Lin rose to international prominence after winning the Gold Medal at the 2018 Indianapolis International Violin Competition. He is also a top prizewinner of the Sendai\, Joseph Joachim\, Singapore\, and Michael Hill International Violin Competitions.Since his Carnegie Hall Stern Auditorium recital debut in 2022\, he has appeared as a soloist with leading orchestras worldwide\, including the NDR Radiophilharmonie\, Indianapolis Symphony Orchestra\, Yomiuri Nippon Symphony Orchestra\, Tokyo Symphony Orchestra\, Shanghai Symphony Orchestra\, Hong Kong Sinfonietta\, and the Taiwan Philharmonic\, among others. He is also an alum of CMS’s Bowers Program. His recordings include albums on Azica Records and Fontec\, and he is on the faculty of the National Taipei University of Education. Lin performs on the 1714 Antonio Stradivarius “Joachim-Ma\,” generously loaned by the YAGEO Foundation\, Taiwan.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nPaul Neubauer\nViola \n\n\n\n\n\nLast summer\, violist Paul Neubauer premiered a new viola concerto by Ellen Taaffe Zwilich with conductor JoAnn Falletta at the Brevard Music Center. This season\, he will record and perform the work with the Buffalo Philharmonic Orchestra. In 2025\, he released two albums on First Hand Records featuring the final works of two great composers: an all-Bartók album including the revised version of the Viola Concerto\, and a Shostakovich recording that includes the monumental Viola Sonata. Appointed principal violist of the New York Philharmonic at the age of 21\, Neubauer has appeared as soloist with the New York\, Los Angeles\, and Helsinki Philharmonics; the Chicago\, National\, St. Louis\, Detroit\, Dallas\, San Francisco\, and Bournemouth Symphonies; and the Santa Cecilia\, English Chamber\, and Beethovenhalle Orchestras. A two-time Grammy nominee\, Neubauer is artistic director of the Mostly Music series in New Jersey and serves on the faculties of the Juilliard School and Mannes College.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nDaniel Phillips\nViola \n\n\n\n\n\n\nViolinist/violist Daniel Phillips enjoys a versatile career as a chamber musician\, soloist\, and teacher. A graduate of Juilliard\, he counts among his teachers his father\, Eugene Phillips\, Ivan Galamian\, Sally Thomas\, Nathan Milstein\, Sándor Végh\, and George Neikrug. He co-founded the Orion String Quartet\, which played worldwide for 37 years. Since winning the 1976 Young Concert Artists Competition\, he has performed as soloist with many major orchestras. Along with his wife\, Tara Helen O’Connor\, he is the Co-Artistic Director of Music from Angel Fire. He was a member of the renowned Bach Aria Group and has toured and recorded in a string quartet for Sony with Gidon Kremer\, Kim Kashkashian\, and Yo-Yo Ma. Phillips is a professor at the Aaron Copland School of Music at Queens College and on the faculties of Bard College Conservatory and Juilliard. He plays a violin made by Samuel Zygmuntowicz in 2017 and a 1702 Stradivarius\, and a viola made by his grandfather\, Benjamin F. Phillips. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nDmitri Atapine\nCello \n\n\n\n\n\n\nCellist Dmitri Atapine has been praised for his “brilliant technical chops” (Gramophone) and performances that are “highly impressive throughout” (The Strad). He has appeared at leading venues\, including Carnegie Hall’s Zankel and Weill halls\, the National Auditorium of Spain\, and Beijing’s Forbidden City Concert Hall. He performs frequently with CMS\, where he is an alum of the Bowers Program. He has been featured at festivals including Music@Menlo\, La Musica Sarasota\, Aldeburgh\, and Aix-en-Provence. His many recordings include a world-premiere release of Lowell Liebermann’s cello sonatas. He has received multiple performance and teaching awards\, including first prize at the Carlos Prieto International Cello Competition. He holds a doctorate from the Yale School of Music\, where he studied with Aldo Parisot. Atapine is Professor of Cello at the University of Nevada\, Reno. Together with pianist Hyeyeon Park\, he serves as Artistic Co-Director of Friends of Chamber Music Kansas City and Apex Concerts (Nevada). He is also the Artistic Co-Director designate of Music@Menlo. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nNicholas Canellakis\nCello \n\n\n\n\n\n\nNicholas Canellakis has become one of the most sought-after and innovative cellists of his generation\, praised in the New Yorker as a “superb young soloist.” Recent highlights include solo debuts with the Virginia\, Albany\, Bangor\, and Delaware symphony orchestras; concerto appearances with the Erie Philharmonic\, the New Haven Symphony\, and the American Symphony Orchestra; Europe and Asia tours with CMS; and recitals throughout the US with his longtime duo collaborator\, pianist-composer Michael Stephen Brown. An alum of CMS’s Bowers Program\, he is a regular guest artist at many of the world’s leading music festivals. Canellakis is the Artistic Director of Chamber Music Sedona in Arizona and is a graduate of the Curtis Institute of Music (where he was recently appointed to the cello faculty) and New England Conservatory. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nNina Bernat\nDouble Bass \n\n\n\n\n\nDouble bassist Nina Bernat has established herself as one of the leading solo voices for her instrument. The Star Tribune praised her concerto debut with the Minnesota Orchestra as “exhilarating\, lovely and lyrical.” In 2023\, she became the first female bassist to receive the Avery Fisher Career Grant and won first prize in the Concert Artists Guild Elmaleh Competition. She has appeared as soloist with the Minnesota Orchestra\, Brooklyn Symphony Orchestra\, and Long Island Symphony\, and her performances have been featured on NPR’s Performance Today. Her debut album\, Crossroads\, will be released in fall 2026. She is a member of the CMS’s Bowers Program and has appeared at major music festivals such as Marlboro\, Music@Menlo\, Chamber Music Northwest\, and Bridgehampton. She is Professor of Double Bass at Stony Brook University and performs regularly with ROCO and Sejong Soloists\, and has appeared as guest principal with the Israel and Oslo Philharmonics.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nTara Helen O’Connor\nFlute \n\n\n\n\n\n\nTara Helen O’Connor\, recipient of an Avery Fisher Career Grant and a two-time Grammy nominee\, was the first wind player to participate in CMS’s Bowers Program. A regular performer at major music festivals around the country\, she is also the Co-Artistic Director of the Music from Angel Fire Festival in New Mexico\, the Artistic Director of the Essex Winter Series\, a member of the woodwind quintet Windscape\, and a founding member of the Naumburg Award–winning New Millennium Ensemble. She has recorded for Deutsche Grammophon\, EMI Classics\, Koch International\, CMS Studio Recordings\, and Bridge Records\, and can be heard on numerous film and television soundtracks. She has premiered hundreds of new works and has collaborated with the Orion\, St. Lawrence\, and Emerson String Quartets. A Wm. S. Haynes flute artist\, O’Connor is on faculty at Yale School of Music. Additionally\, she teaches at Bard College and the Manhattan School of Music. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nDavid Shifrin\nClarinet \n\n\n\n\n\n\nA Yale University faculty member since 1987\, clarinetist David Shifrin is artistic director of Yale’s Chamber Music Society and the Yale in New York concert series. He has performed with CMS since 1982 and served as its artistic director from 1992 to 2004\, inaugurating CMS’s Bowers Program and the annual Brandenburg Concertos concerts. He was the artistic director of Chamber Music Northwest from 1981 to 2020. Winner of the Avery Fisher Career Grant (1987) and the Avery Fisher Prize (2000)\, he has held principal clarinet positions in numerous orchestras including the Cleveland Orchestra and the American Symphony under Leopold Stokowski. As soloist\, Shifrin has performed recitals at Lincoln Center\, Carnegie Hall\, and the Library of Congress. Notable concerto performances include the Philadelphia and Minnesota orchestras; the Dallas\, Seattle\, Houston\, Milwaukee\, and Denver symphonies; as well as orchestras in China\, Taiwan\, Japan\, Korea\, Switzerland\, Germany\, and Italy. Shifrin performs on clarinets made by Morrie Backun in Vancouver\, Canada\, and Légère synthetic reeds. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nMarc Goldberg\nBassoon \n\n\n\n\n\nA member of the St. Luke’s Chamber Ensemble and New York Woodwind Quintet\, Marc Goldberg is principal bassoonist of the Festival Orchestra of Lincoln Center\, Orchestra of St. Luke’s\, American Ballet Theater\, the Saito Kinen Orchestra\, and the NYC Opera. Previously the associate principal bassoonist of the New York Philharmonic\, he has also been a frequent guest of the Boston Symphony Orchestra\, Metropolitan Opera\, and Orpheus Chamber Orchestra\, touring with these ensembles across four continents and joining them on numerous recordings. A long-time season artist of the Chamber Music Society of Lincoln Center\, he has been a guest of the Boston Symphony Chamber Players\, the Brentano Quartet\, Music@Menlo\, Musicians from Marlboro\, and Carnegie Hall’s Zankel Band. Goldberg is on the faculty of the Juilliard School Pre-College Division\, Mannes College\, New England Conservatory\, the Hartt School\, and the Bard College Conservatory of Music. \n\nRead full profile
URL:https://www.pianyc.net/event/coplands-appalachian-spring-at-lincoln-center/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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SUMMARY:Beethoven 8 + Peter Drew's Kaleidoscope at Alice Tully Hall
DESCRIPTION:Beethoven’s 8th Symphony and a new Double Concerto for Organ\, Piano\, and Orchestra. \nSeats from $30 – 10% off with code LVB10 . \nArista Symphony Orchestra Ben Sellick \, Conductor Max Hammond \, Piano Michael Hey \, Organ \nProgram BEN SELLICK Two Pieces After John Steinbeck (World Premiere) PETER DREW Kaleidoscope: Double Concerto for Piano and Organ (World Premiere) PETER DREW Symphony No. 2\, “Shades of Noir” LUDWIG VAN BEETHOVEN Symphony No. 8 in F major\, Op. 93 \nIf you have any questions about this event\, please contact Guest Experience at 212-875-5456 or guestexperience@lincolncenter.org . \nPlease note: this event is presented by an outside licensee and is not a production or presentation of Lincoln Center for the Performing Arts or a Lincoln Center resident organization.
