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DTSTART;TZID=America/New_York:20261106T193000
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SUMMARY:Jean Rondeau Harpsichord Recital at Carnegie Hall
DESCRIPTION:Harpsichord virtuoso Jean Rondeau returns to great demand after his previous sold-out recital. “One of the most natural performers one is likely to hear … he and the harpsichord become one\,” says The Washington Post. He brings a program of works by Louis Couperin\, François Couperin\, Rameau\, and Royer\, which—in Rondeau’s assured hands—“thrill as they should while never trampling on the gorgeous deep tone of the magnificent instrument” (Gramophone). \nProgram\nL. COUPERIN Suite in D\nRAMEAU Prelude from Premier livre de pièces de clavecin\nRAMEAU Selections from Nouvelles suites de pièces de clavecin\nF. COUPERIN First Prelude in C Major from L’art de toucher le clavecin\nF. COUPERIN La ténébreuse\, allemande from Suite No. 3\nF. COUPERIN La favorite\, chaconne from Suite No. 3\nROYER “La Marche des Scythes” from Pièces de clavecin
URL:https://www.pianyc.net/event/jean-rondeau-harpsichord-recital-at-carnegie-hall/
LOCATION:Carnegie Hall\, 881 Seventh Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Live Musical Performance
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DTSTART;TZID=America/New_York:20261115T150000
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SUMMARY:Apollo’s Fire / Jeanine De Bique at Carnegie Hall
DESCRIPTION:Virtuosic music by Handel\, Rameau\, and Vivaldi meets the voices and poetry of 18th-century Caribbean colonies in this celebration of shared humanity. “Master musical storyteller” (Seen and Heard International) Jeannette Sorrell leads the Grammy-winning Baroque ensemble Apollo’s Fire with world-renowned Trinidadian singer Jeanine De Bique\, “one of the most exciting sopranos” (OperaWire). From a flirtatious Rameau aria to music from a Creole wedding celebration\, tales of love\, despair\, and resilience emerge in a singular journey between Europe and the Caribbean. \nPart of: \nBaroque Unlimited \nGet Tickets\nTickets start at $136 ($125 + $11 fee)\nPurchasing 10 or more tickets??\nView Seating Chart (PDF) \nPerformers\nApollo’s Fire\nJeannette Sorrell\, Artistic Director and Harpsichord\nJeanine De Bique\, Soprano \nProgram\nRAMEAU “C’en est trop… Troubles cruels… Quand l’acquilon fougueux” from\nPEPUSCH “O! welcome! welcome! gentle Death!” from\nANON. “A Black of Guadeloupe”\nJOACHIM HORSLEY “Lè m’mouri”\nLULLY Passacaille from
URL:https://www.pianyc.net/event/import-apollos-fire-jeanine-de-bique-at-carnegie-hall/
LOCATION:Carnegie Hall\, 881 Seventh Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Live Musical Performance
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DTSTART;TZID=America/New_York:20261120T180000
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SUMMARY:Historical Performance Chamber Music with Schola Cantorum Basel\, at Juilliard School
DESCRIPTION:Historical Performance Chamber Music with Schola Cantorum Basel \nProgram \nFrom Basel\, Switzerland\, the Schola Cantorum Basiliensis is world-renowned for its study of early music performance. Musicians from the academy join Juilliard students in a program focused on Vienna. \nVenue \nPaul Hall \nAdmission \nFREE; tickets required
URL:https://www.pianyc.net/event/historical-performance-chamber-music-with-schola-cantorum-basel-at-juilliard-school/
LOCATION:Juilliard School\, 155 W 65th St\, Street Level\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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SUMMARY:Baroque Wind Concertos at Lincoln Center
DESCRIPTION:During the Baroque period\, composers explored new ways of writing for wind instruments\, affording wind players an equal place with string players at the musical table. With wind soloists in every work\, this program illuminates a golden musical era from a sonically refreshing and delightful perspective. \n\nProgram \n\n\nProgram\n\n\n\nAntonio Vivaldi\n(1678–1741) \n\n\n\n\nConcerto in G minor for Flute\, Oboe\, Bassoon\, and Continuo\, RV 103\n(c. 1720) \n\n\n\n\n\n\nAlessandro Marcello\n(1673–1747) \n\n\n\n\nConcerto in C minor for Oboe\, Strings\, and Continuo\n\n\n\n\n\n\nGiuseppe Torelli\n(1658–1709) \n\n\n\n\nSonata a cinque No. 1 in D major for Trumpet\, Strings\, and Continuo\, G. 1\n\n\n\n\n\n\nCarl Philipp Emanuel Bach\n(1714–1788) \n\n\n\n\nConcerto in D minor for Flute\, Strings\, and Continuo\, H. 484.1\n(1747) \n\n\n\n\n\n\nAntonio Vivaldi\n(1678–1741) \n\n\n\n\nConcerto in A minor for Bassoon\, Strings\, and Continuo\, RV 497\n(after 1720) \n\n\n\n\n\n\nAntonín Reichenauer\n(1694–1730) \n\n\n\n\nConcerto in B-flat major for Oboe\, Bassoon\, and Continuo\n\n\n\n\n\n\nGeorg Philipp Telemann\n(1681–1767) \n\n\n\n\nSonata in D major for Trumpet\, Strings\, and Continuo\, TWV 44:1\n\n\n\n\n\n\n\nPerformers \n\n\n\n\n\n\n\n\nKenneth Weiss\nHarpsichord\n\n\n\n\n\n\n\nAni Kavafian\nViolin\n\n\n\n\n\n\n\nKristin Lee\nViolin\n\n\n\n\n\n\n\nJames Thompson\nViola\n\n\n\n\n\n\n\nInbal Segev\nCello\n\n\n\n\n\n\n\nNina Bernat\nDouble Bass\n\n\n\n\n\n\n\nAdam Walker\nFlute\n\n\n\n\n\n\n\nJames Austin Smith\nOboe\n\n\n\n\n\n\n\nPeter Kolkay\nBassoon\n\n\n\n\n\n\n\nCaleb Hudson\nTrumpet\n\n\n\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nKenneth Weiss\nHarpsichord \n\n\n\n\n\nBorn in New York\, Kenneth Weiss began his musical studies on piano. After attending the High School of Performing Arts he entered the Oberlin Conservatory of Music. It was through his studies on organ and harpsichord that he became aware of the vast early keyboard repertoire and decided to devote his professional life to it. He continued his studies with Gustav Leonhardt at the Amsterdam Conservatory and in 1985 settled in France\, where he is still based today. Kenneth Weiss has worked as an accompanist\, vocal coach\, opera continuist\, chamber musician\, conductor\, and soloist for several decades\, performing extensively in Europe\, North America\, and Asia. A dedicated teacher\, he is currently professor of chamber music at the Conservatoire National Supérieur de Musique et de Danse de Paris. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nAni Kavafian\nViolin \n\n\n\n\n\n\nViolinist Ani Kavafian enjoys a prolific career as a soloist\, chamber musician\, and professor. She has performed with many of America’s leading orchestras\, including the New York Philharmonic\, Philadelphia Orchestra\, Cleveland Orchestra\, Los Angeles Chamber Orchestra\, and San Francisco Symphony. In the 2019-20 season\, she continued her longtime association as an artist of the Chamber Music Society with appearances in New York and on tour. Last summer she participated in several music festivals\, including the Heifetz International Institute and the Sarasota Chamber Music\, Bridgehampton\, Meadowmount\, Norfolk\, and Angel Fire festivals. She and her sister\, violinist and violist Ida Kavafian\, have performed with the symphonies of Detroit\, Colorado\, Tucson\, San Antonio\, and Cincinnati\, and have recorded the music of Mozart and Sarasate on the Nonesuch label. She is a Full Professor at Yale University and has appeared at Carnegie’s Zankel Hall numerous times with colleagues and students from Yale. She has received an Avery Fisher Career Grant and the Young Concert Artists International Auditions award and has appeared at the White House on three occasions. Her recordings can be heard on the Nonesuch\, RCA\, Columbia\, Arabesque\, and Delos labels. Born in Istanbul of Armenian heritage\, Kavafian studied violin in the US with Ara Zerounian and Mischa Mischakoff. She received her master’s degree from The Juilliard School under Ivan Galamian. She plays the 1736 Muir McKenzie Stradivarius violin. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nKristin Lee\nViolin \n\n\n\n\n\nA recipient of the Avery Fisher Career Grant as well as a top-prize winner of the International Naumburg Violin Competition and the Astral Artists’ National Auditions\, Kristin Lee is a violinist of remarkable versatility and impeccable technique who enjoys a vibrant career as a soloist\, recitalist\, and chamber musician. Lee has appeared as soloist with the Philadelphia Orchestra\, St. Louis Symphony\, Hawai’i Symphony\, the Hong Kong Philharmonic\, and many others. She is also the co-founder and Artistic Director of Emerald City Music in Seattle. Lee released her critically acclaimed debut solo album\, American Sketches\, on First Hand Records in November 2024. In 2026\, she will collaborate with Grammy-nominated ensemble Sandbox Percussion\, featuring a new commission by Vivian Fung. Lee’s violin was crafted in Naples in 1759 by Gennaro Gagliano and is generously loaned to her by Paul and Linda Gridley. She is an alum of CMS’s Bowers Program. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJames Thompson\nViola \n\n\n\n\n\nViolinist/violist James Thompson enjoys a multifaceted career as a chamber musician\, concertmaster\, educator\, and lecturer. He is a recent graduate of the Chamber Music Society of Lincoln Center’s Bowers Program. Thompson performs regularly for chamber music organizations across the country\, and he serves as the director of Music@Menlo’s annual winter residency in California. Solo engagements include appearances with the Cleveland Orchestra\, the Asheville Symphony\, the Cleveland Institute of Music Orchestra\, and the Cleveland Pops orchestra. He currently serves as concertmaster of the Erie Philharmonic\, the BlueWater Chamber Orchestra\, and the Caroga Arts Ensemble. As a guest artist\, he has recently led classes for the Eastman School of Music and the Music Institute of Chicago\, among others. Thompson holds bachelor’s\, master’s\, and artist diploma degrees from the Cleveland Institute of Music; his primary teachers include Jaime Laredo\, William Preucil\, and Paul Kantor. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nInbal Segev\nCello \n\n\n\n\n\nInbal Segev has appeared with orchestras including the Berlin Philharmonic\, London Philharmonic\, Israel Philharmonic\, Baltimore Symphony\, St. Louis Symphony\, and Pittsburgh Symphony\, collaborating with such prominent conductors as Marin Alsop\, Stéphane Denève\, Lorin Maazel\, Cristian Macelaru\, and Zubin Mehta. She has commissioned new works from Timo Andres\, John Luther Adams\, Anna Clyne\, Avner Dorman\, and others. A native of Israel\, at 16 Segev was invited by Isaac Stern to continue her cello studies in the US\, where she earned degrees from Yale University and the Juilliard School\, before co-founding the Amerigo Trio with former New York Philharmonic concertmaster Glenn Dicterow and violist Karen Dreyfus. Segev’s cello was made by Francesco Ruggieri in 1673. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nNina Bernat\nDouble Bass \n\n\n\n\n\nDouble bassist Nina Bernat has established herself as one of the leading solo voices for her instrument. The Star Tribune praised her concerto debut with the Minnesota Orchestra as “exhilarating\, lovely and lyrical.” In 2023\, she became the first female bassist to receive the Avery Fisher Career Grant and won first prize in the Concert Artists Guild Elmaleh Competition. She has appeared as soloist with the Minnesota Orchestra\, Brooklyn Symphony Orchestra\, and Long Island Symphony\, and her performances have been featured on NPR’s Performance Today. Her debut album\, Crossroads\, will be released in fall 2026. She is a member of the CMS’s Bowers Program and has appeared at major music festivals such as Marlboro\, Music@Menlo\, Chamber Music Northwest\, and Bridgehampton. She is Professor of Double Bass at Stony Brook University and performs regularly with ROCO and Sejong Soloists\, and has appeared as guest principal with the Israel and Oslo Philharmonics.