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DTSTART;TZID=America/New_York:20270516T160000
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DTSTAMP:20260815T012051Z
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SUMMARY:Mentor Sessions: Simone Dinnerstein\, at Merkin Concert Hall at Kaufman Music Center
DESCRIPTION:MENTOR SESSIONS \nThe acclaimed pianist celebrated as “a unique voice in the forest of Bach interpretation” (The New York Times) hosts a performance of the complete Bach Sinfonias and Inventions featuring remarkable pianists of all ages from Kaufman Music Center’s Lucy Moses School. \nStudent–artist collaborations at Kaufman Music Center are made possible with support from The Roz Lasker Artist Mentorship Fund.
URL:https://www.pianyc.net/event/mentor-sessions-simone-dinnerstein-at-merkin-concert-hall-at-kaufman-music-center/
LOCATION:Merkin Concert Hall at Kaufman Music Center\, 129 W 67th St\, New York\, NY\, 10036\, United States
CATEGORIES:Live Musical Performance
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DTSTART;TZID=America/New_York:20270801T140000
DTEND;TZID=America/New_York:20270801T153000
DTSTAMP:20260816T201005Z
CREATED:20260812T221803Z
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SUMMARY:Vienna Meets Bohemia: Haydn “Jacob’S Ladder” and Dvořak “Dumky” Piano Trios at Bargemusic
DESCRIPTION:Haydn Piano Trio No. 41 in E-flat minor\, Hob. XV:31\, “Jacob’s Ladder”\n\nAndante cantabile\nAllegro (ben moderato)\n\n\nBruch Kol Nidrei for cello and piano\, Op. 47\nDvořak Piano Trio No. 4 in E minor\, Op. 90\, “Dumky”\n\nLento maestoso — Allegro quasi doppio movimento\nPoco adagio — Vivace non troppo — Vivace\nAndante — Vivace non troppo — Allegretto\nAndante moderato — Allegretto scherzando — Quasi tempo di marcia\nAllegro\nLento maestoso\n\n\n\nwith Mark Peskanov\, violin; Evan Drachman\, cello; Doris Stevenson\, piano \nDoris Stevenson is deeply committed to performing new music. In the last three years she has played in concert the works of twenty living composers. She was the first woman to perform Frederick Rzewski’s masterpiece\, De Profundis  for speaking pianist\, which she brought to New York City to perform as a Williams in New York concert. Her many recordings include six major works by David Kechley and two by Ileana Velazquez-Perez\, the Saint Saens violin sonatas with Andres Cardenes\, the complete Mendelssohn cello works with Jeffrey Solow\, and the Brahms Sonatas with cellist Nathaniel Rosen. A CD of Stravinsky rarities with violinist Mark Peskanov received a Grammy nomination. Miss Stevenson taught for ten years at the University of Southern California and has been Lyell B. Clay Artist in Residence at Williams College since 1987. \n 
URL:https://www.pianyc.net/event/vienna-meets-bohemia-haydn-jacobs-ladder-and-dvorak-dumky-piano-trios-with-mark-peskanov-evan-drachman-and-doris-stevenson-at-bargemusic/
LOCATION:Bargemusic\, 1 Water St.\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Live Musical Performance
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DTSTART;TZID=America/New_York:20270802T140000
DTEND;TZID=America/New_York:20270802T153000
DTSTAMP:20260816T201334Z
CREATED:20260812T221803Z
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SUMMARY:Horszowski Trio: Ny Premiere of Jan Swafford’s “They That Mourn” (in Memory of 9/11)\, at Bargemusic
DESCRIPTION:Horszowski Trio \n\nHaydn Piano Trio in E Minor\, Hob. XV:12\n\nAllegro moderato\nAndante\nRondo. Presto\n\n\nJan Swafford (They That Mourn)\, in commemoration of 9/11\nShostakovich Piano Trio No. 2 in E minor\, op. 67\n\nAndante — Moderato\nAllegro con brio\nLargo\nAllegretto — Adagio\n\n\n\nwith Horszowski Trio: Jesse Mills\, violin; Ole Akohoshi\, cello; Rieko Aizawa\, piano \n\nJan Swafford is an acclaimed American composer and music biographer educated at Harvard and the Yale School of Music. Known for his “New Romantic” style\, his music is performed internationally. Swafford is highly regarded for his definitive biographies of composers\, including Ives\, Brahms\, Mozart\, and the bestseller Beethoven: Anguish and Triumph. Born in 1946\, he earned a D.M.A. from Yale and has taught at institutions including Boston Conservatory and Tufts. His biographies\, often named New York Times Critics’ Choices\, are noted for blending meticulous research with engaging narrative. He won the PEN/Winship Award for his Charles Ives biography.  An award-winning composer (NEA grant recipient)\, his works often explore landscape and nature. He is a recognized music journalist\, contributing to Slate and the Boston Globe\, and a preconcert lecturer for the Boston Symphony Orchestra.”