URL:https://www.pianyc.net/event/beethoven-8-peter-drews-kaleidoscope-at-alice-tully-hall/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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SUMMARY:Beethoven's "Archduke" Trio at Lincoln Center
DESCRIPTION:Beethoven’s many works\, right down to their individual movements\, abound with a variety that is beyond belief. This all-Beethoven program highlights the abundant variety of his compositions pays tribute to his genius\, beginning with early chamber works and culminating in the grandeur of his “Archduke” Trio. Though Beethoven’s performances of the “Archduke” Trio would mark his last public performances as a pianist because of his growing deafness\, his reputation as a composer would continue to grow\, as demonstrated in the now-legendary status of this transformational piano trio. \nPlease note that 40 & Under pricing is available only for the Tue\, Jan 27 performance. \n\nProgram \n\n\nProgram\n\n\n\nLudwig van Beethoven\n(1770–1827) \n\n\n\n\nTrio in D major for Violin\, Viola\, and Cello\, Op. 9\, No. 2\n(1797-98) \n\n\n\n\n\n\nLudwig van Beethoven\n(1770–1827) \n\n\n\n\nSonata in E-flat major for Violin and Piano\, Op. 12\, No. 3\n(1797–98) \n\n\n\n\n\n\nLudwig van Beethoven\n(1770–1827) \n\n\n\n\nTrio in B-flat major for Piano\, Violin\, and Cello\, Op. 97\, “Archduke”\n(1810-11) \n\n\n\n\n\n\n\nPerformers \n\n\n\n\n\n\n\n\nJuho Pohjonen\nPiano\n\n\n\n\n\n\n\nKristin Lee\nViolin\n\n\n\n\n\n\n\nArnaud Sussmann\nViolin/Viola\n\n\n\n\n\n\n\nDavid Finckel\nCello\n\n\n\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJuho Pohjonen\nPiano \n\n\n\n\n\n\nPianist Juho Pohjonen is in demand internationally as an orchestral soloist\, recitalist\, and chamber performer. An ardent exponent of Scandinavian music\, he has a growing discography offering music by Finnish compatriots such as Esa-Pekka Salonen\, Kaija Saariaho\, and Jean Sibelius. Recent engagements include the Taiwan\, BBC\, and Los Angeles Philharmonic orchestras; the Cleveland and Minnesota orchestras; and the symphonies of San Francisco\, Atlanta\, New Jersey\, and Colorado. Pohjonen is an alum of the Chamber Music Society of Lincoln Center’s Bowers Program and enjoys an ongoing relationship with the organization. Pohjonen earned a master’s degree from Meri Louhos and Hui-Ying Liu-Tawaststjerna at the Sibelius Academy in Helsinki. He was selected by Sir András Schiff as the winner of the 2009 Klavier Festival Ruhr Scholarship. In 2019\, Pohjonen launched MyPianist\, an AI-based app that provides interactive piano accompaniment. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nKristin Lee\nViolin \n\n\n\n\n\nA recipient of the Avery Fisher Career Grant as well as a top-prize winner of the International Naumburg Violin Competition and the Astral Artists’ National Auditions\, Kristin Lee is a violinist of remarkable versatility and impeccable technique who enjoys a vibrant career as a soloist\, recitalist\, and chamber musician. Lee has appeared as soloist with the Philadelphia Orchestra\, St. Louis Symphony\, Hawai’i Symphony\, the Hong Kong Philharmonic\, and many others. She is also the co-founder and Artistic Director of Emerald City Music in Seattle. Lee released her critically acclaimed debut solo album\, American Sketches\, on First Hand Records in November 2024. In 2026\, she will collaborate with Grammy-nominated ensemble Sandbox Percussion\, featuring a new commission by Vivian Fung. Lee’s violin was crafted in Naples in 1759 by Gennaro Gagliano and is generously loaned to her by Paul and Linda Gridley. She is an alum of CMS’s Bowers Program. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nArnaud Sussmann\nViolin/Viola \n\n\n\n\n\n\nWinner of a 2009 Avery Fisher Career Grant\, Arnaud Sussmann has recently appeared as soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician\, he has performed at the Tel Aviv Museum\, London’s Wigmore Hall\, the Dresden Music Festival\, and the Phillips Collection in Washington\, DC. He has also given concerts at the Moritzburg\, Caramoor\, Music@Menlo\, La Jolla SummerFest\, Mainly Mozart\, Seattle Chamber Music\, Chamber Music Northwest\, and Moab Music festivals. An alum of CMS’s Bowers Program\, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program\, and teaches at Stony Brook University. In September 2022\, he was named Founding Artistic Director of the Boscobel Chamber Music Festival. Mr. Sussmann plays a 1731 Stradivarius violin on loan from a private owner. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nDavid Finckel\nCello \n\n\n\n\n\nCo-Artistic Director of CMS since 2004\, cellist David Finckel’s dynamic musical career has included performances on the world’s stages in the roles of recitalist\, chamber artist\, and orchestral soloist. The first American student of Mstislav Rostropovich\, he joined the Emerson String Quartet in 1979\, and during 34 seasons garnered nine Grammy Awards and the Avery Fisher Prize. His quartet performances and recordings include quartet cycles of Mozart\, Beethoven\, Schubert\, Schumann\, Mendelssohn\, Dvorák\, Brahms\, Bartók\, and Shostakovich\, as well as collaborative masterpieces and commissioned works. In 1997\, he and pianist Wu Han founded ArtistLed\, the first internet-based\, artist-controlled classical recording label. ArtistLed’s catalog of more than 20 releases includes the standard literature for cello and piano\, plus works composed for the duo by George Tsontakis\, Gabriela Lena Frank\, Bruce Adolphe\, Lera Auerbach\, Edwin Finckel\, Augusta Read Thomas\, and Pierre Jalbert. In 2022\, Music@Menlo\, an innovative summer chamber music festival in Silicon Valley founded and directed by David and Wu Han\, celebrated its 20th season. As a young student\, David was winner of the Philadelphia Orchestra’s junior and senior divisions\, resulting in two performances with the orchestra. Having taught extensively with the late Isaac Stern in America\, Israel\, and Japan\, he is currently a professor at both the Juilliard School and Stony Brook University\, and oversees both CMS’s Bowers Program and Music@Menlo’s Chamber Music Institute. David’s 100 online Cello Talks\, lessons on cello technique\, are viewed by an international audience of musicians. Along with Wu Han\, he was the recipient of Musical America’s 2012 Musicians of the Year Award. \n\nRead full profile\n\n\n\n\n\n\n\n\n\n\n  \nThis event is recurring on the following dates:\nSun\, Jan 25\, 2026 at 5:00 pm\nTue\, Jan 27\, 2026 at 7:30 pm
URL:https://www.pianyc.net/event/beethovens-archduke-trio-at-lincoln-center/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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SUMMARY:Brahms and Dvořák\, at Lincoln Center
DESCRIPTION:The pairing of Antonín Dvořák\, the Bohemian wearing his heart on his sleeve\, and his mentor Johannes Brahms\, the undisputed master of the German tradition\, offers one of music’s most fertile landscapes. With the profoundest respect for each other’s work (mixed with a tinge of mutual jealousy) the two worked tirelessly at the twilight of the Romantic era\, penning an incomparable collection of beloved works. \n\nProgram \n\n\nProgram\n\n\n\nAntonín Dvořák\n(1841–1904) \n\n\n\n\nSlavonic Fantasie for Violin and Piano\n(arr. Kreisler) (1914) \n\n\n\n\n\n\nAntonín Dvořák\n(1841–1904) \n\n\n\n\nHumoresque for Violin and Piano\, Op. 101\, No. 7\n(arr. Elman) (1894) \n\n\n\n\n\n\nJohannes Brahms\n(1833–1897) \n\n\n\n\nQuintet in F major for Two Violins\, Two Violas\, and Cello\, Op. 88\n(1894) \n\n\n\n\n\n\nJohannes Brahms\n(1833–1897) \n\n\n\n\nSelected Hungarian Dances for Violin and Piano\n(arr. Joseph Joachim) (1868\, 1880) \n\n\n\n\n\n\nAntonín Dvořák\n(1841–1904) \n\n\n\n\nQuintet in E-flat major for Two Violins\, Two Violas\, and Cello\, Op. 97\, “American”\n(1893) \n\n\n\n\n\n\n\nPerformers \n\n\n\n\n\n\n\n\nSahun Sam Hong\nPiano\n\n\n\n\n\n\n\nSean Lee\nViolin\n\n\n\n\n\n\n\nDanbi Um\nViolin\n\n\n\n\n\n\n\nMatthew Lipman\nViola\n\n\n\n\n\n\n\nMilena Pájaro-van de Stadt\nViola\n\n\n\n\n\n\n\nClive Greensmith\nCello\n\n\n\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nSahun Sam Hong\nPiano \n\n\n\n\n\nPianist Sahun Sam Hong is a prizewinner of numerous international competitions\, including the Vendome Prize at Verbier\, International Beethoven Competition Vienna\, and Naumburg International Piano Competition. He has been invited to perform at major chamber music festivals\, and is a prolific arranger of chamber music and orchestral works. He is the Co-Artistic Director of ensemble132\, a chamber music collective that presents his transcriptions on annual tours all around the world. Hong’s primary mentors have included John Owings\, Leon Fleisher\, and Yong Hi Moon. A member of CMS’s Bowers Program\, Hong is currently based in New York City and serves on the faculty of CUNY Queens College. Hong is a Steinway Artist. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nSean Lee\nViolin \n\n\n\n\n\n\nViolinist Sean Lee has captured the attention of audiences around the world with his lively performances of the classics. A recipient of a 2016 Avery Fisher Career Grant\, he is one of few violinists who dares to perform Niccolò Paganini’s 24 Caprices in concert\, and his YouTube series\, Paganini POV\, continues to draw praise for its use of technology in sharing unique perspectives and insight into violin playing. He has performed as a soloist with orchestras including the San Francisco Symphony\, Israel Camerata Jerusalem\, and Orchestra del Teatro Carlo Felice\, and his recital appearances have taken him to Vienna’s Konzerthaus\, Tel Aviv Museum of Art\, and Carnegie Hall’s Weill Recital Hall. As a season artist at the Chamber Music Society of Lincoln Center and an alum of CMS’s Bowers Program\, he continues to perform regularly at Lincoln Center and on tour. Originally from Los Angeles\, Lee studied with Robert Lipsett of the Colburn Conservatory and legendary violinist Ruggiero Ricci before moving at the age of 17 to study at the Juilliard School with his longtime mentor\, violinist Itzhak Perlman. Lee performs on violins made by Samuel Zygmuntowicz in 1995 and David Bague in 1999\, with bows made circa 1890 by Joseph Arthur Vigneron and circa 1910 by W. E. Hill & Sons. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nDanbi Um\nViolin \n\n\n\n\n\nPraised by The Strad as an “utterly dazzling” artist\, violinist Danbi Um captivates audiences with her virtuosity\, individual sound\, and interpretive sensitivity. She is a Menuhin International Violin Competition Silver Medalist\, a winner of the prestigious 2018 Salon de Virtuosi Career Grant\, and a top prizewinner of the Naumburg International Violin Competition. Recent and upcoming engagements include appearances with the Chamber Orchestra of Philadelphia and her Washington\, DC\, recital debut at the Phillips Collection. This season will also see Ms. Um’s return to People’s Symphony\, Saratoga Performing Arts (SPAC)\, Santa Fe\, North Shore Music Festivals\, as well as La Musica Festival (Sarasota). Her debut album\, Much Ado: Romantic Violin Masterworks\, was released in fall 2023. Past concerto engagements include appearances with the Israel Symphony\, Auckland Philharmonic\, Vermont Symphony\, and Dartmouth Symphony. Born in Seoul\, South Korea\, Ms. Um moved to the United States to study at the Curtis Institute of Music\, where she earned a bachelor’s degree. She also holds an Artist Diploma from Indiana University. Her teachers have included Shmuel Ashkenasi\, Joseph Silverstein\, Jaime Laredo\, and Hagai Shaham. She is an alum of CMS’s Bowers Program and plays a 1683 “ex-Petschek” Nicolo Amati violin\, on loan from a private collection. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nMatthew Lipman\nViola \n\n\n\n\n\nAmerican violist Matthew Lipman has made recent appearances with the Chicago Symphony Orchestra\, Chamber Orchestra of Europe\, American Symphony Orchestra\, Munich Symphony Orchestra\, and Minnesota Orchestra. He has performed recitals at Carnegie Hall and the Zürich Tonhalle\, and has recorded on the Sony\, Deutsche Grammophon\, Cedille\, and Avie labels. An alum of CMS’s Bowers Program\, he performs regularly on tour and at Alice Tully Hall with CMS. An Avery Fisher Career Grant recipient and major prize winner at the Primrose and Tertis International Viola Competitions\, Lipman is on faculty at Stony Brook University. He performs on a 2021 Samuel Zygmuntowicz viola. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nMilena Pájaro-van de Stadt\nViola \n\n\n\n\n\nViolist Milena Pájaro-van de Stadt has established herself as one of the most sought-after violists of her generation. In addition to appearing as soloist with the Tokyo Philharmonic\, the Jacksonville Symphony\, and the Sphinx Chamber Orchestra\, she has performed in recitals and chamber-music concerts throughout the United States\, Latin America\, Europe\, and Asia\, including an acclaimed 2011 debut recital at London’s Wigmore Hall. She was the founding violist of the Dover Quartet\, and played in the group from 2008 to 2022. In 2013 the Dover Quartet was the first-prize winner and recipient of every special award at the Banff International String Quartet Competition\, and won the gold medal and grand prize in the 2010 Fischoff Chamber Music Competition. Her numerous awards also include first prize of the Lionel Tertis International Viola Competition and top prizes at the Sphinx Competition and Tokyo International Viola Competition. While in the Dover Quartet\, she was on faculty at Curtis Institute of Music and Northwestern University’s Bienen School of Music\, and a part of the Quartet in Residence of the Kennedy Center in Washington\, DC. A violin student of Sergiu Schwartz and Melissa Pierson-Barrett for several years\, she began studying viola with Michael Klotz at the Bowdoin International Music Festival in 2005. Pájaro-van de Stadt graduated from the Curtis Institute of Music\, where she studied with Roberto Diaz\, Michael Tree\, Misha Amory\, and Joseph de Pasquale. She then received her master’s degree at Rice University’s Shepherd School of Music\, as a student of James Dunham. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nClive Greensmith\nCello \n\n\n\n\n\n\nClive Greensmith has a distinguished career as soloist\, chamber musician\, and teacher. From 1999 until 2013 he was a member of the world-renowned Tokyo String Quartet\, giving over one hundred performances each year in the most prestigious international venues\, including New York’s Carnegie Hall\, Sydney Opera House\, London’s Southbank Centre\, Paris Châtelet\, Berlin Philharmonie\, Vienna Musikverein\, and Suntory Hall in Tokyo. As a soloist\, he has performed with the London Symphony Orchestra\, Royal Philharmonic Orchestra\, Seoul Philharmonic\, and the RAI Orchestra of Rome. He has also performed at Marlboro Music Festival\, La Jolla Summerfest\, Santa Fe Chamber Music Festival\, the Ravinia Festival\, the Salzburg Festival\, Edinburgh Festival\, and the Pacific Music Festival in Japan. Over 25 years\, he has built up a catalogue of landmark recordings\, most notably the complete Beethoven string quartet cycle for Harmonia Mundi with the Tokyo String Quartet. He studied at the Royal Northern College of Music in England with American cellist Donald McCall. He continued his studies at the Cologne Musikhochschule in Germany with Boris Pergamenschikow. After his 15-year residency with the Tokyo String Quartet at Yale University\, he was appointed Professor of Cello at the Colburn School in Los Angeles in 2014. In 2019\, he became the artistic director of the Nevada Chamber Music Festival and was appointed director of chamber music master classes at the Chigiana International Summer Academy in Siena\, Italy. Mr. Greensmith is a founding member of the Montrose Trio with pianist Jon Kimura Parker and violinist Martin Beaver. \n\n\nRead full profile\n\n\n\n\n\n\n\n\n\n\n\n\nAll performances:\nOct 24\, 2025 07:30 PM\nOct 26\, 2025 05:00 PM
URL:https://www.pianyc.net/event/brahms-and-dvorak-at-lincoln-center/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251019T170000
DTEND;TZID=America/New_York:20251019T170000
DTSTAMP:20250802T214212Z
CREATED:20250802T214212Z
LAST-MODIFIED:20250802T214212Z
UID:10006083-1760893200-1760893200@www.pianyc.net
SUMMARY:Chamber Works for Strings and Piano\, at Lincoln Center
DESCRIPTION:The opening concert of CMS’s celebratory violin season reunites Johannes Brahms and Clara and Robert Schumann with the violinist who inspired them to compose like no other. To Joseph Joachim\, the dominant violinist of the Romantic age\, we owe Brahms’s mighty violin concerto\, Schumann’s and Dvořák’s concertos\, and much more. \n\nProgram \n\n\nProgram\n\n\n\nClara Schumann\n(1819–1896) \n\n\n\n\nThree Romances for Violin and Piano\, Op. 22\n(1853) \n\n\n\n\n\n\nRobert Schumann\n(1810–1856) \n\n\n\n\nSonata in D minor for Violin and Piano\, Op. 121\n(1851) \n\n\n\n\n\n\nJoseph Joachim\n(1831-1907) \n\n\n\n\nRomance for Violin and Piano\n(1855) \n\n\n\n\n\n\nJohannes Brahms\n(1833–1897) \n\n\n\n\nSextet No. 2 in G major for Two Violins\, Two Violas\, and Two Cellos\, Op. 36\n(1864-65) \n\n\n\n\n\n\n\nPerformers \n\n\n\n\n\n\n\n\nGilles Vonsattel\nPiano\n\n\n\n\n\n\n\nStella Chen\nViolin\n\n\n\n\n\n\n\nLun Li\nViolin\n\n\n\n\n\n\n\nPaul Neubauer\nViola\n\n\n\n\n\n\n\nJames Thompson\nViolin/Viola\n\n\n\n\n\n\n\nDavid Finckel\nCello\n\n\n\n\n\n\n\nPaul Watkins\nCello\n\n\n\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nGilles Vonsattel\nPiano \n\n\n\n\n\nSwiss-born American pianist Gilles Vonsattel boasts remarkable versatility and artistic originality. Winner of an Avery Fisher Career Grant\, the 2016 Andrew Wolf Chamber Music Award\, and top prizes in the Naumburg and Geneva competitions\, he has graced prestigious stages worldwide\, collaborating with renowned orchestras and enthralling audiences with recitals and chamber performances. As a champion of new music\, he has premiered compositions by celebrated composers such as Jörg Widmann\, Heinz Holliger\, Anthony Cheung\, and George Benjamin. He is an alum of CMS’s Bowers Program\, and has earned degrees from Columbia University and the Juilliard School. Today\, Vonsattel shares his passion for music as a Professor of Piano at the University of Massachusetts\, Amherst\, and on faculty at Bard College Conservatory of Music. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nStella Chen\nViolin \n\n\n\n\n\n\nPraised for her “silken grace” and “brilliant command” (The Strad)\, American violinist Stella Chen captured international attention as the winner of the 2019 Queen Elisabeth International Violin Competition\, followed by the 2020 Avery Fisher Career Grant. Her debut album\, Stella x Schubert\, was released in 2023 on Apple Music’s Platoon label to critical acclaim\, garnering her the title of Young Artist of the Year at the Gramophone Awards. Stella has performed across North America\, Europe\, and Asia\, appearing as soloist with orchestras including the New York Philharmonic\, Chicago Symphony\, Minnesota Orchestra\, San Francisco Symphony\, Brussels Philharmonic\, and the Chamber Orchestra of Europe. A recently appointed faculty member of the Juilliard School\, she holds a bachelor’s degree from Harvard University and a doctorate from Juilliard\, and is an alum of CMS’s Bowers Program. Chen performs on the 1720 “General Kyd” Stradivarius\, generously loaned by Dr. Ryuji Ueno and Rare Violins In Consortium\, Artists and Benefactors Collaborative. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nLun Li\nViolin \n\n\n\n\n\nA native of Shanghai currently based in New York\, violinist Lun Li won first prize in the 2021 Young Concert Artists Susan Wadsworth International Auditions. He has appeared on major stages around the world\, including Helsinki Music Centre\, Konzerthaus Berlin\, Kulturpalast Dresden\, Wiener Konzerthaus\, and Verizon Hall at the Kimmel Center. He recently made his solo recital debuts in Merkin Hall at the Kaufman Music Center in New York and at the Kennedy Center in Washington\, DC\, as well as his concerto debut at Lincoln Center. An avid chamber musician\, he has participated in the Marlboro\, Music@Menlo\, Verbier\, and Angel Fire music festivals. He is a member of CMS’s Bowers Program and holds degrees from the Curtis Institute of Music and the Juilliard School; his mentors include Ida Kavafian\, Catherine Cho\, and Joseph Lin. Li plays the Stradivarius “Samazeuilh” 1735 violin\, on generous loan from the Nippon Music Foundation. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nPaul Neubauer\nViola \n\n\n\n\n\n\nViolist Paul Neubauer\, hailed by the New York Times as a “master musician\,” will release two new albums in 2025 on First Hand Records\, featuring the final works of two great composers: an all-Bartók album including the revised version of the Viola Concerto\, and a Shostakovich recording that includes the monumental Viola Sonata. Appointed principal violist of the New York Philharmonic at the age of 21\, Neubauer has appeared as soloist with the New York\, Los Angeles\, and Helsinki Philharmonics; the Chicago\, National\, St. Louis\, Detroit\, Dallas\, San Francisco\, and Bournemouth Symphonies; and the Santa Cecilia\, English Chamber\, and Beethovenhalle Orchestras. He has premiered viola concertos by Bartók (revised version)\, Friedman\, Glière\, Jacob\, Kernis\, Lazarof\, Müller-Siemens\, Ott\, Penderecki\, Picker\, Suter\, and Tower. A two-time Grammy nominee\, Neubauer is artistic director of the Mostly Music series in New Jersey and serves on the faculties of the Juilliard School and Mannes College. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJames Thompson\nViolin/Viola \n\n\n\n\n\n\nViolinist and violist James Thompson enjoys a multifaceted career as a chamber musician\, soloist\, educator\, and lecturer. He is currently on faculty at Music@Menlo and was a member of CMS’s Bowers Program from 2021 to 2024. He has performed for prestigious chamber music organizations across the country\, including the Chamber Music Society of Lincoln Center\, Music@Menlo\, the Four Arts Society\, Parlance Chamber Concerts\, the Perlman Music Program\, and the Taos School of Music. Solo engagements include appearances with the Cleveland Orchestra\, the Cleveland Institute of Music Orchestra\, the Cleveland Pops Orchestra\, and the Blue Water Chamber Orchestra. He was invited to perform in Budapest as part of the First Bartók World Competition and in Sendai for the Seventh Sendai International Violin Competition. Recently\, his abilities as a presenter have earned him invitations to speak at a variety of established concert series. His multimedia live interview with the Kalichstein-Laredo-Robinson Trio\, hosted by CMS\, was a highlight of his 2021–22 season. Alongside his career on stage\, he is forming a strong reputation as a private instructor and chamber music coach\, and has recently served as a teaching fellow at both the Encore Chamber Music Festival and the Western Reserve Chamber Music Festival. Thompson holds bachelor’s\, master’s\, and artist diploma degrees from the Cleveland Institute of Music; his primary teachers include Jaime Laredo\, William Preucil\, and Paul Kantor. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nDavid Finckel\nCello \n\n\n\n\n\nCo-Artistic Director of CMS since 2004\, cellist David Finckel’s dynamic musical career has included performances on the world’s stages in the roles of recitalist\, chamber artist\, and orchestral soloist. The first American student of Mstislav Rostropovich\, he joined the Emerson String Quartet in 1979\, and during 34 seasons garnered nine Grammy Awards and the Avery Fisher Prize. His quartet performances and recordings include quartet cycles of Mozart\, Beethoven\, Schubert\, Schumann\, Mendelssohn\, Dvorák\, Brahms\, Bartók\, and Shostakovich\, as well as collaborative masterpieces and commissioned works. In 1997\, he and pianist Wu Han founded ArtistLed\, the first internet-based\, artist-controlled classical recording label. ArtistLed’s catalog of more than 20 releases includes the standard literature for cello and piano\, plus works composed for the duo by George Tsontakis\, Gabriela Lena Frank\, Bruce Adolphe\, Lera Auerbach\, Edwin Finckel\, Augusta Read Thomas\, and Pierre Jalbert. In 2022\, Music@Menlo\, an innovative summer chamber music festival in Silicon Valley founded and directed by David and Wu Han\, celebrated its 20th season. As a young student\, David was winner of the Philadelphia Orchestra’s junior and senior divisions\, resulting in two performances with the orchestra. Having taught extensively with the late Isaac Stern in America\, Israel\, and Japan\, he is currently a professor at both the Juilliard School and Stony Brook University\, and oversees both CMS’s Bowers Program and Music@Menlo’s Chamber Music Institute. David’s 100 online Cello Talks\, lessons on cello technique\, are viewed by an international audience of musicians. Along with Wu Han\, he was the recipient of Musical America’s 2012 Musicians of the Year Award. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nPaul Watkins\nCello \n\n\n\n\n\n\nAcclaimed for his inspirational performances and eloquent musicianship\, Paul Watkins enjoys a remarkably varied and distinguished career as soloist\, chamber musician\, and conductor. He is the Artistic Director of the Great Lakes Chamber Music Festival\, and in 2019 he was appointed Professor of Cello at the Yale School of Music. He has performed as concerto soloist with prestigious orchestras throughout the world under eminent conductors including Bernard Haitink\, Paavo Berglund\, Leonard Slatkin\, Sakari Oramo\, Gianandrea Noseda\, Sir Mark Elder\, Sir Andrew Davis\, Sir Charles Mackerras\, Andris Nelsons\, Edo de Waart\, Hannu Lintu and Vasily Petrenko. A dedicated chamber musician\, Paul was a member of the Nash Ensemble from 1997 until 2013\, when he joined the Emerson String Quartet. With the Quartet he has travelled extensively\, performing at major international festivals including Tanglewood\, Aspen\, Ravinia\, Edinburgh\, Berlin\, and Evian\, and has collaborated with artists such as Emanuel Ax\, Yefim Bronfman\, Evgeny Kissin\, Renée Fleming\, and Barbara Hannigan. He is a regular guest artist of the Chamber Music Society of Lincoln Center. \nHe took first prize in the 2002 Leeds Conducting Competition\, and has held the positions of Music Director of the English Chamber Orchestra and Principal Guest Conductor of the Ulster Orchestra. In recent seasons he made his conducting debuts with the Minnesota Orchestra\, Detroit Symphony\, and Omaha Symphony. His extensive discography as a cellist includes more than 70 recordings\, including 18 solo albums for Chandos. His first recording as a conductor\, of the Britten and Berg violin concertos with Daniel Hope\, received a Grammy nomination. \nPaul’s future plans include solo performances and recordings with\, among others\, Alessio Bax\, Anthony Marwood\, Lawrence Power\, Leila Josefowicz\, Edward Gardner\, and Sir Andrew Davis. He is also in demand as a visiting teacher and has residencies this season at the Curtis Institute of Music and the Butler School of Music at the University of Texas at Austin. \n\n\nRead full profile