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nAdam Walker\nFlute \n\n\n\n\n\nAt the forefront of a new generation of wind soloists\, Adam Walker was appointed principal flute of the London Symphony Orchestra in 2009 at the age of 21 and received the Outstanding Young Artist Award at MIDEM Classique in Cannes. In 2010 he won a Borletti-Buitoni Trust Fellowship Award and was shortlisted for the Royal Philharmonic Society Outstanding Young Artist Award. An ambassador for the flute with a ferocious appetite for repertoire\, he regularly performs with the major UK orchestras including the BBC Philharmonic\, BBC Scottish Symphony Orchestra\, London Symphony\, Hallé\, Bournemouth Symphony\, and the BBC National Orchestra of Wales. Elsewhere he has performed with the Baltimore Symphony Orchestra\, Seattle Symphony\, Grant Park Festival\, Orquesta Sinfónica Nacional de Mexico\, Seoul Philharmonic\, Auckland Philharmonia\, Malaysian Philharmonic\, Malmö Symphony Orchestra\, Vienna Chamber Orchestra\, Solistes Européens\, Luxembourg\, and the RTE National Symphony Orchestra. A committed chamber musician with a curious and creative approach to repertoire\, 2018 saw Adam take up his place on the Chamber Music Society of Lincoln Center’s prestigious Bowers Program. Recital highlights over recent seasons have included Wigmore Hall\, LSO St. Luke’s\, De Singel\, Musée du Louvre\, Hamburg Elbphilharmonie\, Frankfurt Alte Oper\, and the Utrecht\, West Cork\, Delft\, and Moritzburg Chamber Music Festivals. Born in 1987\, Adam Walker studied at Chetham’s School of Music with Gitte Sorensen and later at the Royal Academy of Music with Michael Cox. He was appointed professor at the Royal College of Music in 2017. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJames Austin Smith\nOboe \n\n\n\n\n\n\nPerformer\, curator\, and on-stage host James Austin Smith “proves that an oboist can have an adventurous solo career” (TheNew Yorker). Smith appears at leading national and international chamber music festivals\, as Co-Principal Oboe of the conductor-less Orpheus Chamber Orchestra\, and as an artist of the International Contemporary Ensemble. As Artistic and Executive Director of Tertulia Chamber Music\, Smith creates intimate evenings of music\, food\, and drink in New York\, San Francisco\, and beyond. He serves as Artistic Advisor to Coast Live Music in the San Francisco Bay Area and mentors graduate-level musicians as a professor of oboe and chamber music at Stony Brook University. Smith’s April 2027 Carnegie Hall debut recital\, Elemental\, connects the oboe to ancient\, global traditions of double reed playing\, asserting its role in the human soundscape. A Fulbright scholar and alum of Carnegie Hall’s Ensemble Connect and CMS’s Bowers Program\, he holds degrees in music and political science from Northwestern and Yale University.  \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nPeter Kolkay\nBassoon \n\n\n\n\n\nCalled “stunningly virtuosic” by the New York Times and “superb” by the Washington Post\, Peter Kolkay is the only bassoonist to be awarded an Avery Fisher Career Grant. In addition to performing with CMS\, he regularly appears as a chamber musician at the Sarasota\, Music@Menlo\, and Bridgehampton summer festivals. Kolkay has commissioned and premiered solo works by Joan Tower\, Mark-Anthony Turnage\, Elliott Carter\, and Tania León\, among many others\, and his most recent recordings include an album of music for bassoon and strings with the Calidore String Quartet\, and the Christopher Rouse concerto with the Albany Symphony. He is Professor of Bassoon at the Vanderbilt University Blair School of Music and has given master classes throughout the US\, Mexico\, and South Korea. Kolkay is an alum of CMS’s Bowers Program\, and holds degrees from Lawrence University\, the Eastman School of Music\, and Yale University. He is a native of Naperville\, Illinois. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nCaleb Hudson\nTrumpet \n\n\n\n\n\nCaleb Hudson has carved out a unique space in the world of classical trumpet. A member of the esteemed Canadian Brass for over a decade and a co-founder of the trio Triple Cortado\, he has been hailed by the New York Times as “brilliantly stylish.” In March 2024 Hudson released his debut solo album\, Nothing Less. He is acclaimed for his renditions of Bach’s Brandenburg Concerto No. 2\, which he performs on both the modern piccolo trumpet and the historical baroque trumpet. This expertise has enabled solo engagements with renowned ensembles such as the Philadelphia Orchestra\, Orpheus Chamber Orchestra\, Orchestra of St. Luke’s\, Trinity Baroque Orchestra\, Handel and Haydn Society\, and Philharmonia Baroque. Beyond performance\, Caleb is a prolific arranger and composer\, and is deeply committed to expanding the brass repertoire. Currently\, Caleb serves as the Associate Professor of Trumpet at the Butler School of Music at the University of Texas at Austin. A native of Lexington\, Kentucky\, he earned his bachelor’s and master’s degrees from the Juilliard School. \n\nRead full profile\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAll performances:\nDec 06\, 2026 12:00 AM\nDec 08\, 2026 12:00 AM \nThis event is recurring on the following dates:\nSat\, Dec 05 at 11:55 PM\nMon\, Dec 07 at 11:55 PM
URL:https://www.pianyc.net/event/baroque-wind-concertos-at-lincoln-center/2026-12-05/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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END:VEVENT
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DTSTART;TZID=America/New_York:20261207T235500
DTEND;TZID=America/New_York:20261208T013000
DTSTAMP:20260812T045710Z
CREATED:20260810T224543Z
LAST-MODIFIED:20260812T045710Z
UID:10009535-1796687700-1796693400@www.pianyc.net
SUMMARY:Baroque Wind Concertos at Lincoln Center
DESCRIPTION:During the Baroque period\, composers explored new ways of writing for wind instruments\, affording wind players an equal place with string players at the musical table. With wind soloists in every work\, this program illuminates a golden musical era from a sonically refreshing and delightful perspective. \n\nProgram \n\n\nProgram\n\n\n\nAntonio Vivaldi\n(1678–1741) \n\n\n\n\nConcerto in G minor for Flute\, Oboe\, Bassoon\, and Continuo\, RV 103\n(c. 1720) \n\n\n\n\n\n\nAlessandro Marcello\n(1673–1747) \n\n\n\n\nConcerto in C minor for Oboe\, Strings\, and Continuo\n\n\n\n\n\n\nGiuseppe Torelli\n(1658–1709) \n\n\n\n\nSonata a cinque No. 1 in D major for Trumpet\, Strings\, and Continuo\, G. 1\n\n\n\n\n\n\nCarl Philipp Emanuel Bach\n(1714–1788) \n\n\n\n\nConcerto in D minor for Flute\, Strings\, and Continuo\, H. 484.1\n(1747) \n\n\n\n\n\n\nAntonio Vivaldi\n(1678–1741) \n\n\n\n\nConcerto in A minor for Bassoon\, Strings\, and Continuo\, RV 497\n(after 1720) \n\n\n\n\n\n\nAntonín Reichenauer\n(1694–1730) \n\n\n\n\nConcerto in B-flat major for Oboe\, Bassoon\, and Continuo\n\n\n\n\n\n\nGeorg Philipp Telemann\n(1681–1767) \n\n\n\n\nSonata in D major for Trumpet\, Strings\, and Continuo\, TWV 44:1\n\n\n\n\n\n\n\nPerformers \n\n\n\n\n\n\n\n\nKenneth Weiss\nHarpsichord\n\n\n\n\n\n\n\nAni Kavafian\nViolin\n\n\n\n\n\n\n\nKristin Lee\nViolin\n\n\n\n\n\n\n\nJames Thompson\nViola\n\n\n\n\n\n\n\nInbal Segev\nCello\n\n\n\n\n\n\n\nNina Bernat\nDouble Bass\n\n\n\n\n\n\n\nAdam Walker\nFlute\n\n\n\n\n\n\n\nJames Austin Smith\nOboe\n\n\n\n\n\n\n\nPeter Kolkay\nBassoon\n\n\n\n\n\n\n\nCaleb Hudson\nTrumpet\n\n\n\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nKenneth Weiss\nHarpsichord \n\n\n\n\n\nBorn in New York\, Kenneth Weiss began his musical studies on piano. After attending the High School of Performing Arts he entered the Oberlin Conservatory of Music. It was through his studies on organ and harpsichord that he became aware of the vast early keyboard repertoire and decided to devote his professional life to it. He continued his studies with Gustav Leonhardt at the Amsterdam Conservatory and in 1985 settled in France\, where he is still based today. Kenneth Weiss has worked as an accompanist\, vocal coach\, opera continuist\, chamber musician\, conductor\, and soloist for several decades\, performing extensively in Europe\, North America\, and Asia. A dedicated teacher\, he is currently professor of chamber music at the Conservatoire National Supérieur de Musique et de Danse de Paris. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nAni Kavafian\nViolin \n\n\n\n\n\n\nViolinist Ani Kavafian enjoys a prolific career as a soloist\, chamber musician\, and professor. She has performed with many of America’s leading orchestras\, including the New York Philharmonic\, Philadelphia Orchestra\, Cleveland Orchestra\, Los Angeles Chamber Orchestra\, and San Francisco Symphony. In the 2019-20 season\, she continued her longtime association as an artist of the Chamber Music Society with appearances in New York and on tour. Last summer she participated in several music festivals\, including the Heifetz International Institute and the Sarasota Chamber Music\, Bridgehampton\, Meadowmount\, Norfolk\, and Angel Fire festivals. She and her sister\, violinist and violist Ida Kavafian\, have performed with the symphonies of Detroit\, Colorado\, Tucson\, San Antonio\, and Cincinnati\, and have recorded the music of Mozart and Sarasate on the Nonesuch label. She is a Full Professor at Yale University and has appeared at Carnegie’s Zankel Hall numerous times with colleagues and students from Yale. She has received an Avery Fisher Career Grant and the Young Concert Artists International Auditions award and has appeared at the White House on three occasions. Her recordings can be heard on the Nonesuch\, RCA\, Columbia\, Arabesque\, and Delos labels. Born in Istanbul of Armenian heritage\, Kavafian studied violin in the US with Ara Zerounian and Mischa Mischakoff. She received her master’s degree from The Juilliard School under Ivan Galamian. She plays the 1736 Muir McKenzie Stradivarius violin. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nKristin Lee\nViolin \n\n\n\n\n\nA recipient of the Avery Fisher Career Grant as well as a top-prize winner of the International Naumburg Violin Competition and the Astral Artists’ National Auditions\, Kristin Lee is a violinist of remarkable versatility and impeccable technique who enjoys a vibrant career as a soloist\, recitalist\, and chamber musician. Lee has appeared as soloist with the Philadelphia Orchestra\, St. Louis Symphony\, Hawai’i Symphony\, the Hong Kong Philharmonic\, and many others. She is also the co-founder and Artistic Director of Emerald City Music in Seattle. Lee released her critically acclaimed debut solo album\, American Sketches\, on First Hand Records in November 2024. In 2026\, she will collaborate with Grammy-nominated ensemble Sandbox Percussion\, featuring a new commission by Vivian Fung. Lee’s violin was crafted in Naples in 1759 by Gennaro Gagliano and is generously loaned to her by Paul and Linda Gridley. She is an alum of CMS’s Bowers Program. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJames Thompson\nViola \n\n\n\n\n\nViolinist/violist James Thompson enjoys a multifaceted career as a chamber musician\, concertmaster\, educator\, and lecturer. He is a recent graduate of the Chamber Music Society of Lincoln Center’s Bowers Program. Thompson performs regularly for chamber music organizations across the country\, and he serves as the director of Music@Menlo’s annual winter residency in California. Solo engagements include appearances with the Cleveland Orchestra\, the Asheville Symphony\, the Cleveland Institute of Music Orchestra\, and the Cleveland Pops orchestra. He currently serves as concertmaster of the Erie Philharmonic\, the BlueWater Chamber Orchestra\, and the Caroga Arts Ensemble. As a guest artist\, he has recently led classes for the Eastman School of Music and the Music Institute of Chicago\, among others. Thompson holds bachelor’s\, master’s\, and artist diploma degrees from the Cleveland Institute of Music; his primary teachers include Jaime Laredo\, William Preucil\, and Paul Kantor. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nInbal Segev\nCello \n\n\n\n\n\nInbal Segev has appeared with orchestras including the Berlin Philharmonic\, London Philharmonic\, Israel Philharmonic\, Baltimore Symphony\, St. Louis Symphony\, and Pittsburgh Symphony\, collaborating with such prominent conductors as Marin Alsop\, Stéphane Denève\, Lorin Maazel\, Cristian Macelaru\, and Zubin Mehta. She has commissioned new works from Timo Andres\, John Luther Adams\, Anna Clyne\, Avner Dorman\, and others. A native of Israel\, at 16 Segev was invited by Isaac Stern to continue her cello studies in the US\, where she earned degrees from Yale University and the Juilliard School\, before co-founding the Amerigo Trio with former New York Philharmonic concertmaster Glenn Dicterow and violist Karen Dreyfus. Segev’s cello was made by Francesco Ruggieri in 1673. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nNina Bernat\nDouble Bass \n\n\n\n\n\nDouble bassist Nina Bernat has established herself as one of the leading solo voices for her instrument. The Star Tribune praised her concerto debut with the Minnesota Orchestra as “exhilarating\, lovely and lyrical.” In 2023\, she became the first female bassist to receive the Avery Fisher Career Grant and won first prize in the Concert Artists Guild Elmaleh Competition. She has appeared as soloist with the Minnesota Orchestra\, Brooklyn Symphony Orchestra\, and Long Island Symphony\, and her performances have been featured on NPR’s Performance Today. Her debut album\, Crossroads\, will be released in fall 2026. She is a member of the CMS’s Bowers Program and has appeared at major music festivals such as Marlboro\, Music@Menlo\, Chamber Music Northwest\, and Bridgehampton. She is Professor of Double Bass at Stony Brook University and performs regularly with ROCO and Sejong Soloists\, and has appeared as guest principal with the Israel and Oslo Philharmonics.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nAdam Walker\nFlute \n\n\n\n\n\nAt the forefront of a new generation of wind soloists\, Adam Walker was appointed principal flute of the London Symphony Orchestra in 2009 at the age of 21 and received the Outstanding Young Artist Award at MIDEM Classique in Cannes. In 2010 he won a Borletti-Buitoni Trust Fellowship Award and was shortlisted for the Royal Philharmonic Society Outstanding Young Artist Award. An ambassador for the flute with a ferocious appetite for repertoire\, he regularly performs with the major UK orchestras including the BBC Philharmonic\, BBC Scottish Symphony Orchestra\, London Symphony\, Hallé\, Bournemouth Symphony\, and the BBC National Orchestra of Wales. Elsewhere he has performed with the Baltimore Symphony Orchestra\, Seattle Symphony\, Grant Park Festival\, Orquesta Sinfónica Nacional de Mexico\, Seoul Philharmonic\, Auckland Philharmonia\, Malaysian Philharmonic\, Malmö Symphony Orchestra\, Vienna Chamber Orchestra\, Solistes Européens\, Luxembourg\, and the RTE National Symphony Orchestra. A committed chamber musician with a curious and creative approach to repertoire\, 2018 saw Adam take up his place on the Chamber Music Society of Lincoln Center’s prestigious Bowers Program. Recital highlights over recent seasons have included Wigmore Hall\, LSO St. Luke’s\, De Singel\, Musée du Louvre\, Hamburg Elbphilharmonie\, Frankfurt Alte Oper\, and the Utrecht\, West Cork\, Delft\, and Moritzburg Chamber Music Festivals. Born in 1987\, Adam Walker studied at Chetham’s School of Music with Gitte Sorensen and later at the Royal Academy of Music with Michael Cox. He was appointed professor at the Royal College of Music in 2017. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJames Austin Smith\nOboe \n\n\n\n\n\n\nPerformer\, curator\, and on-stage host James Austin Smith “proves that an oboist can have an adventurous solo career” (TheNew Yorker). Smith appears at leading national and international chamber music festivals\, as Co-Principal Oboe of the conductor-less Orpheus Chamber Orchestra\, and as an artist of the International Contemporary Ensemble. As Artistic and Executive Director of Tertulia Chamber Music\, Smith creates intimate evenings of music\, food\, and drink in New York\, San Francisco\, and beyond. He serves as Artistic Advisor to Coast Live Music in the San Francisco Bay Area and mentors graduate-level musicians as a professor of oboe and chamber music at Stony Brook University. Smith’s April 2027 Carnegie Hall debut recital\, Elemental\, connects the oboe to ancient\, global traditions of double reed playing\, asserting its role in the human soundscape. A Fulbright scholar and alum of Carnegie Hall’s Ensemble Connect and CMS’s Bowers Program\, he holds degrees in music and political science from Northwestern and Yale University.  \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nPeter Kolkay\nBassoon \n\n\n\n\n\nCalled “stunningly virtuosic” by the New York Times and “superb” by the Washington Post\, Peter Kolkay is the only bassoonist to be awarded an Avery Fisher Career Grant. In addition to performing with CMS\, he regularly appears as a chamber musician at the Sarasota\, Music@Menlo\, and Bridgehampton summer festivals. Kolkay has commissioned and premiered solo works by Joan Tower\, Mark-Anthony Turnage\, Elliott Carter\, and Tania León\, among many others\, and his most recent recordings include an album of music for bassoon and strings with the Calidore String Quartet\, and the Christopher Rouse concerto with the Albany Symphony. He is Professor of Bassoon at the Vanderbilt University Blair School of Music and has given master classes throughout the US\, Mexico\, and South Korea. Kolkay is an alum of CMS’s Bowers Program\, and holds degrees from Lawrence University\, the Eastman School of Music\, and Yale University. He is a native of Naperville\, Illinois. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nCaleb Hudson\nTrumpet \n\n\n\n\n\nCaleb Hudson has carved out a unique space in the world of classical trumpet. A member of the esteemed Canadian Brass for over a decade and a co-founder of the trio Triple Cortado\, he has been hailed by the New York Times as “brilliantly stylish.” In March 2024 Hudson released his debut solo album\, Nothing Less. He is acclaimed for his renditions of Bach’s Brandenburg Concerto No. 2\, which he performs on both the modern piccolo trumpet and the historical baroque trumpet. This expertise has enabled solo engagements with renowned ensembles such as the Philadelphia Orchestra\, Orpheus Chamber Orchestra\, Orchestra of St. Luke’s\, Trinity Baroque Orchestra\, Handel and Haydn Society\, and Philharmonia Baroque. Beyond performance\, Caleb is a prolific arranger and composer\, and is deeply committed to expanding the brass repertoire. Currently\, Caleb serves as the Associate Professor of Trumpet at the Butler School of Music at the University of Texas at Austin. A native of Lexington\, Kentucky\, he earned his bachelor’s and master’s degrees from the Juilliard School. \n\nRead full profile\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAll performances:\nDec 06\, 2026 12:00 AM\nDec 08\, 2026 12:00 AM \nThis event is recurring on the following dates:\nSat\, Dec 05 at 11:55 PM\nMon\, Dec 07 at 11:55 PM
URL:https://www.pianyc.net/event/baroque-wind-concertos-at-lincoln-center/2026-12-07/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261211T193000
DTEND;TZID=America/New_York:20261211T210000
DTSTAMP:20260812T050114Z
CREATED:20260810T224544Z
LAST-MODIFIED:20260812T050114Z
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SUMMARY:Bach and Sons: Passing the Torch\, at Lincoln Center
DESCRIPTION:With the death of Johann Sebastian Bach in 1750\, shortly after he completed his Musical Offering\, the Baroque era began transitioning to the Classical style. Among its leaders were Bach’s immensely talented sons\, whose works in this program pay respect to tradition while establishing a fresh\, popular musical aesthetic. \n\nProgram \n\n\nProgram\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nA Musical Offering\, BWV 1079\n(1747) \n\n\n\n\n\n\nJohann Christian Bach\n(1735-1782) \n\n\n\n\nQuintet in C major for Flute\, Oboe\, Violin\, Viola\, and Continuo\, Op. 11\, No. 1\n(1772) \n\n\n\n\n\n\nWilhelm Friedemann Bach\n(1710–1784) \n\n\n\n\nChorale Prelude on Christe\, der du bist Tag und Licht\, F. 38\, No. 2\n\n\n\n\n\n\nCarl Philipp Emanuel Bach\n(1714–1788) \n\n\n\n\nFantasia in F-sharp minor for Violin and Harpsichord\, H. 536\n(1787) \n\n\n\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nFourteen Canons on the “Goldberg” Variations\, BWV 1087\n(arr. Weiss) (1747-48) \n\n\n\n\n\n\n\nPerformers \n\n\n\n\n\n\n\n\nKenneth Weiss\nHarpsichord\n\n\n\n\n\n\n\nBella Hristova\nViolin\n\n\n\n\n\n\n\nSean Lee\nViolin\n\n\n\n\n\n\n\nMatthew Lipman\nViola\n\n\n\n\n\n\n\nDmitri Atapine\nCello\n\n\n\n\n\n\n\nSooyun Kim\nFlute\n\n\n\n\n\n\n\nJames Austin Smith\nOboe\n\n\n\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nKenneth Weiss\nHarpsichord \n\n\n\n\n\nBorn in New York\, Kenneth Weiss began his musical studies on piano. After attending the High School of Performing Arts he entered the Oberlin Conservatory of Music. It was through his studies on organ and harpsichord that he became aware of the vast early keyboard repertoire and decided to devote his professional life to it. He continued his studies with Gustav Leonhardt at the Amsterdam Conservatory and in 1985 settled in France\, where he is still based today. Kenneth Weiss has worked as an accompanist\, vocal coach\, opera continuist\, chamber musician\, conductor\, and soloist for several decades\, performing extensively in Europe\, North America\, and Asia. A dedicated teacher\, he is currently professor of chamber music at the Conservatoire National Supérieur de Musique et de Danse de Paris. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nBella Hristova\nViolin \n\n\n\n\n\n\nAcclaimed for her passionate\, powerful performances\, beautiful sound\, and compelling command of her instrument\, violinist Bella Hristova has appeared as a soloist with orchestras across the US\, Asia\, Europe\, Latin America\, and New Zealand. She was the featured soloist for an eight-orchestra concerto commission\, written by her husband\, composer David Serkin Ludwig\, and recently recorded it with the Buffalo Philharmonic and JoAnn Falletta. Her discography also includes the complete Beethoven and Brahms sonatas with pianist Michael Houstoun. A champion of new music\, her project Lineage features six new solo violin commissions by Dai Wei\, Gloria Kravchenko\, Nokuthula Ngwenyama\, Eunike Tanzil\, Joan Tower\, and Ellen Taaffe Zwilich. She is a recipient of a 2013 Avery Fisher Career Grant and first-prize winner of the Michael Hill and YCA competitions. Hristova studied with Ida Kavafian and Jaime Laredo\, is an alum of CMS’s Bowers Program\, and plays a 1655 Nicolò Amati violin. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nSean Lee\nViolin \n\n\n\n\n\n\nWith performances described by the New York Times as “breathtakingly beautiful\,” violinist Sean Lee has performed with the Chamber Music Society of Lincoln Center for over a decade\, following his participation in CMS’s Bowers Program. A recipient of Lincoln Center’s Avery Fisher Career Grant\, Lee has performed as a soloist with orchestras including the San Francisco Symphony\, Jerusalem Symphony\, and Orchestra del Teatro Carlo Felice. Originally from Los Angeles\, Lee studied with Robert Lipsett of the Colburn Conservatory and legendary violinist Ruggiero Ricci before studying at the Juilliard School with his longtime mentor\, violinist Itzhak Perlman. Lee performs on violins made by Samuel Zygmuntowicz in 1995 and David Bague in 1999\, and a bow made circa 1890 by Joseph Arthur Vigneron. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nMatthew Lipman\nViola \n\n\n\n\n\nAmerican violist Matthew Lipman\, recognized by the New York Times for his “rich tone and elegant phrasing\,” has made recent appearances with the Chicago Symphony Orchestra\, Chamber Orchestra of Europe\, American Symphony Orchestra\, Munich Symphony Orchestra\, and Minnesota Orchestra; and at Carnegie Hall\, Vienna Musikverein\, Berlin Philharmonie\, and the Zürich Tonhalle. He made his recording debut with Sir Neville Marriner and the Academy of St Martin in the Fields and has since recorded on Sony and Deutsche Grammophon. Lipman has premiered works by Clarice Assad\, Andreia Pinto Correia\, Joel Thompson\, and John Williams\, and made his film debut in A. Rimbaud\, playing the role of Paul Verlaine. He is an alum of CMS’s Bowers Program and the recipient of an Avery Fisher Career Grant. Lipman is on faculty at Stony Brook University and is a visiting professor at Juilliard. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nDmitri Atapine\nCello \n\n\n\n\n\n\nCellist Dmitri Atapine has been praised for his “brilliant technical chops” (Gramophone) and performances that are “highly impressive throughout” (The Strad). He has appeared at leading venues\, including Carnegie Hall’s Zankel and Weill halls\, the National Auditorium of Spain\, and Beijing’s Forbidden City Concert Hall. He performs frequently with CMS\, where he is an alum of the Bowers Program. He has been featured at festivals including Music@Menlo\, La Musica Sarasota\, Aldeburgh\, and Aix-en-Provence. His many recordings include a world-premiere release of Lowell Liebermann’s cello sonatas. He has received multiple performance and teaching awards\, including first prize at the Carlos Prieto International Cello Competition. He holds a doctorate from the Yale School of Music\, where he studied with Aldo Parisot. Atapine is Professor of Cello at the University of Nevada\, Reno. Together with pianist Hyeyeon Park\, he serves as Artistic Co-Director of Friends of Chamber Music Kansas City and Apex Concerts (Nevada). He is also the Artistic Co-Director designate of Music@Menlo. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nSooyun Kim\nFlute \n\n\n\n\n\nSince her concerto debut with the Seoul Philharmonic Orchestra\, flutist Sooyun Kim has enjoyed a flourishing career performing with orchestras\, including the Bavarian Radio Symphony\, Munich Philharmonic\, Munich Chamber Orchestra\, and Boston Pops. She has appeared in recital in Budapest’s Liszt Hall\, Millennium Stage at the Kennedy Center\, and the Louvre Museum in Paris. She is a winner of the Georg Solti Foundation Career Grant and ARD International Flute Competition. An alum of CMS’s Bowers Program\, she studied at the New England Conservatory under the tutelage of Paula Robison. She is recently appointed Assistant Professor of Flute at University Cincinnati College-Conservatory and teaches summer courses at Orford Musique. Kim plays on a rare 18-karat gold flute made especially for her by Verne Q. Powell Flutes and has recorded for labels including ArtistLed\, Naxos\, Toccata Classics\, and BR-Klassik. Her album Confluence was released to great acclaim in 2025 on the Musica Solis label. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJames Austin Smith\nOboe \n\n\n\n\n\n\nPerformer\, curator\, and on-stage host James Austin Smith “proves that an oboist can have an adventurous solo career” (TheNew Yorker). Smith appears at leading national and international chamber music festivals\, as Co-Principal Oboe of the conductor-less Orpheus Chamber Orchestra\, and as an artist of the International Contemporary Ensemble. As Artistic and Executive Director of Tertulia Chamber Music\, Smith creates intimate evenings of music\, food\, and drink in New York\, San Francisco\, and beyond. He serves as Artistic Advisor to Coast Live Music in the San Francisco Bay Area and mentors graduate-level musicians as a professor of oboe and chamber music at Stony Brook University. Smith’s April 2027 Carnegie Hall debut recital\, Elemental\, connects the oboe to ancient\, global traditions of double reed playing\, asserting its role in the human soundscape. A Fulbright scholar and alum of Carnegie Hall’s Ensemble Connect and CMS’s Bowers Program\, he holds degrees in music and political science from Northwestern and Yale University.  \n\n\nRead full profile
URL:https://www.pianyc.net/event/bach-and-sons-passing-the-torch-at-lincoln-center/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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DTSTART;TZID=America/New_York:20261212T235500
DTEND;TZID=America/New_York:20261213T013000
DTSTAMP:20260812T050318Z
CREATED:20260810T224545Z
LAST-MODIFIED:20260812T050318Z
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SUMMARY:The Brandenburg Concertos at Lincoln Center
DESCRIPTION:Uplifting\, inspiring\, hopeful\, energizing\, innovative\, spiritual: all of these adjectives apply to Bach’s Brandenburg Concertos. To say that the world needs them now more than ever is an understatement. They represent what humankind at its finest can achieve\, and because of that\, we gather around them faithfully every season. \n\nProgram \n\n\nProgram\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nBrandenburg Concerto No. 6 in B-flat major\, BWV 1051\n(1720) \n\n\n\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nBrandenburg Concerto No. 5 in D major\, BWV 1050\n(1720) \n\n\n\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nBrandenburg Concerto No. 4 in G major\, BWV 1049\n(1720) \n\n\n\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nBrandenburg Concerto No. 1 in F major\, BWV 1046\n(1720) \n\n\n\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nBrandenburg Concerto No. 2 in F major\, BWV 1047\n(1720) \n\n\n\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nBrandenburg Concerto No. 3 in G major\, BWV 1048\n(1720) \n\n\n\n\n\n\n\nPerformers \n\n\n\n\n\n\n\n\nPaolo Bordignon\nHarpsichord\n\n\n\n\n\n\n\nAaron Boyd\nViolin/Piccolo Violin\n\n\n\n\n\n\n\nStella Chen\nViolin\n\n\n\n\n\n\n\nJulian Rhee\nViolin\n\n\n\n\n\n\n\nArnaud Sussmann\nViolin/Viola\n\n\n\n\n\n\n\nPaul Neubauer\nViola\n\n\n\n\n\n\n\nMilena Pájaro-van de Stadt\nViola\n\n\n\n\n\n\n\nEdward Arron\nCello\n\n\n\n\n\n\n\nMihai Marica\nCello\n\n\n\n\n\n\n\nJonathan Swensen\nCello\n\n\n\n\n\n\n\nAnthony Manzo\nDouble Bass\n\n\n\n\n\n\n\nDemarre McGill\nFlute\n\n\n\n\n\n\n\nTara Helen O’Connor\nFlute\n\n\n\n\n\n\n\nRandall Ellis\nOboe\n\n\n\n\n\n\n\nStephen Taylor\nOboe\n\n\n\n\n\n\n\nJuri Vallentin\nOboe\n\n\n\n\n\n\n\nJake Thonis\nBassoon\n\n\n\n\n\n\n\nDavid Byrd-Marrow\nHorn\n\n\n\n\n\n\n\nEric Reed\nHorn\n\n\n\n\n\n\n\nCaleb Hudson\nTrumpet\n\n\n\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nPaolo Bordignon\nHarpsichord \n\n\n\n\n\n\nPaolo Bordignon is harpsichordist of the New York Philharmonic and organist and choirmaster of St. Bartholomew’s Church\, Park Avenue. Recent appearances include concertos with the Philadelphia Orchestra and the American Symphony Orchestra\, and performances with Santa Fe Chamber Music Festival\, Orpheus Chamber Orchestra\, and Camerata Pacifica. He has performed with the MET Orchestra Musicians\, Boston Symphony Chamber Players\, St. Paul Chamber Orchestra\, All-Star Orchestra\, Mark Morris Dance Company\, and ECCO. He gave the first modern performances of newly rediscovered chamber works by Felix Mendelssohn\, as well as the New York concert premiere of two newly rediscovered organ pieces by J. S. Bach at CMS in 2025. Bordignon attended St. Michael’s Cathedral Choir School in Toronto before attending the Curtis Institute of Music in Philadelphia. He is an Associate of the Royal Conservatory of Music and a Fellow of the Royal Canadian College of Organists\, and he earned master’s and doctoral degrees from the Juilliard School.  \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nAaron Boyd\nViolin/Piccolo Violin \n\n\n\n\n\n\nViolinist Aaron Boyd enjoys a versatile career as soloist\, chamber musician\, orchestral leader\, recording artist\, lecturer\, and teacher. Since making his New York recital debut in 1998\, he has concertized throughout North America\, Europe\, and Asia. Formerly a member of the Escher String Quartet\, he was a recipient of an Avery Fisher Career Grant and the Martin E. Segal prize from Lincoln Center\, and was also awarded a Proclamation by the City of Pittsburgh for his musical accomplishments. A passionate advocate for new music\, he has been involved in numerous commissions and premieres\, and has worked directly with such legendary composers as Milton Babbitt\, Elliott Carter\, and Charles Wuorinen. He is also founder of the Zukofsky Quartet (quartet-in-residence at Bargemusic); the only ensemble to have played all of Milton Babbitt’s notoriously difficult string quartets. As a recording artist\, he can be heard on the BIS\, Music@Menlo Live\, Naxos\, Tzadik\, North/South and Innova labels. He has been broadcast in concert by NPR\, WQXR\, and WQED\, and was profiled by Arizona Public Television. Born in Pittsburgh\, Mr. Boyd began his studies with Samuel LaRocca and Eugene Phillips and graduated from The Juilliard School where he studied with Sally Thomas and coached extensively with Paul Zukofsky and cellist Harvey Shapiro. He now serves as Director of Chamber Music and Professor of Practice in Violin at the Meadows School of the Arts at Southern Methodist University and lives in Dallas with his wife Yuko\, daughter Ayu\, and son Yuki. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nStella Chen\nViolin \n\n\n\n\n\n\nPraised for her “silken grace” and “brilliant command” (The Strad)\, American violinist Stella Chen captured international attention as the winner of the 2019 Queen Elisabeth International Violin Competition\, followed by the 2020 Avery Fisher Career Grant. Her debut album\, Stella x Schubert\, was released in 2023 on Apple Music’s Platoon label to critical acclaim\, garnering her the title of Young Artist of the Year at the Gramophone Awards. Stella has performed across North America\, Europe\, and Asia\, appearing as soloist with orchestras including the New York Philharmonic\, Chicago Symphony\, Minnesota Orchestra\, San Francisco Symphony\, Brussels Philharmonic\, and the Chamber Orchestra of Europe. A recently appointed faculty member of the Juilliard School\, she holds a bachelor’s degree from Harvard University and a doctorate from Juilliard\, and is an alum of CMS’s Bowers Program. Chen performs on the 1720 “General Kyd” Stradivarius\, generously loaned by Dr. Ryuji Ueno and Rare Violins In Consortium\, Artists and Benefactors Collaborative. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJulian Rhee\nViolin \n\n\n\n\n\nWinner of the prestigious 2024 Avery Fisher Career Grant\, Korean-American violinist Julian Rhee came to international prominence following his prize-winning performances at the 2024 Queen Elisabeth International Violin Competition and Silver Medal finish at the 11th Quadrennial International Violin Competition of Indianapolis. He has appeared with orchestras including the Stuttgarter Kammerorchester\, Oregon Symphony\, Milwaukee Symphony\, Calgary Philharmonic\, Belgian National Orchestra\, Antwerp Symphony\, Indianapolis Symphony\, Pittsburgh Symphony\, Richmond Symphony\, and San Diego Symphony. Julian is a member of CMS’s Bowers Program and has performed at festivals including Marlboro Music\, Ravinia Steans Institute\, and North Shore Chamber Music Festival. He studied at the New England Conservatory with Miriam Fried\, and currently works with Christian Tetzlaff at the Kronberg Academy. Julian is the recipient of the 1699 “Lady Tennant” Antonio Stradivari violin and a Jean Pierre Marie Persoit bow on extended loan through the generosity of the Mary B. Galvin Foundation and the Stradivari Society. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nArnaud Sussmann\nViolin/Viola \n\n\n\n\n\n\nWinner of a 2009 Avery Fisher Career Grant\, Arnaud Sussmann has recently appeared as soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician\, he has performed at London’s Wigmore Hall\, the Dresden Music Festival\, and the Phillips Collection in Washington\, DC. He has also given concerts at the Moritzburg\, Caramoor\, Music@Menlo\, La Jolla SummerFest\, Mainly Mozart\, Seattle Chamber Music\, Chamber Music Northwest\, and Moab Music festivals. An alum of CMS’s Bowers Program\, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program\, and teaches at Stony Brook University. In September 2022\, he was named Founding Artistic Director of the Boscobel Chamber Music Festival. Mr. Sussmann plays a 1731 Stradivarius violin on loan from a private owner. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nPaul Neubauer\nViola \n\n\n\n\n\nLast summer\, violist Paul Neubauer premiered a new viola concerto by Ellen Taaffe Zwilich with conductor JoAnn Falletta at the Brevard Music Center. This season\, he will record and perform the work with the Buffalo Philharmonic Orchestra. In 2025\, he released two albums on First Hand Records featuring the final works of two great composers: an all-Bartók album including the revised version of the Viola Concerto\, and a Shostakovich recording that includes the monumental Viola Sonata. Appointed principal violist of the New York Philharmonic at the age of 21\, Neubauer has appeared as soloist with the New York\, Los Angeles\, and Helsinki Philharmonics; the Chicago\, National\, St. Louis\, Detroit\, Dallas\, San Francisco\, and Bournemouth Symphonies; and the Santa Cecilia\, English Chamber\, and Beethovenhalle Orchestras. A two-time Grammy nominee\, Neubauer is artistic director of the Mostly Music series in New Jersey and serves on the faculties of the Juilliard School and Mannes College.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nMilena Pájaro-van de Stadt\nViola \n\n\n\n\n\nViolist Milena Pájaro-van de Stadt has appeared as soloist with the Tokyo Philharmonic\, the Jacksonville Symphony\, and the Sphinx Chamber Orchestra\, and has performed in recitals and chamber music concerts throughout the United States\, Latin America\, Europe\, and Asia\, including an acclaimed 2011 debut recital at London’s Wigmore Hall. She was the founding violist of the Dover Quartet\, and played in the group from 2008 to 2022. In 2013 the Dover Quartet was the first-prize winner and recipient of every special award at the Banff International String Quartet Competition\, and won the gold medal and grand prize in the 2010 Fischoff Chamber Music Competition. Her numerous awards also include first prize of the Lionel Tertis International Viola Competition and top prizes at the Sphinx Competition and Tokyo International Viola Competition. Pájaro-van de Stadt has degrees from the Curtis Institute of Music and Rice University’s Shepherd School of Music. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nEdward Arron\nCello \n\n\n\n\n\nCellist Edward Arron has garnered recognition worldwide for his elegant musicianship\, impassioned performances\, and creative programming. The 2026–27 season marks his 14th year as the co-artistic director with his wife\, pianist Jeewon Park\, of the Performing Artists in Residenceseries at the Clark Art Institute in Williamstown\, Massachusetts. He tours and records as a member of the Ehnes Quartet\, and appears regularly at the Boston and Seattle Chamber Music Societies\, the Brooklyn Chamber Music Society\, Bargemusic\, Caramoor\, Bowdoin International Music Festival\, Charlottesville Chamber Music Festival\, Seoul Spring Festival in Korea\, Music in the Vineyards Festival\, Lake Champlain Chamber Music Festival\, Manchester Music Festival\, and the Kuhmo Chamber Music Festival in Finland. A native of Cincinnati\, Ohio\, Arron studied in New York with Peter Wiley and graduated from the Juilliard School\, where he was a student of Harvey Shapiro. He served on the faculty at New York University from 2009 to 2016 and at University of Massachusetts Amherst from 2016 to 2026.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nMihai Marica\nCello \n\n\n\n\n\n\nRomanian-born cellist Mihai Marica is a first-prize winner of the Dr. Luis Sigall International Competition in Viña del Mar\, Chile\, as well as the Irving M. Klein International Competition\, and is a recipient of Charlotte White’s Salon de Virtuosi Fellowship Grant. He has performed with orchestras such as the Symphony Orchestra of Chile\, Xalapa Symphony in Mexico\, the Hermitage State Orchestra of St. Petersburg in Russia\, the Jardins Musicaux Festival Orchestra in Switzerland\, the Louisville Orchestra\, and the Santa Cruz Symphony in the US. He has also appeared in recital performances in Austria\, Hungary\, Germany\, Spain\, Holland\, South Korea\, Japan\, Chile\, the United States\, and Canada. A dedicated chamber musician\, he has performed at the Chamber Music Northwest\, Norfolk\, and Aspen music festivals where he has collaborated with such artists as Ani Kavafian\, Ida Kavafian\, David Shifrin\, André Watts\, and Edgar Meyer. He is a founding member of the award-winning Amphion String Quartet. A recent collaboration with dancer Lil Buck brought forth new pieces for solo cello written by Yevgeniy Sharlat and Patrick Castillo. He recently joined the acclaimed Apollo Trio. Marica studied with Gabriela Todor in his native Romania and with Aldo Parisot at the Yale School of Music\, where he was awarded master’s and artist diploma degrees. He is an alum of CMS’s Bowers Program. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJonathan Swensen\nCello \n\n\n\n\n\nCellist Jonathan Swensen is the recipient of an Avery Fisher Career Grant and joint first prize of the Naumburg International Cello Competition\, and was featured as “One to Watch” in Gramophone. He made his concerto debut performing the Elgar Concerto with Portugal’s Orquestra Sinfónica do Porto Casa da Música\, and has performed with the Philharmonia Orchestra\, Orquesta Ciudad de Granada\, Copenhagen Philharmonic\, Mobile Symphony\, Greenville Symphony\, and the Aarhus\, Odense\, and Iceland symphonies. He has captured first prizes at the Windsor International String Competition\, Khachaturian International Cello Competition\, and the Young Concert Artists International Auditions. A graduate of the Royal Danish Academy of Music\, Swensen continued his studies with Torleif Thedéen at the Norwegian Academy of Music in Oslo and Laurence Lesser at New England Conservatory\, where he received his Artist Diploma. He is now an Artist in Residence at the Queen Elisabeth Music Chapel working with Gary Hoffman\, and a member of CMS’s Bowers Program. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nAnthony Manzo\nDouble Bass \n\n\n\n\n\n\nAnthony Manzo’s vibrantly interactive music-making has made him a ubiquitous figure in the chamber music world. He appears regularly with CMS and at festivals including Spoleto USA\, La Jolla SummerFest\, Santa Fe Chamber Music\, and the Bowdoin Festival. Currently a core member of ECCO (the East Coast Chamber Orchestra)\, he was previously the solo bassist of the Munich Chamber Orchestra and the New Century Chamber Orchestra. He has also been guest principal with Camerata Salzburg\, where collaborations included a summer residency at the Salzburg Festival and two tours as soloist alongside bass-baritone Thomas Quasthoff\, performing Mozart’s “Per questa bella mano.” Mr. Manzo also appears regularly with the Handel & Haydn Society and the Philharmonia Baroque\, and is on the double bass and chamber music faculty at the University of Maryland. His instrument was made in Paris around 1890—and has been fitted with a removable neck for all his traveling! \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nDemarre McGill\nFlute \n\n\n\n\n\n\nFlutist Demarre McGill has gained international recognition as a soloist\, recitalist\, chamber\, and orchestral musician. Winner of an Avery Fisher Career Grant and the Sphinx Medal of Excellence\, he has appeared as a soloist with the Philadelphia Orchestra\, and the San Francisco\, Seattle\, Pittsburgh\, Dallas\, Grant Park\, San Diego\, Chicago\, and Baltimore Symphony Orchestras. Now principal flute of the Seattle Symphony\, he previously served as principal flute of the Dallas Symphony\, San Diego Symphony\, Florida Orchestra\, and Santa Fe Opera Orchestra. He has also served as acting principal flute of the Metropolitan Opera Orchestra and the Pittsburgh Symphony Orchestra. McGill is an alum of CMS’s Bowers Program and has participated in the Santa Fe\, Marlboro\, Seattle\, and Stellenbosch chamber music festivals\, among others. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nTara Helen O’Connor\nFlute \n\n\n\n\n\n\nTara Helen O’Connor\, recipient of an Avery Fisher Career Grant and a two-time Grammy nominee\, was the first wind player to participate in CMS’s Bowers Program. A regular performer at major music festivals around the country\, she is also the Co-Artistic Director of the Music from Angel Fire Festival in New Mexico\, the Artistic Director of the Essex Winter Series\, a member of the woodwind quintet Windscape\, and a founding member of the Naumburg Award–winning New Millennium Ensemble. She has recorded for Deutsche Grammophon\, EMI Classics\, Koch International\, CMS Studio Recordings\, and Bridge Records\, and can be heard on numerous film and television soundtracks. She has premiered hundreds of new works and has collaborated with the Orion\, St. Lawrence\, and Emerson String Quartets. A Wm. S. Haynes flute artist\, O’Connor is on faculty at Yale School of Music. Additionally\, she teaches at Bard College and the Manhattan School of Music. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nRandall Ellis\nOboe \n\n\n\n\n\nRandall Ellis was principal oboist of the Mostly Mozart Festival Orchestra from 1988 until 2016. He is principal oboist of the Little Orchestra Society and solo English horn in the New York Pops Orchestra. He is a member of the Emmy-winning All-Star Orchestra and former member of Windscape Woodwind Quintet. He is principal oboist of the Eastern Music Festival and was also principal oboist of the New York Chamber Symphony\, where he received two Grammy nominations. He has performed with the New York Philharmonic\, Seattle Symphony\, San Diego Symphony\, Florida Orchestra\, American Symphony\, and Orpheus Chamber Orchestra. He has been a soloist with the New England Bach Festival\, the International Bach Festival of Madeira\, the Philharmonia Virtuosi of New York\, and Chamber Music at 92Y. Ellis attended the North Carolina School of the Arts and Stony Brook University\, where he was a student of Ronald Roseman. He teaches oboe and chamber music at Skidmore College. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nStephen Taylor\nOboe \n\n\n\n\n\nStephen Taylor is solo oboist with the New York Woodwind Quintet\, the Orchestra of St. Luke’s\, the St. Luke’s Chamber Ensemble\, the American Composers Orchestra\, and the New England Bach Festival Orchestra\, and is co-principal oboist of Orpheus Chamber Orchestra. Among his more than 300 recordings are Bach arias with Kathleen Battle and Itzhak Perlman\, and Elliott Carter’s Oboe Quartet\, for which he received a Grammy nomination. He has performed and recorded many of Carter’s works\, giving several world and US premieres. He was awarded a performer’s grant from the Fromm Foundation at Harvard University and has collaborated with the Vermeer\, Shanghai\, Orion\, American\, and Artis-Vienna String Quartets\, among others. Taylor is on the faculties of the Manhattan\, Juilliard and Yale schools of music. He plays rare James Caldwell model Lorée oboes\, and spends as much time as possible with his old wooden boats in Maine. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJuri Vallentin\nOboe \n\n\n\n\n\nGerman oboist Juri Vallentin has gained international attention as a prize winner of major competitions such as the International Tchaikovsky Competition as first oboist\, the German Music Competition\, and the International Oboe Competition of Japan. He has performed as soloist with the MDR Symphony Orchestra\, the Mariinsky Orchestra\, the Lower Saxony State Orchestra\, the Brandenburg State Orchestra\, and the Munich Chamber Orchestra\, among others. His albums Bridges\, featuring Italian concertos\, Ebenbild\, which combines music and literature\, and Bridges\, with music from five centuries\, as well as numerous radio productions for BR\, SWR\, and Deutschlandfunk\, document his artistic work. He co-founded the wind quintet BREEZE in 2021. Born in Mainz\, he studied in Nuremberg and at the Conservatoire de Paris\, where he graduated with highest honors. Vallentin is Professor of Oboe at the Karlsruhe University of Music and a member of CMS’s Bowers Program. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJake Thonis\nBassoon \n\n\n\n\n\n\nBassoonist Jake Thonis made his solo debut with the Boston Symphony Orchestra in 2013 and has gone on to perform as guest principal bassoon with the Charleston\, Chicago\, Houston\, and Winnipeg Symphonies\, as well as the Florida Orchestra and the Louisiana Philharmonic. He was Acting Principal Bassoon of the Winnipeg Symphony in the 2025–26 season\, and was Acting Principal Bassoon for the Florida Orchestra for the 2024–25 season\, previously serving as Acting Associate Principal for three seasons. An avid chamber musician\, Jake was an artist-participant at the Marlboro Music Festival and has performed at Music@Menlo and Tippet Rise Art Center. Thonis began his studies with Janet Underhill in his hometown of Wellesley\, Massachusetts\, going on to study with Richard Beene\, Benjamin Kamins\, and Daniel Matsukawa at the Colburn School\, Rice University\, and the Curtis Institute of Music\, respectively.  \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nDavid Byrd-Marrow\nHorn \n\n\n\n\n\nHailed as “stunning and assured” by the New York Times\, Atlanta native David Byrd-Marrow is a member of the International Contemporary Ensemble\, as well as The Knights. He enjoys an active chamber music calendar\, and has performed at festivals including the Ojai Music Festival\, the Spoleto Music Festival\, Music@Menlo\, the Tanglewood Music Center\, Summerfest! at La Jolla Music Society\, and the Denver Chamber Music Festival. Formerly a member of Carnegie Hall’s Ensemble Connect\, he has also appeared with the New York Philharmonic\, the Cleveland Orchestra\, the Atlanta\, Seattle and Tokyo symphony orchestras\, the Orpheus Chamber Orchestra\, the Mostly Mozart Festival Orchestra\, the Washington National Opera\, and the Metropolitan Opera. He has recorded on labels including Tundra\, More Is More\, Nonesuch\, EMI\, Deutsche Grammophon\, and Naxos. Byrd-Marrow received his bachelor’s degree from the Juilliard School and master’s from Stony Brook University. He is Associate Professor of Horn at Oberlin College and Conservatory. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nEric Reed\nHorn \n\n\n\n\n\nEric Reed is the horn player of the American Brass Quintet\, and co-principal horn of the Orpheus Chamber Orchestra. Also a member of the Orchestra of St. Luke’s\, Eric is a former member of the Canadian Brass\, Ensemble Connect\, and the New Jersey\, Oregon\, New World\, and Harrisburg symphonies. He serves on the faculty of the Juilliard School\, New York University\, and Mannes School of Music. Eric is a member of Brassology\, a genre-bending brass octet formed in 2023\, and Ensemble Échappé\, a sinfonietta dedicated to music of the 21st century. Recent world premieres include chamber works by Tyshawn Sorey\, Jennifer Higdon\, John Zorn\, Nina C. Young\, Anthony Barfield\, William Bolcom\, David Biedenbender\, Philip Lasser\, Kenneth Fuchs and Timo Andres. Recent festival appearances include Aspen\, Bridgehampton\, Bard\, Emerald City\, North Shore\, Crescent City\, Cape Cod\, Steamboat Springs\, and Mostly Mozart. Eric resides in the Bronx with his wife\, violinist Sarah Zun\, and their sons Oliver and Elliot.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nCaleb Hudson\nTrumpet \n\n\n\n\n\nCaleb Hudson has carved out a unique space in the world of classical trumpet. A member of the esteemed Canadian Brass for over a decade and a co-founder of the trio Triple Cortado\, he has been hailed by the New York Times as “brilliantly stylish.” In March 2024 Hudson released his debut solo album\, Nothing Less. He is acclaimed for his renditions of Bach’s Brandenburg Concerto No. 2\, which he performs on both the modern piccolo trumpet and the historical baroque trumpet. This expertise has enabled solo engagements with renowned ensembles such as the Philadelphia Orchestra\, Orpheus Chamber Orchestra\, Orchestra of St. Luke’s\, Trinity Baroque Orchestra\, Handel and Haydn Society\, and Philharmonia Baroque. Beyond performance\, Caleb is a prolific arranger and composer\, and is deeply committed to expanding the brass repertoire. Currently\, Caleb serves as the Associate Professor of Trumpet at the Butler School of Music at the University of Texas at Austin. A native of Lexington\, Kentucky\, he earned his bachelor’s and master’s degrees from the Juilliard School. \n\nRead full profile\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAll performances:\nDec 13\, 2026 12:00 AM\nDec 18\, 2026 12:00 AM \nThis event is recurring on the following dates:\nSat\, Dec 12 at 11:55 PM\nThu\, Dec 17 at 11:55 PM
URL:https://www.pianyc.net/event/the-brandenburg-concertos-at-lincoln-center/2026-12-12/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261217T235500
DTEND;TZID=America/New_York:20261218T013000
DTSTAMP:20260812T050318Z
CREATED:20260810T224545Z
LAST-MODIFIED:20260812T050318Z
UID:10009538-1797551700-1797557400@www.pianyc.net
SUMMARY:The Brandenburg Concertos at Lincoln Center
DESCRIPTION:Uplifting\, inspiring\, hopeful\, energizing\, innovative\, spiritual: all of these adjectives apply to Bach’s Brandenburg Concertos. To say that the world needs them now more than ever is an understatement. They represent what humankind at its finest can achieve\, and because of that\, we gather around them faithfully every season. \n\nProgram \n\n\nProgram\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nBrandenburg Concerto No. 6 in B-flat major\, BWV 1051\n(1720) \n\n\n\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nBrandenburg Concerto No. 5 in D major\, BWV 1050\n(1720) \n\n\n\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nBrandenburg Concerto No. 4 in G major\, BWV 1049\n(1720) \n\n\n\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nBrandenburg Concerto No. 1 in F major\, BWV 1046\n(1720) \n\n\n\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nBrandenburg Concerto No. 2 in F major\, BWV 1047\n(1720) \n\n\n\n\n\n\nJohann Sebastian Bach\n(1685–1750) \n\n\n\n\nBrandenburg Concerto No. 3 in G major\, BWV 1048\n(1720) \n\n\n\n\n\n\n\nPerformers \n\n\n\n\n\n\n\n\nPaolo Bordignon\nHarpsichord\n\n\n\n\n\n\n\nAaron Boyd\nViolin/Piccolo Violin\n\n\n\n\n\n\n\nStella Chen\nViolin\n\n\n\n\n\n\n\nJulian Rhee\nViolin\n\n\n\n\n\n\n\nArnaud Sussmann\nViolin/Viola\n\n\n\n\n\n\n\nPaul Neubauer\nViola\n\n\n\n\n\n\n\nMilena Pájaro-van de Stadt\nViola\n\n\n\n\n\n\n\nEdward Arron\nCello\n\n\n\n\n\n\n\nMihai Marica\nCello\n\n\n\n\n\n\n\nJonathan Swensen\nCello\n\n\n\n\n\n\n\nAnthony Manzo\nDouble Bass\n\n\n\n\n\n\n\nDemarre McGill\nFlute\n\n\n\n\n\n\n\nTara Helen O’Connor\nFlute\n\n\n\n\n\n\n\nRandall Ellis\nOboe\n\n\n\n\n\n\n\nStephen Taylor\nOboe\n\n\n\n\n\n\n\nJuri Vallentin\nOboe\n\n\n\n\n\n\n\nJake Thonis\nBassoon\n\n\n\n\n\n\n\nDavid Byrd-Marrow\nHorn\n\n\n\n\n\n\n\nEric Reed\nHorn\n\n\n\n\n\n\n\nCaleb Hudson\nTrumpet\n\n\n\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nPaolo Bordignon\nHarpsichord \n\n\n\n\n\n\nPaolo Bordignon is harpsichordist of the New York Philharmonic and organist and choirmaster of St. Bartholomew’s Church\, Park Avenue. Recent appearances include concertos with the Philadelphia Orchestra and the American Symphony Orchestra\, and performances with Santa Fe Chamber Music Festival\, Orpheus Chamber Orchestra\, and Camerata Pacifica. He has performed with the MET Orchestra Musicians\, Boston Symphony Chamber Players\, St. Paul Chamber Orchestra\, All-Star Orchestra\, Mark Morris Dance Company\, and ECCO. He gave the first modern performances of newly rediscovered chamber works by Felix Mendelssohn\, as well as the New York concert premiere of two newly rediscovered organ pieces by J. S. Bach at CMS in 2025. Bordignon attended St. Michael’s Cathedral Choir School in Toronto before attending the Curtis Institute of Music in Philadelphia. He is an Associate of the Royal Conservatory of Music and a Fellow of the Royal Canadian College of Organists\, and he earned master’s and doctoral degrees from the Juilliard School.  \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nAaron Boyd\nViolin/Piccolo Violin \n\n\n\n\n\n\nViolinist Aaron Boyd enjoys a versatile career as soloist\, chamber musician\, orchestral leader\, recording artist\, lecturer\, and teacher. Since making his New York recital debut in 1998\, he has concertized throughout North America\, Europe\, and Asia. Formerly a member of the Escher String Quartet\, he was a recipient of an Avery Fisher Career Grant and the Martin E. Segal prize from Lincoln Center\, and was also awarded a Proclamation by the City of Pittsburgh for his musical accomplishments. A passionate advocate for new music\, he has been involved in numerous commissions and premieres\, and has worked directly with such legendary composers as Milton Babbitt\, Elliott Carter\, and Charles Wuorinen. He is also founder of the Zukofsky Quartet (quartet-in-residence at Bargemusic); the only ensemble to have played all of Milton Babbitt’s notoriously difficult string quartets. As a recording artist\, he can be heard on the BIS\, Music@Menlo Live\, Naxos\, Tzadik\, North/South and Innova labels. He has been broadcast in concert by NPR\, WQXR\, and WQED\, and was profiled by Arizona Public Television. Born in Pittsburgh\, Mr. Boyd began his studies with Samuel LaRocca and Eugene Phillips and graduated from The Juilliard School where he studied with Sally Thomas and coached extensively with Paul Zukofsky and cellist Harvey Shapiro. He now serves as Director of Chamber Music and Professor of Practice in Violin at the Meadows School of the Arts at Southern Methodist University and lives in Dallas with his wife Yuko\, daughter Ayu\, and son Yuki. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nStella Chen\nViolin \n\n\n\n\n\n\nPraised for her “silken grace” and “brilliant command” (The Strad)\, American violinist Stella Chen captured international attention as the winner of the 2019 Queen Elisabeth International Violin Competition\, followed by the 2020 Avery Fisher Career Grant. Her debut album\, Stella x Schubert\, was released in 2023 on Apple Music’s Platoon label to critical acclaim\, garnering her the title of Young Artist of the Year at the Gramophone Awards. Stella has performed across North America\, Europe\, and Asia\, appearing as soloist with orchestras including the New York Philharmonic\, Chicago Symphony\, Minnesota Orchestra\, San Francisco Symphony\, Brussels Philharmonic\, and the Chamber Orchestra of Europe. A recently appointed faculty member of the Juilliard School\, she holds a bachelor’s degree from Harvard University and a doctorate from Juilliard\, and is an alum of CMS’s Bowers Program. Chen performs on the 1720 “General Kyd” Stradivarius\, generously loaned by Dr. Ryuji Ueno and Rare Violins In Consortium\, Artists and Benefactors Collaborative. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJulian Rhee\nViolin \n\n\n\n\n\nWinner of the prestigious 2024 Avery Fisher Career Grant\, Korean-American violinist Julian Rhee came to international prominence following his prize-winning performances at the 2024 Queen Elisabeth International Violin Competition and Silver Medal finish at the 11th Quadrennial International Violin Competition of Indianapolis. He has appeared with orchestras including the Stuttgarter Kammerorchester\, Oregon Symphony\, Milwaukee Symphony\, Calgary Philharmonic\, Belgian National Orchestra\, Antwerp Symphony\, Indianapolis Symphony\, Pittsburgh Symphony\, Richmond Symphony\, and San Diego Symphony. Julian is a member of CMS’s Bowers Program and has performed at festivals including Marlboro Music\, Ravinia Steans Institute\, and North Shore Chamber Music Festival. He studied at the New England Conservatory with Miriam Fried\, and currently works with Christian Tetzlaff at the Kronberg Academy. Julian is the recipient of the 1699 “Lady Tennant” Antonio Stradivari violin and a Jean Pierre Marie Persoit bow on extended loan through the generosity of the Mary B. Galvin Foundation and the Stradivari Society. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nArnaud Sussmann\nViolin/Viola \n\n\n\n\n\n\nWinner of a 2009 Avery Fisher Career Grant\, Arnaud Sussmann has recently appeared as soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician\, he has performed at London’s Wigmore Hall\, the Dresden Music Festival\, and the Phillips Collection in Washington\, DC. He has also given concerts at the Moritzburg\, Caramoor\, Music@Menlo\, La Jolla SummerFest\, Mainly Mozart\, Seattle Chamber Music\, Chamber Music Northwest\, and Moab Music festivals. An alum of CMS’s Bowers Program\, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program\, and teaches at Stony Brook University. In September 2022\, he was named Founding Artistic Director of the Boscobel Chamber Music Festival. Mr. Sussmann plays a 1731 Stradivarius violin on loan from a private owner. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nPaul Neubauer\nViola \n\n\n\n\n\nLast summer\, violist Paul Neubauer premiered a new viola concerto by Ellen Taaffe Zwilich with conductor JoAnn Falletta at the Brevard Music Center. This season\, he will record and perform the work with the Buffalo Philharmonic Orchestra. In 2025\, he released two albums on First Hand Records featuring the final works of two great composers: an all-Bartók album including the revised version of the Viola Concerto\, and a Shostakovich recording that includes the monumental Viola Sonata. Appointed principal violist of the New York Philharmonic at the age of 21\, Neubauer has appeared as soloist with the New York\, Los Angeles\, and Helsinki Philharmonics; the Chicago\, National\, St. Louis\, Detroit\, Dallas\, San Francisco\, and Bournemouth Symphonies; and the Santa Cecilia\, English Chamber\, and Beethovenhalle Orchestras. A two-time Grammy nominee\, Neubauer is artistic director of the Mostly Music series in New Jersey and serves on the faculties of the Juilliard School and Mannes College.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nMilena Pájaro-van de Stadt\nViola \n\n\n\n\n\nViolist Milena Pájaro-van de Stadt has appeared as soloist with the Tokyo Philharmonic\, the Jacksonville Symphony\, and the Sphinx Chamber Orchestra\, and has performed in recitals and chamber music concerts throughout the United States\, Latin America\, Europe\, and Asia\, including an acclaimed 2011 debut recital at London’s Wigmore Hall. She was the founding violist of the Dover Quartet\, and played in the group from 2008 to 2022. In 2013 the Dover Quartet was the first-prize winner and recipient of every special award at the Banff International String Quartet Competition\, and won the gold medal and grand prize in the 2010 Fischoff Chamber Music Competition. Her numerous awards also include first prize of the Lionel Tertis International Viola Competition and top prizes at the Sphinx Competition and Tokyo International Viola Competition. Pájaro-van de Stadt has degrees from the Curtis Institute of Music and Rice University’s Shepherd School of Music. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nEdward Arron\nCello \n\n\n\n\n\nCellist Edward Arron has garnered recognition worldwide for his elegant musicianship\, impassioned performances\, and creative programming. The 2026–27 season marks his 14th year as the co-artistic director with his wife\, pianist Jeewon Park\, of the Performing Artists in Residenceseries at the Clark Art Institute in Williamstown\, Massachusetts. He tours and records as a member of the Ehnes Quartet\, and appears regularly at the Boston and Seattle Chamber Music Societies\, the Brooklyn Chamber Music Society\, Bargemusic\, Caramoor\, Bowdoin International Music Festival\, Charlottesville Chamber Music Festival\, Seoul Spring Festival in Korea\, Music in the Vineyards Festival\, Lake Champlain Chamber Music Festival\, Manchester Music Festival\, and the Kuhmo Chamber Music Festival in Finland. A native of Cincinnati\, Ohio\, Arron studied in New York with Peter Wiley and graduated from the Juilliard School\, where he was a student of Harvey Shapiro. He served on the faculty at New York University from 2009 to 2016 and at University of Massachusetts Amherst from 2016 to 2026.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nMihai Marica\nCello \n\n\n\n\n\n\nRomanian-born cellist Mihai Marica is a first-prize winner of the Dr. Luis Sigall International Competition in Viña del Mar\, Chile\, as well as the Irving M. Klein International Competition\, and is a recipient of Charlotte White’s Salon de Virtuosi Fellowship Grant. He has performed with orchestras such as the Symphony Orchestra of Chile\, Xalapa Symphony in Mexico\, the Hermitage State Orchestra of St. Petersburg in Russia\, the Jardins Musicaux Festival Orchestra in Switzerland\, the Louisville Orchestra\, and the Santa Cruz Symphony in the US. He has also appeared in recital performances in Austria\, Hungary\, Germany\, Spain\, Holland\, South Korea\, Japan\, Chile\, the United States\, and Canada. A dedicated chamber musician\, he has performed at the Chamber Music Northwest\, Norfolk\, and Aspen music festivals where he has collaborated with such artists as Ani Kavafian\, Ida Kavafian\, David Shifrin\, André Watts\, and Edgar Meyer. He is a founding member of the award-winning Amphion String Quartet. A recent collaboration with dancer Lil Buck brought forth new pieces for solo cello written by Yevgeniy Sharlat and Patrick Castillo. He recently joined the acclaimed Apollo Trio. Marica studied with Gabriela Todor in his native Romania and with Aldo Parisot at the Yale School of Music\, where he was awarded master’s and artist diploma degrees. He is an alum of CMS’s Bowers Program. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJonathan Swensen\nCello \n\n\n\n\n\nCellist Jonathan Swensen is the recipient of an Avery Fisher Career Grant and joint first prize of the Naumburg International Cello Competition\, and was featured as “One to Watch” in Gramophone. He made his concerto debut performing the Elgar Concerto with Portugal’s Orquestra Sinfónica do Porto Casa da Música\, and has performed with the Philharmonia Orchestra\, Orquesta Ciudad de Granada\, Copenhagen Philharmonic\, Mobile Symphony\, Greenville Symphony\, and the Aarhus\, Odense\, and Iceland symphonies. He has captured first prizes at the Windsor International String Competition\, Khachaturian International Cello Competition\, and the Young Concert Artists International Auditions. A graduate of the Royal Danish Academy of Music\, Swensen continued his studies with Torleif Thedéen at the Norwegian Academy of Music in Oslo and Laurence Lesser at New England Conservatory\, where he received his Artist Diploma. He is now an Artist in Residence at the Queen Elisabeth Music Chapel working with Gary Hoffman\, and a member of CMS’s Bowers Program. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nAnthony Manzo\nDouble Bass \n\n\n\n\n\n\nAnthony Manzo’s vibrantly interactive music-making has made him a ubiquitous figure in the chamber music world. He appears regularly with CMS and at festivals including Spoleto USA\, La Jolla SummerFest\, Santa Fe Chamber Music\, and the Bowdoin Festival. Currently a core member of ECCO (the East Coast Chamber Orchestra)\, he was previously the solo bassist of the Munich Chamber Orchestra and the New Century Chamber Orchestra. He has also been guest principal with Camerata Salzburg\, where collaborations included a summer residency at the Salzburg Festival and two tours as soloist alongside bass-baritone Thomas Quasthoff\, performing Mozart’s “Per questa bella mano.” Mr. Manzo also appears regularly with the Handel & Haydn Society and the Philharmonia Baroque\, and is on the double bass and chamber music faculty at the University of Maryland. His instrument was made in Paris around 1890—and has been fitted with a removable neck for all his traveling! \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nDemarre McGill\nFlute \n\n\n\n\n\n\nFlutist Demarre McGill has gained international recognition as a soloist\, recitalist\, chamber\, and orchestral musician. Winner of an Avery Fisher Career Grant and the Sphinx Medal of Excellence\, he has appeared as a soloist with the Philadelphia Orchestra\, and the San Francisco\, Seattle\, Pittsburgh\, Dallas\, Grant Park\, San Diego\, Chicago\, and Baltimore Symphony Orchestras. Now principal flute of the Seattle Symphony\, he previously served as principal flute of the Dallas Symphony\, San Diego Symphony\, Florida Orchestra\, and Santa Fe Opera Orchestra. He has also served as acting principal flute of the Metropolitan Opera Orchestra and the Pittsburgh Symphony Orchestra. McGill is an alum of CMS’s Bowers Program and has participated in the Santa Fe\, Marlboro\, Seattle\, and Stellenbosch chamber music festivals\, among others. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nTara Helen O’Connor\nFlute \n\n\n\n\n\n\nTara Helen O’Connor\, recipient of an Avery Fisher Career Grant and a two-time Grammy nominee\, was the first wind player to participate in CMS’s Bowers Program. A regular performer at major music festivals around the country\, she is also the Co-Artistic Director of the Music from Angel Fire Festival in New Mexico\, the Artistic Director of the Essex Winter Series\, a member of the woodwind quintet Windscape\, and a founding member of the Naumburg Award–winning New Millennium Ensemble. She has recorded for Deutsche Grammophon\, EMI Classics\, Koch International\, CMS Studio Recordings\, and Bridge Records\, and can be heard on numerous film and television soundtracks. She has premiered hundreds of new works and has collaborated with the Orion\, St. Lawrence\, and Emerson String Quartets. A Wm. S. Haynes flute artist\, O’Connor is on faculty at Yale School of Music. Additionally\, she teaches at Bard College and the Manhattan School of Music. \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nRandall Ellis\nOboe \n\n\n\n\n\nRandall Ellis was principal oboist of the Mostly Mozart Festival Orchestra from 1988 until 2016. He is principal oboist of the Little Orchestra Society and solo English horn in the New York Pops Orchestra. He is a member of the Emmy-winning All-Star Orchestra and former member of Windscape Woodwind Quintet. He is principal oboist of the Eastern Music Festival and was also principal oboist of the New York Chamber Symphony\, where he received two Grammy nominations. He has performed with the New York Philharmonic\, Seattle Symphony\, San Diego Symphony\, Florida Orchestra\, American Symphony\, and Orpheus Chamber Orchestra. He has been a soloist with the New England Bach Festival\, the International Bach Festival of Madeira\, the Philharmonia Virtuosi of New York\, and Chamber Music at 92Y. Ellis attended the North Carolina School of the Arts and Stony Brook University\, where he was a student of Ronald Roseman. He teaches oboe and chamber music at Skidmore College. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nStephen Taylor\nOboe \n\n\n\n\n\nStephen Taylor is solo oboist with the New York Woodwind Quintet\, the Orchestra of St. Luke’s\, the St. Luke’s Chamber Ensemble\, the American Composers Orchestra\, and the New England Bach Festival Orchestra\, and is co-principal oboist of Orpheus Chamber Orchestra. Among his more than 300 recordings are Bach arias with Kathleen Battle and Itzhak Perlman\, and Elliott Carter’s Oboe Quartet\, for which he received a Grammy nomination. He has performed and recorded many of Carter’s works\, giving several world and US premieres. He was awarded a performer’s grant from the Fromm Foundation at Harvard University and has collaborated with the Vermeer\, Shanghai\, Orion\, American\, and Artis-Vienna String Quartets\, among others. Taylor is on the faculties of the Manhattan\, Juilliard and Yale schools of music. He plays rare James Caldwell model Lorée oboes\, and spends as much time as possible with his old wooden boats in Maine. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJuri Vallentin\nOboe \n\n\n\n\n\nGerman oboist Juri Vallentin has gained international attention as a prize winner of major competitions such as the International Tchaikovsky Competition as first oboist\, the German Music Competition\, and the International Oboe Competition of Japan. He has performed as soloist with the MDR Symphony Orchestra\, the Mariinsky Orchestra\, the Lower Saxony State Orchestra\, the Brandenburg State Orchestra\, and the Munich Chamber Orchestra\, among others. His albums Bridges\, featuring Italian concertos\, Ebenbild\, which combines music and literature\, and Bridges\, with music from five centuries\, as well as numerous radio productions for BR\, SWR\, and Deutschlandfunk\, document his artistic work. He co-founded the wind quintet BREEZE in 2021. Born in Mainz\, he studied in Nuremberg and at the Conservatoire de Paris\, where he graduated with highest honors. Vallentin is Professor of Oboe at the Karlsruhe University of Music and a member of CMS’s Bowers Program. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nJake Thonis\nBassoon \n\n\n\n\n\n\nBassoonist Jake Thonis made his solo debut with the Boston Symphony Orchestra in 2013 and has gone on to perform as guest principal bassoon with the Charleston\, Chicago\, Houston\, and Winnipeg Symphonies\, as well as the Florida Orchestra and the Louisiana Philharmonic. He was Acting Principal Bassoon of the Winnipeg Symphony in the 2025–26 season\, and was Acting Principal Bassoon for the Florida Orchestra for the 2024–25 season\, previously serving as Acting Associate Principal for three seasons. An avid chamber musician\, Jake was an artist-participant at the Marlboro Music Festival and has performed at Music@Menlo and Tippet Rise Art Center. Thonis began his studies with Janet Underhill in his hometown of Wellesley\, Massachusetts\, going on to study with Richard Beene\, Benjamin Kamins\, and Daniel Matsukawa at the Colburn School\, Rice University\, and the Curtis Institute of Music\, respectively.  \n\n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nDavid Byrd-Marrow\nHorn \n\n\n\n\n\nHailed as “stunning and assured” by the New York Times\, Atlanta native David Byrd-Marrow is a member of the International Contemporary Ensemble\, as well as The Knights. He enjoys an active chamber music calendar\, and has performed at festivals including the Ojai Music Festival\, the Spoleto Music Festival\, Music@Menlo\, the Tanglewood Music Center\, Summerfest! at La Jolla Music Society\, and the Denver Chamber Music Festival. Formerly a member of Carnegie Hall’s Ensemble Connect\, he has also appeared with the New York Philharmonic\, the Cleveland Orchestra\, the Atlanta\, Seattle and Tokyo symphony orchestras\, the Orpheus Chamber Orchestra\, the Mostly Mozart Festival Orchestra\, the Washington National Opera\, and the Metropolitan Opera. He has recorded on labels including Tundra\, More Is More\, Nonesuch\, EMI\, Deutsche Grammophon\, and Naxos. Byrd-Marrow received his bachelor’s degree from the Juilliard School and master’s from Stony Brook University. He is Associate Professor of Horn at Oberlin College and Conservatory. \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nEric Reed\nHorn \n\n\n\n\n\nEric Reed is the horn player of the American Brass Quintet\, and co-principal horn of the Orpheus Chamber Orchestra. Also a member of the Orchestra of St. Luke’s\, Eric is a former member of the Canadian Brass\, Ensemble Connect\, and the New Jersey\, Oregon\, New World\, and Harrisburg symphonies. He serves on the faculty of the Juilliard School\, New York University\, and Mannes School of Music. Eric is a member of Brassology\, a genre-bending brass octet formed in 2023\, and Ensemble Échappé\, a sinfonietta dedicated to music of the 21st century. Recent world premieres include chamber works by Tyshawn Sorey\, Jennifer Higdon\, John Zorn\, Nina C. Young\, Anthony Barfield\, William Bolcom\, David Biedenbender\, Philip Lasser\, Kenneth Fuchs and Timo Andres. Recent festival appearances include Aspen\, Bridgehampton\, Bard\, Emerald City\, North Shore\, Crescent City\, Cape Cod\, Steamboat Springs\, and Mostly Mozart. Eric resides in the Bronx with his wife\, violinist Sarah Zun\, and their sons Oliver and Elliot.  \n\nRead full profile\n\n\n\n\n\nClose \n\n\n\n\n\n\n\nCaleb Hudson\nTrumpet \n\n\n\n\n\nCaleb Hudson has carved out a unique space in the world of classical trumpet. A member of the esteemed Canadian Brass for over a decade and a co-founder of the trio Triple Cortado\, he has been hailed by the New York Times as “brilliantly stylish.” In March 2024 Hudson released his debut solo album\, Nothing Less. He is acclaimed for his renditions of Bach’s Brandenburg Concerto No. 2\, which he performs on both the modern piccolo trumpet and the historical baroque trumpet. This expertise has enabled solo engagements with renowned ensembles such as the Philadelphia Orchestra\, Orpheus Chamber Orchestra\, Orchestra of St. Luke’s\, Trinity Baroque Orchestra\, Handel and Haydn Society\, and Philharmonia Baroque. Beyond performance\, Caleb is a prolific arranger and composer\, and is deeply committed to expanding the brass repertoire. Currently\, Caleb serves as the Associate Professor of Trumpet at the Butler School of Music at the University of Texas at Austin. A native of Lexington\, Kentucky\, he earned his bachelor’s and master’s degrees from the Juilliard School. \n\nRead full profile\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAll performances:\nDec 13\, 2026 12:00 AM\nDec 18\, 2026 12:00 AM \nThis event is recurring on the following dates:\nSat\, Dec 12 at 11:55 PM\nThu\, Dec 17 at 11:55 PM
URL:https://www.pianyc.net/event/the-brandenburg-concertos-at-lincoln-center/2026-12-17/
LOCATION:Alice Tully Hall at Lincoln Center\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
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GEO:40.773828;-73.9830908
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