BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//PIANYC - ECPv5.12.4//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:PIANYC
X-ORIGINAL-URL:https://www.pianyc.net
X-WR-CALDESC:Events for PIANYC
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251106T210000
DTEND;TZID=America/New_York:20251109T203000
DTSTAMP:20260509T014744
CREATED:20251026T172536Z
LAST-MODIFIED:20251105T051204Z
UID:190626-1762462800-1762720200@www.pianyc.net
SUMMARY:Culture is an Infinite Receptacle with No Borders at Under St Marks Theater
DESCRIPTION:Ivan Dalia\, pianist and entertainer\, sets the stage on alight with his show “Culture is an infinite receptacle with no borders”. \n  \nAn ironic ethno-historical journey through Italian melody. Humans need to express themselves through tradition\, ritual and art. \n  \nThe artist weaves a colorful tapestry of Italian music through anecdotes and stories. \n  \n— \n  \nThis production is a part of Frigid NY’s Gotham Storytelling Festival.
URL:https://www.pianyc.net/event/culture-is-an-infinite-receptacle-with-no-borders-at-under-st-marks-theater/
LOCATION:Under St Marks Theater\, 94 St Marks Pl\, New York\, NY\, 10009\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://cdn.evbuc.com/images/1157252743/819762839723/1/original.20251020-001437
GEO:40.7272968;-73.9849712
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Under St Marks Theater 94 St Marks Pl New York NY 10009 United States;X-APPLE-RADIUS=500;X-TITLE=94 St Marks Pl:geo:-73.9849712,40.7272968
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251109T103000
DTEND;TZID=America/New_York:20251109T120000
DTSTAMP:20260509T014744
CREATED:20250920T020111Z
LAST-MODIFIED:20250920T020111Z
UID:188336-1762684200-1762689600@www.pianyc.net
SUMMARY:Open Working Rehearsal: Orchestre National de France\, at Carnegie Hall
DESCRIPTION:Performer\nOrchestre National de France Cristian Mǎcelaru\, Music Director and Conductor Daniil Trifonov\, Piano \nObserve some of the world’s greatest musicians as they prepare for a Carnegie Hall performance! Open Working Rehearsals are exclusive\, member-only events open to Carnegie Hall Friends members at the Friend level ($100) and above\, Notables at the Supporter level ($500) and above\, and Patrons. Rehearsal passes are complimentary with membership. \nPasses for this rehearsal are available beginning Wednesday\, September 17 at 12PM. To reserve your passes\, call 212-247-7800 or visit the Box Office at 57th Street and Seventh Avenue. Carnegie Hall Patrons are invited to call the Patron Desk. \nPlease note that artists are subject to change\, and soloists may not participate.
URL:https://www.pianyc.net/event/open-working-rehearsal-orchestre-national-de-france-at-carnegie-hall/
LOCATION:Carnegie Hall\, 881 Seventh Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://carnegiehall.imgix.net:443/-/media/CarnegieHall/Images/Events/2025-2026-CH-Presents/2025-11-09-Open-Working-Rehearsal-Orchestre-National-de-France.jpg
GEO:40.764938;-73.979897
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Hall 881 Seventh Avenue New York NY 10019 United States;X-APPLE-RADIUS=500;X-TITLE=881 Seventh Avenue:geo:-73.979897,40.764938
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251109T140000
DTEND;TZID=America/New_York:20251109T153000
DTSTAMP:20260509T014744
CREATED:20250621T212850Z
LAST-MODIFIED:20250716T095039Z
UID:182118-1762696800-1762702200@www.pianyc.net
SUMMARY:Orchestre National de France with Daniil Trifonov at Carnegie Hall
DESCRIPTION:Performers\nOrchestre National de France\nCristian Mǎcelaru\, Music Director and Conductor\nDaniil Trifonov\, Piano \nOrchestre National de France performs an all-French program in its Carnegie Hall debut under Cristian Mǎcelaru. Pianist extraordinaire Daniil Trifonov joins in two quintessential piano concertos: Saint-Saëns’s enormously influential Second; and Ravel’s Piano Concerto in G Major. The latter is a true\, unapologetic crowd-pleaser—“a genuine concerto\, that is\, a brilliant work\, clearly highlighting the soloist’s virtuosity”—said Ravel\, who openly modeled it after Saint-Saëns’s precedent for entertainment. This matinee concert also includes Ravel’s lush Daphnis et Chloé Suite No. 2\, and the compact Second Symphony by Elsa Barraine—a shockingly underperformed composer who was heavily involved in the French Resistance’s Front National des Musiciens. \nProgram\nBARRAINE Symphony No. 2\nSAINT-SAËNS Piano Concerto No. 2\nRAVEL Piano Concerto in G Major\nRAVEL Daphnis et Chloé Suite No. 2
URL:https://www.pianyc.net/event/orchestre-national-de-france-at-carnegie-hall/