URL:https://www.pianyc.net/event/chamber-works-for-strings-and-piano-at-lincoln-center/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250722T193000
DTEND;TZID=America/New_York:20250722T210000
DTSTAMP:20250703T234951Z
CREATED:20250626T012252Z
LAST-MODIFIED:20250703T234951Z
UID:10007261-1753212600-1753218000@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Summer Evenings V
DESCRIPTION:CMS’s summer tradition returns for its tenth anniversary. Get this year’s hottest ticket\, featuring beloved chamber music works in the cool atmosphere of Alice Tully Hall. Stay after the performance and get to know the artists in the lobby with a complimentary glass of wine. \nProgram\nMikhail Glinka (1804–1857)\n\n\nVariations on a Theme of Mozart for Piano\n(1822\, rev. 1827) \n\n\nLudwig van Beethoven (1770–1827)\n\n\nVariations in G major for Piano\, Violin\, and Cello\, Op. 121a\, “Kakadu”\n(1803\, rev. 1816) \n\n\nFranz Schubert (1797–1828)\n\n\nAdagio and rondo concertante in F major for Piano\, Violin\, Viola\, and Cello\, D. 487\n(1816) \n\n\nReinhold Glière (1875–1956)\n\n\nSelections from Ten Duos for Two Cellos\, Op. 53\n(1911) \n\n\nAnton Arensky (1861–1906)\n\n\nQuartet No. 2 in A minor for Violin\, Viola\, and Two Cellos\, Op. 35\n(1894) \n\n\nPerformers\n\n\n\nAnna Geniushene\nPiano\n\n\n\n\n\nFrancisco Fullana\nViolin\n\n\n\n\n\nLawrence Dutton\nViola\n\n\n\n\n\nSterling Elliott\nCello\n\n\n\n\n\nInbal Segev\nCello
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-summer-evenings-v/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250719T170000
DTEND;TZID=America/New_York:20250719T183000
DTSTAMP:20250703T235143Z
CREATED:20250626T012251Z
LAST-MODIFIED:20250703T235143Z
UID:10007256-1752944400-1752949800@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Summer Evenings IV
DESCRIPTION:CMS’s summer tradition returns for its tenth anniversary. Get this year’s hottest ticket\, featuring beloved chamber music works in the cool atmosphere of Alice Tully Hall. Stay after the performance and get to know the artists in the lobby with a complimentary glass of wine. \nProgram\nFelix Mendelssohn (1809–1847)\n\n\nConcert Piece No. 1 in F minor for Clarinet\, Bassoon\, and Piano\, Op. 113\n(1832) \n\n\nErwin Schulhoff (1894-1942)\n\n\nDivertissement for Oboe\, Clarinet\, and Bassoon\n(1927) \n\n\nWolfgang Amadeus Mozart (1756–1791)\n\n\nSelections from Divertimento of Mozart Arias for Wind Quintet\n(arr. Schottstädt & Manz) \n\n\nHenri Dutilleux (1916-2013)\n\n\nSonatine for Flute and Piano\n(1943) \n\n\nLudwig van Beethoven (1770–1827)\n\n\nQuintet in E-flat major for Oboe\, Clarinet\, Bassoon\, Horn\, and Piano\, Op. 16\n(1796) \n\n\nPerformers\n\n\n\nSahun Sam Hong\nPiano\n\n\n\n\n\nTara Helen O’Connor\nFlute\n\n\n\n\n\nJames Austin Smith\nOboe\n\n\n\n\n\nSebastian Manz\nClarinet\n\n\n\n\n\nMarc Goldberg\nBassoon\n\n\n\n\n\nNathaniel Silberschlag\nHorn
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-summer-evenings-iv-2/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250513T193000
DTEND;TZID=America/New_York:20250513T210000
DTSTAMP:20241123T045129Z
CREATED:20241123T045129Z
LAST-MODIFIED:20241123T045129Z
UID:10005341-1747164600-1747170000@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Montgomery\, Widmann\, and Tan Dun
DESCRIPTION:As a tribute to Beethoven’s uncanny connection to the music of our time\, we offer works of bracing individuality written by five living composers from around the globe. Indeed\, Jörg Widmann’s Eighth Quartet\, performed by the Juilliard String Quartet\, has direct links to Beethoven’s quartet legacy. \nProgram\nJessie Montgomery (b. 1981)\n\n\nDuo for Violin and Cello\n(2015) \n\n\nEvgeny Kissin (b. 1971)\n\n\nTrio for Piano\, Violin\, and Cello\n(2022) \n\n\nBrett Dean (b. 1961)\n\n\nQuartet No. 2 for Strings and Soprano\, “And once I played Ophelia”\n(2013) \n\n\nJörg Widmann (b. 1973)\n\n\nString Quartet No. 8\, “Study on Beethoven III”\n(2019–20) \n\n\nTan Dun (b. 1957)\n\n\nConcerto for String Quartet and Pipa\n(1999) \n\n\nPerformers\n\n\n\nTony Arnold\nSoprano\n\n\n\n\n\nGloria Chien\nPiano\n\n\n\n\n\nKristin Lee\nViolin\n\n\n\n\n\nTien-Hsin Cindy Wu\nViolin\n\n\n\n\n\nPaul Neubauer\nViola\n\n\n\n\n\nSihao He\nCello\n\n\n\n\n\nWu Man\nPipa\n\n\n\n\n\nJuilliard String Quartet\nEnsemble
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-montgomery-widmann-and-tan-dun/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250506T193000
DTEND;TZID=America/New_York:20250506T210000
DTSTAMP:20241123T045034Z
CREATED:20241123T045034Z
LAST-MODIFIED:20241123T045034Z
UID:10005340-1746559800-1746565200@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Elgar's Quintet
DESCRIPTION:Building on the earlier traditions of the piano quintet\, Elgar’s A-minor Quintet was composed later in his career\, during a time of reflection just after World War I. Likewise\, Brahms’s Third Violin Sonata has a sense of nostalgia\, written towards the end of his compositional career. Beethoven’s fifth and final cello sonata is arguably his first “late-period” work. \nProgram\nLudwig van Beethoven (1770–1827)\n\n\nSonata in D major for Cello and Piano\, Op. 102\, No. 2\n(1815) \n\n\nJohannes Brahms (1833–1897)\n\n\nSonata No. 3 in D minor for Violin and Piano\, Op. 108\n(1886–88) \n\n\nEdward Elgar (1857–1934)\n\n\nQuintet in A minor for Piano\, Two Violins\, Viola\, and Cello\, Op. 84\n(1918–19) \n\n\nPerformers\n\n\n\nAlessio Bax\nPiano\n\n\n\n\n\nMichael Stephen Brown\nPiano\n\n\n\n\n\nBenjamin Beilman\nViolin\n\n\n\n\n\nRichard Lin\nViolin\n\n\n\n\n\nMilena Pájaro-van de Stadt\nViola\n\n\n\n\n\nPaul Watkins\nCello
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-elgars-quintet/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/11/CMS_050625-Elgar-Quintet.v1706457909.jpg
GEO:40.773828;-73.9830908
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Alice Tully Hall at Lincoln Center 1941 Broadway New York NY 10023 United States;X-APPLE-RADIUS=500;X-TITLE=1941 Broadway:geo:-73.9830908,40.773828
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250502T193000
DTEND;TZID=America/New_York:20250502T210000
DTSTAMP:20241123T044918Z
CREATED:20241123T044605Z
LAST-MODIFIED:20241123T044918Z
UID:10005339-1746214200-1746219600@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, The Wadsworth Legacy
DESCRIPTION:Over two decades\, CMS Founding Artistic Director Charles Wadsworth expanded the awareness of chamber music at Lincoln Center and beyond. CMS pays tribute to its founder with a program crafted in Wadsworth’s signature style\, featuring a super-star vocal quartet with pianist Ken Noda and current CMS Co-Artistic Director Wu Han in Schumann’s Spanische Liederspiel. For the May 1 Spring Gala Performance: For dinner and concert tickets\, please call 212-875-5216. Standard/Rear seating available only for subscriptions. For add-on prime seating\, please call 212-875-5788. Please note\, the Spring Gala performance does not include an intermission. \nProgram\nJohann Gottlieb Goldberg (1727–1756)\n\n\nTrio Sonata in C major for Two Violins and Continuo\, DürG 13\n(before 1756) \n\n\nRobert Schumann (1810–1856)\n\n\nSpanisches Liederspiel for Vocal Quartet and Piano\, Op. 74\n(1849) \n\n\nRobert Schumann (1810–1856)\n\n\n“Liebhabers Ständchen” for Soprano\, Tenor\, and Piano\, Op. 34\, No. 2\n(1840) \n\n\nRobert Schumann (1810–1856)\n\n\n“Ich bin dein Baum” from Minnespiel for Mezzo-Soprano\, Baritone\, and Piano\, Op. 101\, No. 2\n(1849) \n\n\nRobert Schumann (1810–1856)\n\n\n“Tanzlied” for Soprano\, Mezzo-Soprano\, Baritone\, and Piano\, Op. 78\, No. 1\n(1849) \n\n\nCamille Saint-Saëns (1835–1921)\n\n\nSeptet in E-flat major for Trumpet\, Two Violins\, Viola\, Cello\, Double Bass\, and Piano\, Op. 65\n(1879–80) \n\n\nPerformers\n\n\n\nKathleen Battle\nSoprano\n\n\n\n\n\nFrederica von Stade\nMezzo-Soprano\n\n\n\n\n\nBen Bliss\nTenor\n\n\n\n\n\nThomas Hampson\nBaritone\n\n\n\n\n\nKen Noda\nPiano\n\n\n\n\n\nWu Han\nPiano\n\n\n\n\n\nFrancisco Fullana\nViolin\n\n\n\n\n\nChad Hoopes\nViolin\n\n\n\n\n\nPaul Neubauer\nViola\n\n\n\n\n\nSterling Elliott\nCello\n\n\n\n\n\nNina Bernat\nDouble Bass\n\n\n\n\n\nDavid Washburn\nTrumpet
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-the-wadsworth-legacy/2025-05-02/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/11/CMS_050125-Wadsworth-Legacy.v1706457916.jpg
GEO:40.773828;-73.9830908