\n\nGiving performances that are “lithe\, persuasive” (The New York Times)\, “eloquent and enthralling” (The Boston Globe)\, and described as “the most compelling American group to come on the scene” (The New Yorker)\, the Horszowski Trio has quickly become a vital force in the international chamber music world since their formation in 2011.  In 2023\, the “Horszowski Trio Prize” was created by the prestigious Fischoff National Chamber Music Competition\, to award piano trio winners. \nIn 2019\, the Horszowski Trio made its London debut in a sold-out concert presented by Wigmore Hall.  Their success led to a 21-concert-tour in Germany in 2022\, acclaimed by major critics: “This ensemble can play anything.”; “With all the intensity of the expression that the three musicians achieve\, they play in a finely tuned manner\, span gripping musical arcs\, work out surprising details\, amaze with their interpretive imagination and stylistically confident sensitivity.”; “While listening to their Dvorak Dumky Trio\, you couldn’t believe that it was not a Czech but an American ensemble playing.” \nThe Trio takes its inspiration from the musicianship\, integrity\, and humanity of the pre-eminent pianist Mieczysław Horszowski (1892–1993); the ensemble’s pianist\, Rieko Aizawa\, was Horszowski’s last pupil at the Curtis Institute in Philadelphia.  Described as “power players” by the Los Angeles Times\, the Horszowski Trio’s repertoire includes works by many of the composers with whom Mr. Horszowski had personal interaction\, including Gabriel Fauré\, Enrique Granados\, Bohuslav Martinů\, Maurice Ravel\, Camille Saint-Saëns and Heitor Villa-Lobos.  \nThe Horszowski Trio’s debut recording – an album of works by Gabriel Fauré\, Camille Saint-Saëns\, and Vincent d’Indy on the Bridge label – was released in 2014 and dedicated to the memory of Mieczysław Horszowski.  Gramophone praised the “exemplary performance” of the “highly accomplished group\,” concluding\, “I long to hear more of the Horszowski Trio.”   Their second recording\, the complete piano trios of Robert Schumann on AVIE Records also received tremendous acclaim: “great care and affection” (BBC Radio); “intoxicating” (Gramophone); “exciting and deeply felt” (Strings); “fresh\, supple and fantastic” (The Strad). \nThe Horszowski Trio is also a passionate advocate for the music of our time.  Following their recording of the complete R. Schumann piano trios\, they celebrated the 10th anniversary of their debut\, presenting “Phantasiestücke Project – Homage to R. Schumann” with three new works by American composers from different generations: Derek Bermel\, Paul Chihara and David Fulmer.  In addition\, the Trio’s violinist Jesse Mills\, a two-time Grammy nominee who is also a composer and arranger\, wrote “Painted Shadow” for the ensemble; the work was commissioned by and premiered at Bargemusic in Brooklyn\, New York. \nThey worked closely with the legendary composer\, Charles Wuorinen (1938-2020) when they performed his Trio No.1 in their debut concert at the 92nd Street Y in New York City.  They aimed to continue their working relationship with the composer\, but unfortunately Mr. Wuorinen passed away in 2020 unexpectedly.  However\, a year later\, the score of his Trio No. 2 which had been written for the Horszowski Trio was discovered by his partner.  The trio gave the world premiere of the work at the Library of Congress in 2025. ​ \nDuring the COVID pandemic\, the trio managed to keep performing\, including a special project of several performances of Morton Feldman’s epic\, two-hour-long Piano Trio — an artistically rewarding and timely work which offered an opportunity for poignant reflection on the isolation of the times and a hopeful and spiritual oasis.  That led to their recent repeat performance of the work in celebration of Feldman’s 100th Anniversary.  They performed on his actual 100th birthday\, January 12\, 2026 at State University of New York in Buffalo\, where he taught and composed the work. \nThe Horszowski Trio is based in New York City.  They are also passionate about working with the next generation of musicians.  In addition to giving masterclasses at major conservatories\, they work with Horszowski Trio Prize winning groups every year at the Mimir Festival\, they have been active as a visiting ensemble-in-residence at such schools as the Eastman School of Music\, University of Michigan\, and Longy School of Music.  They also have a partnership with the Midori & Friends Foundation\, working with the young musicians of New York City.