LOCATION:Carnegie Hall\, 881 Seventh Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://carnegiehall.imgix.net:443/-/media/CarnegieHall/Images/Events/2025-2026-CH-Presents/2025-11-09-Orchestre-National-de-France-1.jpg
GEO:40.764938;-73.979897
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Hall 881 Seventh Avenue New York NY 10019 United States;X-APPLE-RADIUS=500;X-TITLE=881 Seventh Avenue:geo:-73.979897,40.764938
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251109T150000
DTEND;TZID=America/New_York:20251109T160000
DTSTAMP:20260509T014744
CREATED:20250818T010852Z
LAST-MODIFIED:20250906T184641Z
UID:185456-1762700400-1762704000@www.pianyc.net
SUMMARY:Vignettes at Concerts on the Slope
DESCRIPTION:Kae Nakano\, violin \nBenjamin Larsen\, cello \nDan Epstein\, piano \nFelix Mendelssohn Piano Trio no 1 in d minor \nFrederick Rzewski Piano Trio
URL:https://www.pianyc.net/event/concerts-on-the-slope-presents-vignettes-at-concerts-on-the-slope/
LOCATION:Concerts On The Slope\, 139 St Johns Pl\, New York\, NY\, NY 11217\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://cdn.evbuc.com/images/1092838383/89134966513/1/original.20250811-135300
GEO:40.6769165;-73.9748471
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Concerts On The Slope 139 St Johns Pl New York NY NY 11217 United States;X-APPLE-RADIUS=500;X-TITLE=139 St Johns Pl:geo:-73.9748471,40.6769165
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251109T150000
DTEND;TZID=America/New_York:20251109T163000
DTSTAMP:20260509T014744
CREATED:20250920T234758Z
LAST-MODIFIED:20251001T192129Z
UID:188460-1762700400-1762705800@www.pianyc.net
SUMMARY:Juilliard Jazz Ensembles at Juilliard School
DESCRIPTION:Juilliard Jazz Ensembles | The Blues Singers: Bessie Smith and Her Children \nProgram \nWatch the performance on this page at the scheduled date and time. This performance won’t be available to stream afterward on demand. Should you have trouble accessing the stream via this page\, please visit juilliard.live to stream this program. \nLead Digital Sponsor: Bloomberg Philanthropies \nJuilliard LIVE was launched in 2021 under the leadership of President Damian Woetzel\, dramatically expanding access for audiences around the world to Juilliard performances through livestreams and on-demand video. Juilliard LIVE streams nearly 700 performances each year\, with new on-demand programs regularly added to the accessible library of content. \nVenue \nPaul Hall \nAdmission \nTickets $30 | Members $15
URL:https://www.pianyc.net/event/juilliard-jazz-ensembles-at-juilliard-school-7/
LOCATION:Juilliard School\, 155 W 65th St\, Street Level\, New York\, NY\, 10023\, United States
CATEGORIES:Live Musical Performance
GEO:40.7769059;-73.9800645
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Juilliard School 155 W 65th St Street Level New York NY 10023 United States;X-APPLE-RADIUS=500;X-TITLE=155 W 65th St\, Street Level:geo:-73.9800645,40.7769059
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251109T160000
DTEND;TZID=America/New_York:20251109T180000
DTSTAMP:20260509T014744
CREATED:20251026T172832Z
LAST-MODIFIED:20251105T205715Z
UID:190632-1762704000-1762711200@www.pianyc.net
SUMMARY:Spectrum Solo Piano Exile Series\, at Pearl Street Bar
DESCRIPTION:Fifth International Stretto Piano Festival Collaboration with Spectrum \n  \n“[Spectrum] has become a go-to place for contemporary fare.”\n— Anthony Tommasini\, The New York Times \n  \n“…a cozy\, ambitious performing-arts space.”\n— Steve Smith\, The New Yorker \nSingle program of 1 hour\, 20 minutes\, played straight through. \n  \nFirst Set: (~15-20 minutes): \nRamin Arjomand\, piano improvisations \n  \nSecond set (~70 minutes\, uninterrupted): \nTeodora Adzharova\, piano \nSelections from The Vanishing Pavilions by Michael Hersch \nInterspersed with Twelve Preludes by Galina Ustvolskaya \nTranscription of Music by Josquin des Prez by Michael Hersch \n  \nReception to follow. \n  \nClick here to read more about Spectrum\, a remarkable organization established to “foster innovation and virtuosity in the arts\,” and has since asserted itself as one of New York City’s enthusiastic venues for modernist\, experimental music (and other endeavors)\, presenting over 2\,400 events. \n  \nThis event is one of over 50 global events taking place in October – November\, 2025 for the Fifth International Stretto Piano Festival\, the only performance platform in the world that gives pianists a choice of piano key size\, supporting all hand sizes\, promoting equality for pianists everywhere.  