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Alice Tully Hall at Lincoln Center 1941 Broadway New York NY 10023 United States;X-APPLE-RADIUS=500;X-TITLE=1941 Broadway:geo:-73.9830908,40.773828
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250501T190000
DTEND;TZID=America/New_York:20250501T203000
DTSTAMP:20241123T044918Z
CREATED:20241123T044605Z
LAST-MODIFIED:20241123T044918Z
UID:10005338-1746126000-1746131400@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, The Wadsworth Legacy
DESCRIPTION:Over two decades\, CMS Founding Artistic Director Charles Wadsworth expanded the awareness of chamber music at Lincoln Center and beyond. CMS pays tribute to its founder with a program crafted in Wadsworth’s signature style\, featuring a super-star vocal quartet with pianist Ken Noda and current CMS Co-Artistic Director Wu Han in Schumann’s Spanische Liederspiel. For the May 1 Spring Gala Performance: For dinner and concert tickets\, please call 212-875-5216. Standard/Rear seating available only for subscriptions. For add-on prime seating\, please call 212-875-5788. Please note\, the Spring Gala performance does not include an intermission. \nProgram\nJohann Gottlieb Goldberg (1727–1756)\n\n\nTrio Sonata in C major for Two Violins and Continuo\, DürG 13\n(before 1756) \n\n\nRobert Schumann (1810–1856)\n\n\nSpanisches Liederspiel for Vocal Quartet and Piano\, Op. 74\n(1849) \n\n\nRobert Schumann (1810–1856)\n\n\n“Liebhabers Ständchen” for Soprano\, Tenor\, and Piano\, Op. 34\, No. 2\n(1840) \n\n\nRobert Schumann (1810–1856)\n\n\n“Ich bin dein Baum” from Minnespiel for Mezzo-Soprano\, Baritone\, and Piano\, Op. 101\, No. 2\n(1849) \n\n\nRobert Schumann (1810–1856)\n\n\n“Tanzlied” for Soprano\, Mezzo-Soprano\, Baritone\, and Piano\, Op. 78\, No. 1\n(1849) \n\n\nCamille Saint-Saëns (1835–1921)\n\n\nSeptet in E-flat major for Trumpet\, Two Violins\, Viola\, Cello\, Double Bass\, and Piano\, Op. 65\n(1879–80) \n\n\nPerformers\n\n\n\nKathleen Battle\nSoprano\n\n\n\n\n\nFrederica von Stade\nMezzo-Soprano\n\n\n\n\n\nBen Bliss\nTenor\n\n\n\n\n\nThomas Hampson\nBaritone\n\n\n\n\n\nKen Noda\nPiano\n\n\n\n\n\nWu Han\nPiano\n\n\n\n\n\nFrancisco Fullana\nViolin\n\n\n\n\n\nChad Hoopes\nViolin\n\n\n\n\n\nPaul Neubauer\nViola\n\n\n\n\n\nSterling Elliott\nCello\n\n\n\n\n\nNina Bernat\nDouble Bass\n\n\n\n\n\nDavid Washburn\nTrumpet
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-the-wadsworth-legacy/2025-05-01/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/11/CMS_050125-Wadsworth-Legacy.v1706457916.jpg
GEO:40.773828;-73.9830908
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250426T193000
DTEND;TZID=America/New_York:20250426T210000
DTSTAMP:20241123T044509Z
CREATED:20241123T044509Z
LAST-MODIFIED:20241123T044509Z
UID:10005337-1745695800-1745701200@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Fauré's Piano Quintet
DESCRIPTION:The astounding variety of chamber music is on full display here\, each work sounding delightfully different from the next. The evening concludes with Fauré’s Piano Quintet No. 1\, one of the composer’s most beloved works; describing the piece\, none other than Aaron Copland praised Fauré’s “great powers of melody-making.” \nProgram\nWolfgang Amadeus Mozart (1756–1791)\n\n\nDuo in G major for Violin and Viola\, K. 423\n(1783) \n\n\nAnton Arensky (1861–1906)\n\n\nTrio No. 2 in F minor for Piano\, Violin\, and Cello\, Op. 73\n(c. 1905) \n\n\nGian Carlo Menotti (1911–2007)\n\nCMS Commission \n\nSuite for Two Cellos and Piano\n(1973) \n\n\nGabriel Fauré (1845–1924)\n\n\nQuintet No. 1 in D minor for Two Violins\, Viola\, Cello\, and Piano\, Op. 89\n(1890–94) \n\n\nPerformers\n\n\n\nAnna Geniushene\nPiano\n\n\n\n\n\nWu Qian\nPiano\n\n\n\n\n\nLun Li\nViolin\n\n\n\n\n\nAlexander Sitkovetsky\nViolin\n\n\n\n\n\nYura Lee\nViola\n\n\n\n\n\nNicholas Canellakis\nCello\n\n\n\n\n\nSterling Elliott\nCello
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-faures-piano-quintet/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/11/CMS_042625-Faure-Piano-Quintet.v1706457905.jpg
GEO:40.773828;-73.9830908
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Alice Tully Hall at Lincoln Center 1941 Broadway New York NY 10023 United States;X-APPLE-RADIUS=500;X-TITLE=1941 Broadway:geo:-73.9830908,40.773828
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250406T170000
DTEND;TZID=America/New_York:20250406T183000
DTSTAMP:20241123T044036Z
CREATED:20241123T044036Z
LAST-MODIFIED:20241123T044036Z
UID:10005790-1743958800-1743964200@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Mozart\, Grieg\, Fauré\, and Prokofiev
DESCRIPTION:The partnership of piano plus one—in this program\, violin\, cello\, and flute—provides a unique opportunity for the listener to witness personal collaborations between pairs of artists. And each piece is distinctive: a two-movement sonata by Mozart\, Grieg’s only cello sonata\, the original version of Prokofiev’s D-minor flute sonata\, and Fauré’s first violin sonata\, about which Saint-Saëns wrote\, “with this work\, Monsieur Fauré takes his place among the masters.” \nProgram\nWolfgang Amadeus Mozart (1756–1791)\n\n\nSonata in E-flat major for Violin and Piano\, K. 302\n(1778) \n\n\nEdvard Grieg (1843–1907)\n\n\nSonata in A minor for Cello and Piano\, Op. 36\n(1882) \n\n\nGabriel Fauré (1845–1924)\n\n\nSonata No.1 in A major for Violin and Piano\, Op. 13\n(1875–76) \n\n\nSergei Prokofiev (1891–1953)\n\n\nSonata in D major for Flute and Piano\, Op. 94\n(1943) \n\n\nPerformers\n\n\n\nEvren Ozel\nPiano\n\n\n\n\n\nOrion Weiss\nPiano\n\n\n\n\n\nPaul Huang\nViolin\n\n\n\n\n\nJonathan Swensen\nCello\n\n\n\n\n\nAdam Walker\nFlute
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-mozart-grieg-faure-and-prokofiev/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/11/CMS_040625-Mozart-Grieg-Faure-and-Prokofiev.v1706457940.jpg
GEO:40.773828;-73.9830908
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Alice Tully Hall at Lincoln Center 1941 Broadway New York NY 10023 United States;X-APPLE-RADIUS=500;X-TITLE=1941 Broadway:geo:-73.9830908,40.773828
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250330T170000
DTEND;TZID=America/New_York:20250330T183000
DTSTAMP:20241123T043850Z
CREATED:20241123T043806Z
LAST-MODIFIED:20241123T043850Z
UID:10005788-1743354000-1743359400@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Schubert's Trout Quintet
DESCRIPTION:Schubert’s “Trout” Quintet not only demonstrates his genius for melody and lyricism\, but also features a distinct combination of instruments: only one violin and the addition of double bass. The richness of the low strings can also be heard in Mozart’s Adagio and Fugue\, which deepens the string quartet’s tonal range. \nProgram\nWilhelm Friedemann Bach (1710–1784)\n\n\nFugue in F minor for Violin\, Viola and Cello\n(c. 1774-78\, arr. Mozart\, K. 404a) \n\n\nWolfgang Amadeus Mozart (1756–1791)\n\n\nAdagio and Fugue in C minor for Strings\, K. 546\n(1788) \n\n\nWolfgang Amadeus Mozart (1756–1791)\n\n\nQuartet in E-flat major for Piano\, Violin\, Viola\, and Cello\, K. 493\n(1786) \n\n\nFranz Schubert (1797–1828)\n\n\nQuintet in A major for Piano\, Violin\, Viola\, Cello\, and Bass\, D. 667\, “Trout”\n(1819) \n\n\nPerformers\n\n\n\nWu Han\nPiano\n\n\n\n\n\nJulian Rhee\nViolin\n\n\n\n\n\nArnaud Sussmann\nViolin\n\n\n\n\n\nPaul Neubauer\nViola\n\n\n\n\n\nSterling Elliott\nCello\n\n\n\n\n\nAnthony Manzo\nDouble Bass
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-schuberts-trout-quintet/2025-03-30/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/11/CMS_032825-Schubert-Trout-Quintet.v1706457941.jpg
GEO:40.773828;-73.9830908
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Alice Tully Hall at Lincoln Center 1941 Broadway New York NY 10023 United States;X-APPLE-RADIUS=500;X-TITLE=1941 Broadway:geo:-73.9830908,40.773828
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250328T193000
DTEND;TZID=America/New_York:20250328T210000
DTSTAMP:20241123T043850Z
CREATED:20241123T043806Z
LAST-MODIFIED:20241123T043850Z
UID:10005787-1743190200-1743195600@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Schubert's Trout Quintet
DESCRIPTION:Schubert’s “Trout” Quintet not only demonstrates his genius for melody and lyricism\, but also features a distinct combination of instruments: only one violin and the addition of double bass. The richness of the low strings can also be heard in Mozart’s Adagio and Fugue\, which deepens the string quartet’s tonal range. \nProgram\nWilhelm Friedemann Bach (1710–1784)\n\n\nFugue in F minor for Violin\, Viola and Cello\n(c. 1774-78\, arr. Mozart\, K. 404a) \n\n\nWolfgang Amadeus Mozart (1756–1791)\n\n\nAdagio and Fugue in C minor for Strings\, K. 546\n(1788) \n\n\nWolfgang Amadeus Mozart (1756–1791)\n\n\nQuartet in E-flat major for Piano\, Violin\, Viola\, and Cello\, K. 493\n(1786) \n\n\nFranz Schubert (1797–1828)\n\n\nQuintet in A major for Piano\, Violin\, Viola\, Cello\, and Bass\, D. 667\, “Trout”\n(1819) \n\n\nPerformers\n\n\n\nWu Han\nPiano\n\n\n\n\n\nJulian Rhee\nViolin\n\n\n\n\n\nArnaud Sussmann\nViolin\n\n\n\n\n\nPaul Neubauer\nViola\n\n\n\n\n\nSterling Elliott\nCello\n\n\n\n\n\nAnthony Manzo\nDouble Bass