URL:https://www.pianyc.net/event/horszowski-trio-ny-premiere-of-jan-swaffords-they-that-mourn-in-memory-of-9-11-and-more-at-bargemusic/
LOCATION:Bargemusic\, 1 Water St.\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Live Musical Performance
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DTSTART;TZID=America/New_York:20270808T140000
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SUMMARY:Handel\, Bach\, Brahms\, Mozart-Kreisler\, Schubert: Favorite Violin and Piano Works at Bargemusic
DESCRIPTION:Handel Sonata No. 4 in D Major\, Op. 1\, No. 13\, HWV 371\n\n  I. Affettuoso      II. Allegro      III. Larghetto      IV. Allegro\n\n\nBach selections from the Sonatas and Partitas for Solo Violin\n\n\nBrahms Sonata No. 3 in D minor\, Op. 108\n\n      I. Allegro      II. Adagio      III. Un poco presto e con sentimento      IV. Presto agitato\n\n\n\n\nMozart-Kreisler Rondo from Haffner Serenade K. 250\n\n\nSchubert Rondo Brillant in B minor\, D. 895\n\nwith Mark Peskanov\, violin and Maureen Volk\, piano
URL:https://www.pianyc.net/event/handel-bach-brahms-mozart-kreisler-schubert-favorite-violin-and-piano-works-with-mark-peskanov-and-maureen-volk-at-bargemusic/
LOCATION:Bargemusic\, 1 Water St.\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Live Musical Performance
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DTSTART;TZID=America/New_York:20270809T140000
DTEND;TZID=America/New_York:20270809T153000
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SUMMARY:Complete Beethoven Piano Sonatas with Conversation: Part 4\, “The Experiments of The Great Transition”\, at Bargemusic
DESCRIPTION:Complete Beethoven Piano Sonatas\, Part 4 \n“The Experiments of the Great Transition” \nSonata in A-flat major\, Op. 26 (“Funeral March”)\nI. Andante con variazioni      II. Scherzo: Allegro molto      III. Marcia funebre sulla morte d’un eroe      IV. Allegro [1\, 2]\n\nSonata No. 1 in E-flat major\, Op. 27\, No. 1 (“Quasi una Fantasia”)\nI. Andante – Allegro – Andante      II. Allegro molto e vivace      III. Adagio con espressione      IV. Allegro vivace\n\nSonata No. 2 in C-sharp minor\, Op. 27\, No. 2 (“Moonlight”)\nI. Adagio sostenuto      II. Allegretto      III. Presto agitato\n\nSonata in D major\, Op. 28 (“Pastorale”)\nI. Allegro      II. Andante      III. Scherzo: Allegro vivace      IV. Rondo: Allegro ma non troppo \nwith Jeffrey Swann\, piano
URL:https://www.pianyc.net/event/complete-beethoven-piano-sonatas-with-conversation-part-4-the-experiments-of-the-great-transition-at-bargemusic/
LOCATION:Bargemusic\, 1 Water St.\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Live Musical Performance
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