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-schuberts-trout-quintet/2025-03-28/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/11/CMS_032825-Schubert-Trout-Quintet.v1706457941.jpg
GEO:40.773828;-73.9830908
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Alice Tully Hall at Lincoln Center 1941 Broadway New York NY 10023 United States;X-APPLE-RADIUS=500;X-TITLE=1941 Broadway:geo:-73.9830908,40.773828
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250309T170000
DTEND;TZID=America/New_York:20250309T183000
DTSTAMP:20241123T043446Z
CREATED:20241123T043446Z
LAST-MODIFIED:20241123T043446Z
UID:10005783-1741539600-1741545000@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Dvořák and Janáček
DESCRIPTION:At once sentimental\, nostalgic\, and emotional\, yet always proud and dignified\, the music of Antonín Dvořák and Leoš Janáček have won the unwavering love of performers and listeners everywhere. This evening of music from the heart of Europe concludes with Dvořák’s Bass Quintet\, a shining example of his melodic richness and rhythmic vitality. \nProgram\nBedřich Smetana (1824–1884)\n\n\nFrom My Homeland for Violin and Piano\n(1880) \n\n\nLeoš Janáček (1854–1928)\n\n\nPohadka (Fairy Tale) for Cello and Piano\n(1910) \n\n\nJosef Suk (1874–1935)\n\n\nQuartet in A minor for Piano\, Violin\, Viola and Cello\, Op. 1\n(1891) \n\n\nAntonín Dvořák (1841–1904)\n\n\nQuintet in G major for Two Violins\, Viola\, Cello\, and Bass\, Op. 77\n(1875) \n\n\nPerformers\n\n\n\nSahun Sam Hong\nPiano\n\n\n\n\n\nStella Chen\nViolin\n\n\n\n\n\nChad Hoopes\nViolin\n\n\n\n\n\nPaul Neubauer\nViola\n\n\n\n\n\nDavid Requiro\nCello\n\n\n\n\n\nNina Bernat\nDouble Bass
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-dvorak-and-janacek/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/11/CMS_030925-Dvorak-and-Janacek.v1706457917.jpg
GEO:40.773828;-73.9830908
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Alice Tully Hall at Lincoln Center 1941 Broadway New York NY 10023 United States;X-APPLE-RADIUS=500;X-TITLE=1941 Broadway:geo:-73.9830908,40.773828
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250225T193000
DTEND;TZID=America/New_York:20250225T210000
DTSTAMP:20241123T043100Z
CREATED:20241123T043100Z
LAST-MODIFIED:20241123T043100Z
UID:10005778-1740511800-1740517200@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Mendelssohn Chamber Works for Strings and Piano
DESCRIPTION:One of history’s greatest musical prodigies devoured knowledge\, and his infectiously effervescent chamber music is imbued with his brilliance. Mendelssohn’s final string quartet\, composed in response to the untimely death of his sister Fanny\, and his touching Piano Trio No. 2 round out a profoundly stirring evening. \nProgram\nFelix Mendelssohn (1809–1847)\n\n\nSonata No. 1 in B-flat major for Cello and Piano\, Op. 45\n(1838) \n\n\nFelix Mendelssohn (1809–1847)\n\n\nQuartet in F minor for Strings\, Op. 80\n(1847) \n\n\nFelix Mendelssohn (1809–1847)\n\n\nAndante and Scherzo for String Quartet\, Op. 81\n(1847) \n\n\nFelix Mendelssohn (1809–1847)\n\n\nTrio No. 2 in C minor for Piano\, Violin\, and Cello\, Op. 66\n(1845) \n\n\nPerformers\n\n\n\nAnne-Marie McDermott\nPiano\n\n\n\n\n\nArnaud Sussmann\nViolin\n\n\n\n\n\nNicholas Canellakis\nCello\n\n\n\n\n\nEscher String Quartet\nEnsemble
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-mendelssohn-chamber-works-for-strings-and-piano/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/11/CMS_022525-Mendelssohn-Piano-Trio-2.v1706457924.jpg
GEO:40.773828;-73.9830908
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Alice Tully Hall at Lincoln Center 1941 Broadway New York NY 10023 United States;X-APPLE-RADIUS=500;X-TITLE=1941 Broadway:geo:-73.9830908,40.773828
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250202T170000
DTEND;TZID=America/New_York:20250202T183000
DTSTAMP:20241123T042624Z
CREATED:20241123T042624Z
LAST-MODIFIED:20241123T042624Z
UID:10005772-1738515600-1738521000@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Beethoven Works for Violin and Piano & Bruckner's String Quintet
DESCRIPTION:Anton Bruckner’s monumental String Quintet offers a rare opportunity to experience the talents of this composer\, mostly known for his large symphonies\, in a chamber music setting. Two instrumental sonatas by Beethoven—including the G-major Violin Sonata performed by Pinchas Zukerman—complete the program. \nProgram\nLudwig van Beethoven (1770–1827)\n\n\nSonata in A major for Cello and Piano\, Op. 69\n(1807–08) \n\n\nLudwig van Beethoven (1770–1827)\n\n\nSonata in G major for Violin and Piano\, Op. 96\n(1812) \n\n\nAnton Bruckner (1824–1896)\n\n\nQuintet in F major for Two Violins\, Two Violas\, and Cello\n(1879) \n\n\nPerformers\n\n\n\nShai Wosner\nPiano\n\n\n\n\n\nAaron Boyd\nViolin\n\n\n\n\n\nArnaud Sussmann\nViolin\n\n\n\n\n\nPinchas Zukerman\nViolin\n\n\n\n\n\nMatthew Lipman\nViola\n\n\n\n\n\nAmanda Forsyth\nCello
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-beethoven-works-for-violin-and-piano-bruckners-string-quintet/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/11/CMS_020225-Bruckner-String-Quintet.v1706457908.jpg
GEO:40.773828;-73.9830908
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Alice Tully Hall at Lincoln Center 1941 Broadway New York NY 10023 United States;X-APPLE-RADIUS=500;X-TITLE=1941 Broadway:geo:-73.9830908,40.773828
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250201T193000
DTEND;TZID=America/New_York:20250201T210000
DTSTAMP:20241123T042434Z
CREATED:20241123T042434Z
LAST-MODIFIED:20241123T042434Z
UID:10005771-1738438200-1738443600@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Spanish Journey
DESCRIPTION:The identity and flair of Spanish culture shine through in the sonic worlds of these impassioned works. An eclectic cast of artists\, including guitar virtuoso Jason Vieaux\, combine the guitar’s intoxicating sounds\, the Spanish language’s seductive tones\, and the trios’ vivid style to illustrate the many colors of Spain. \nProgram\nFernando Obradors (1897–1945)\n\n\nCanciones clásicas españolas for Voice and Guitar\n(1921) \n\n\nIsaac Albéniz (1860–1909)\n\n\nMallorca for Guitar\, Op. 202\n(1891) \n\n\nEnrique Arbós (1863–1939)\n\n\nTres piezas originales en estilo español for Violin\, Cello\, and Piano\, Op. 1\n(c. 1886) \n\n\nManuel de Falla (1876–1946)\n\n\nSiete canciones populares españolas for Voice and Piano\n(1914) \n\n\nPablo de Sarasate (1844–1908)\n\n\n“Romanza andaluza” from Spanish Dances for Violin and Piano\, Op. 22\n(1878) \n\n\nJoaquín Rodrigo (1901–1999)\n\n\nTres canciones españolas for Voice and Guitar\n(1951) \n\n\nJoaquín Turina (1882–1949)\n\n\nTrio No. 2 in B minor for Piano\, Violin\, and Cello\, Op. 76\n(1933) \n\n\nPerformers\n\n\n\nVanessa Becerra\nSoprano\n\n\n\n\n\nSoyeon Kate Lee\nPiano\n\n\n\n\n\nKristin Lee\nViolin\n\n\n\n\n\nClive Greensmith\nCello\n\n\n\n\n\nJason Vieaux\nGuitar
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-spanish-journey/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/11/CMS_020125-Spanish-Journey.v1706457902.jpg
GEO:40.773828;-73.9830908
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Alice Tully Hall at Lincoln Center 1941 Broadway New York NY 10023 United States;X-APPLE-RADIUS=500;X-TITLE=1941 Broadway:geo:-73.9830908,40.773828
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250126T170000
DTEND;TZID=America/New_York:20250126T183000
DTSTAMP:20240922T195549Z
CREATED:20240915T230932Z
LAST-MODIFIED:20240922T195549Z
UID:10005385-1737910800-1737916200@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Haydn\, Mozart\, and Beethoven; Gilles Vonsattel\, Piano
DESCRIPTION:Chamber music for strings by Haydn and Mozart\, skillfully crafted at the height of their compositional achievements\, is complemented by a Beethoven piano trio. In its elegance and refinement\, this trio pays tribute to the Classical style of these great composers. \nProgram\nJoseph Haydn (1732–1809)\n\n\nQuartet in F major for Strings\, Hob. III:82\, Op. 77\, No. 2\n(1799) \n\n\nWolfgang Amadeus Mozart (1756–1791)\n\n\nQuintet in E-flat major for Two Violins\, Two Violas\, and Cello\, K. 614\n(1791) \n\n\nLudwig van Beethoven (1770–1827)\n\n\nTrio in E-flat major for Piano\, Violin\, and Cello\, Op. 70\, No. 2\n(1808) \n\n\nPerformers\n\n\n\nGilles Vonsattel\nPiano\n\n\n\n\n\nArnaud Sussmann\nViolin/Viola\n\n\n\n\n\nPaul Watkins\nCello\n\n\n\n\n\nViano Quartet\nEnsemble
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-haydn-mozart-and-beethoven/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/09/CMS_012625-Haydn-Mozart-and-Beethoven.jpg
GEO:40.773828;-73.9830908
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241213T193000
DTEND;TZID=America/New_York:20241213T210000
DTSTAMP:20241123T045745Z
CREATED:20240915T230931Z
LAST-MODIFIED:20241123T045745Z
UID:10005382-1734118200-1734123600@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Brandenburg Concertos
DESCRIPTION:Bach’s Brandenburg Concertos stand at the pinnacle of Baroque music. CMS’s iconic holiday tradition of performing all six is not to be missed. \nProgram\nJohann Sebastian Bach (1685–1750)\n\n\nBrandenburg Concerto No. 6 in B-flat major\, BWV 1051\n(1720) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\nBrandenburg Concerto No. 5 in D major\, BWV 1050\n(1720) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\nBrandenburg Concerto No. 1 in F major\, BWV 1046\n(1720) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\nBrandenburg Concerto No. 4 in G major\, BWV 1049\n(1720) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\nBrandenburg Concerto No. 3 in G major\, BWV 1048\n(1720) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\nBrandenburg Concerto No. 2 in F major\, BWV 1047\n(1720) \n\n\nPerformers\n\n\n\nKenneth Weiss\nHarpsichord\n\n\n\n\n\nChad Hoopes\nViolin\n\n\n\n\n\nJames Thompson\nViolin\n\n\n\n\n\nAaron Boyd\nViolin/Piccolo Violin\n\n\n\n\n\nDaniel Phillips\nViolin/Viola\n\n\n\n\n\nPaul Neubauer\nViola\n\n\n\n\n\nMilena Pájaro-van de Stadt\nViola\n\n\n\n\n\nDmitri Atapine\nCello\n\n\n\n\n\nInbal Segev\nCello\n\n\n\n\n\nJonathan Swensen\nCello\n\n\n\n\n\nBlake Hinson\nDouble Bass\n\n\n\n\n\nSooyun Kim\nFlute\n\n\n\n\n\nTara Helen O’Connor\nFlute\n\n\n\n\n\nRandall Ellis\nOboe\n\n\n\n\n\nJames Austin Smith\nOboe\n\n\n\n\n\nStephen Taylor\nOboe\n\n\n\n\n\nMarc Goldberg\nBassoon\n\n\n\n\n\nJulia Pilant\nHorn\n\n\n\n\n\nStewart Rose\nHorn\n\n\n\n\n\nDavid Washburn\nTrumpet
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-brandenburg-concertos/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/09/CMS_121324-Brandenburg-Concertos.jpg
GEO:40.773828;-73.9830908
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241210T193000
DTEND;TZID=America/New_York:20241210T210000
DTSTAMP:20241123T050316Z
CREATED:20240915T230930Z
LAST-MODIFIED:20241123T050316Z
UID:10005371-1733859000-1733864400@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Baroque Organ
DESCRIPTION:CMS presents a rare opportunity to hear Alice Tully Hall’s lush and powerful 4\,200-pipe organ as the centerpiece in music by eight Baroque masters. Nine extraordinary artists perform transcriptions by Bach himself\, organ solos (including a French holiday carol)\, and more. \nProgram\nAlessandro Scarlatti (1660-1725)\n\n\nThree Arias for Trumpet\, Oboe\, and Organ\n(c. 1706) \n\n\nJohann Gottfried Walther (1684-1748)\n\n\nOrgan Concerto in B minor\n(after Vivaldi Concerto RV275) (c. 1713) \n\n\nHeinrich Ignaz Franz Biber (1644-1704)\n\n\n“The Annunciation” from Rosary Sonatas for Violin and Organ\n(c. 1676) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\n“Sinfonia” from Wir müssen durch viel Trübsal for Organ\, Two Oboes\, Two Violins\, Viola\, and Continuo\, BWV 146\n(c. 1726) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\n“Sinfonia” from Ich habe meine Zuversicht for Organ\, Two Oboes\, Two Violins\, Viola\, and Continuo\, BWV 188\n(1728) \n\n\nLouis-Claude Daquin (1694-1772)\n\n\n“Noël\, grand jeu et duo” from Livre de Noëls for Organ\n(1757) \n\n\nGeorg Philipp Telemann (1681–1767)\n\n\nTrio Sonata in G minor for Oboe\, Violin\, and Continuo\, TWV 42:g5\n(1739-40) \n\n\nGeorge Frideric Handel (1685–1759)\n\n\nConcerto in A major for Organ\, HWV 307\, Op. 7\, No. 2\n(1743) \n\n\nGiuseppe Torelli (1658–1709)\n\n\nConcerto in D major for Trumpet\, Strings\, and Continuo\, “Estienne Roger 188”\n(c. 1715) \n\n\nPerformers\n\n\n\nPaolo Bordignon\nOrgan\n\n\n\n\n\nBenjamin Beilman\nViolin\n\n\n\n\n\nAlexander Sitkovetsky\nViolin\n\n\n\n\n\nMatthew Lipman\nViola\n\n\n\n\n\nMihai Marica\nCello\n\n\n\n\n\nEdgar Meyer\nDouble Bass\n\n\n\n\n\nJames Austin Smith\nOboe\n\n\n\n\n\nJuri Vallentin\nOboe\n\n\n\n\n\nDavid Washburn\nTrumpet
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-baroque-organ/2024-12-10/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/09/CMS_120824-Baroque-Organ.jpg
GEO:40.773828;-73.9830908
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Alice Tully Hall at Lincoln Center 1941 Broadway New York NY 10023 United States;X-APPLE-RADIUS=500;X-TITLE=1941 Broadway:geo:-73.9830908,40.773828
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241208T170000
DTEND;TZID=America/New_York:20241208T183000
DTSTAMP:20241123T050316Z
CREATED:20240915T230930Z
LAST-MODIFIED:20241123T050316Z
UID:10005370-1733677200-1733682600@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Baroque Organ
DESCRIPTION:CMS presents a rare opportunity to hear Alice Tully Hall’s lush and powerful 4\,200-pipe organ as the centerpiece in music by eight Baroque masters. Nine extraordinary artists perform transcriptions by Bach himself\, organ solos (including a French holiday carol)\, and more. \nProgram\nAlessandro Scarlatti (1660-1725)\n\n\nThree Arias for Trumpet\, Oboe\, and Organ\n(c. 1706) \n\n\nJohann Gottfried Walther (1684-1748)\n\n\nOrgan Concerto in B minor\n(after Vivaldi Concerto RV275) (c. 1713) \n\n\nHeinrich Ignaz Franz Biber (1644-1704)\n\n\n“The Annunciation” from Rosary Sonatas for Violin and Organ\n(c. 1676) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\n“Sinfonia” from Wir müssen durch viel Trübsal for Organ\, Two Oboes\, Two Violins\, Viola\, and Continuo\, BWV 146\n(c. 1726) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\n“Sinfonia” from Ich habe meine Zuversicht for Organ\, Two Oboes\, Two Violins\, Viola\, and Continuo\, BWV 188\n(1728) \n\n\nLouis-Claude Daquin (1694-1772)\n\n\n“Noël\, grand jeu et duo” from Livre de Noëls for Organ\n(1757) \n\n\nGeorg Philipp Telemann (1681–1767)\n\n\nTrio Sonata in G minor for Oboe\, Violin\, and Continuo\, TWV 42:g5\n(1739-40) \n\n\nGeorge Frideric Handel (1685–1759)\n\n\nConcerto in A major for Organ\, HWV 307\, Op. 7\, No. 2\n(1743) \n\n\nGiuseppe Torelli (1658–1709)\n\n\nConcerto in D major for Trumpet\, Strings\, and Continuo\, “Estienne Roger 188”\n(c. 1715) \n\n\nPerformers\n\n\n\nPaolo Bordignon\nOrgan\n\n\n\n\n\nBenjamin Beilman\nViolin\n\n\n\n\n\nAlexander Sitkovetsky\nViolin\n\n\n\n\n\nMatthew Lipman\nViola\n\n\n\n\n\nMihai Marica\nCello\n\n\n\n\n\nEdgar Meyer\nDouble Bass\n\n\n\n\n\nJames Austin Smith\nOboe\n\n\n\n\n\nJuri Vallentin\nOboe\n\n\n\n\n\nDavid Washburn\nTrumpet
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-baroque-organ/2024-12-08/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/09/CMS_120824-Baroque-Organ.jpg
GEO:40.773828;-73.9830908
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Alice Tully Hall at Lincoln Center 1941 Broadway New York NY 10023 United States;X-APPLE-RADIUS=500;X-TITLE=1941 Broadway:geo:-73.9830908,40.773828
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241206T193000
DTEND;TZID=America/New_York:20241206T210000
DTSTAMP:20241123T045516Z
CREATED:20240915T230930Z
LAST-MODIFIED:20241123T045516Z
UID:10005369-1733513400-1733518800@www.pianyc.net
SUMMARY:Chamber Music Society of Lincoln Center\, Bach Concertos
DESCRIPTION:J. S. Bach\, perhaps the most revered of all composers\, crafted unparalleled examples in every genre he undertook\, and his concerto-writing skills unequivocally demonstrate that fact. Join for the unforgettable opening of our Baroque Festival. \nProgram\nJohann Sebastian Bach (1685–1750)\n\n\nItalian Concerto in F major for Keyboard\, BWV 971\n(1735) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\nConcerto in A minor for Violin\, Strings\, and Continuo\, BWV 1041\n(1717-1723) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\nConcerto in C minor for Oboe\, Violin\, Strings\, and Continuo\, BWV 1060R\n(1736\, reconstructed from Concerto for Two Harpsichords\, BWV 1060) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\nConcerto in F minor for Keyboard\, Strings\, and Continuo\, BWV 1056\n(1738) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\nConcerto in F major for Oboe\, Strings\, and Continuo\, BWV 1053R\n(before 1738\, reconstructed from Harpsichord Concerto\, BWV 1053) \n\n\nJohann Sebastian Bach (1685–1750)\n\n\nConcerto in D minor for Two Violins\, Strings\, and Continuo\, BWV 1043\n(c. 1718-20) \n\n\nPerformers\n\n\n\nShai Wosner\nPiano/Harpsichord\n\n\n\n\n\nBella Hristova\nViolin\n\n\n\n\n\nAni Kavafian\nViolin\n\n\n\n\n\nIda Kavafian\nViolin\n\n\n\n\n\nCho-Liang Lin\nViolin\n\n\n\n\n\nJulian Rhee\nViolin\n\n\n\n\n\nDanbi Um\nViolin\n\n\n\n\n\nPaul Neubauer\nViola\n\n\n\n\n\nJames Thompson\nViola\n\n\n\n\n\nTimothy Eddy\nCello\n\n\n\n\n\nAnthony Manzo\nDouble Bass\n\n\n\n\n\nJuri Vallentin\nOboe
URL:https://www.pianyc.net/event/chamber-music-society-of-lincoln-center-bach-concertos/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.pianyc.net/wp-content/uploads/2024/09/CMS_120624-Bach-Concertos.jpg
GEO:40.773828;-73.9830908
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END:VEVENT
END:VCALENDAR