Go to our festival website to see listings of all the events. \nSince its inception in 2021\, Stretto Piano Events\, Inc. 501(c)(3) has presented over 100 concerts with artists from five continents with its global affiliates. \n  \nAbout Teodora Adzharova \nLaureate of numerous national and international competitions\, Dr. Teodora \nAdzharova’s career has taken her to multiple performance venues in the United States\, \nBulgaria\, France\, Germany\, Macedonia\, Serbia\, and the Czech Republic. Described as \na “true musician” with “electrifying energy” and “limitless emotional and dynamic range” \n(NYCR)\, the Bulgarian pianist has established herself as one of the most sought-after \nmusicians in the Baltimore\, MD-Washington\, D.C. region\, frequently collaborating with \nmusicians from both the Peabody Institute of the Johns Hopkins University and the \nBaltimore Symphony Orchestra. Some of Dr. Adzharova’s recent performances include \nappearances at the Peabody Institute\, University of Maryland\, Baltimore County\, \nGoucher College\, York College\, Catholic University of America\, the DiMenna Center\, the \nBulgarian Embassy in D.C.\, the Washington Arts Club\, and Silo Hill. \nDr. Adzharova’s 2025–2026 season will feature the release of her debut solo album \ndedicated to the music of Dmitri Shostakovich. The CD will include the \ncomposer’s Preludes\, Op. 34 and Piano Sonata\, Op. 61. One of the few pianists who \nperforms both of Shostakovich’s piano sonatas in a single program\, Dr. Adzharova has \npresented lecture-recitals of the repertoire at Peabody (2025)\, UMBC (2022)\, the World \nPiano Conference (Serbia\, 2023)\, and the DiMenna Center (New York\, 2024). Her \ninterest in the legacy of Shostakovich has garnered the recognition of Alan Mercer\, \neditor-in-chief of the international DSCH Journal\, leading to collaborations and the \npublication of Dr. Adzharova’s writings. \nAs a passionate educator\, she teaches at the Peabody Preparatory division\, where she \nalso coordinates the Musicianship for Pianists program. Her previous faculty \nappointments include the Peabody Conservatory\, UMBC\, Community College of \nBaltimore County and the Leon Fleisher Academy. Dr. Adzharova is a board member of \nthe Greater Baltimore Music Teacher Association and is a sought-after adjudicator for \nnumerous regional and state competitions and recitals. In 2019\, Dr. Adzharova’s \ndedication to chamber music and community engagement led her to become the Co- \nfounder and Co-Artistic Director of the Annunciation Cathedral Concert Series. Each \nseason\, the series offers inventive and accessible classical music programming to the \nBaltimore community\, promoting high-caliber artists from the region and beyond. \nDr. Adzharova holds piano performance degrees from the Peabody Institute (DMA\, \n2020; Performance Diploma\, 2013; MM\, 2011)\, where she studied with Ellen Mack. \nAbout the program \nA set of 50 movements divided into two books\, The Vanishing Pavilions is a large-scale \nwork composed by Michael Hersch and inspired by the poetry of Christopher Middleton. \nWritten over a span of five years\, the work explores a vast range of emotions that can \nbe unsettling\, disturbing\, frightful and yet tender and pure in their unassuming \ndirectness. From sparse textural simplicity to multi-layered sophistication\, the work is \nheld together by a subtle narrative of harmonic implications and musical gestures. The \npremiere took place in 2006 in the hands of the composer himself. Performed in its \nentirety the cycle lasts approximately two and a half hours\, and it represents one third of \na the much larger work – sew me into a shroud of leaves. \nIn stark opposition to Tha Vanishing Pavilions stand Ustvolskaya’s Twelve preludes \ncomposed in 1953. As a composer working during the Stalinist era\, her music did not \nachieve popularity at the time\, and it has only recently reached wider recognition. A \nwoman of fierce\, brutal and uncompromising nature\, Ustvolskaya considered herself \n“unique” and her music as untouched by any musical influences. The preludes are \nrepresentative of the composer’s affinity for stark textures\, dramatic contrasts and \nobstinacy of musical ideas. \nAbout Ramin Amir Arjomand \nRamin Amir Arjomand is an Iranian-American composer\, pianist\, conductor\, and \nteacher based in Brooklyn. His music blurs distinctions between composition and \nimprovisation\, demanding in each the spontaneity as well as the level of formal \nintelligence often associated with one or the other individually and exclusively. His \nplaying draws as much on a 19th-century European approach to piano resonance as it \ndoes on the unfettered sensibility of American avant-garde jazz. Beneath the surface \nlies a musical ethos that quietly echoes the Iranian dastgah tradition. \nArjomand’s research has focused on the polyphonic technique of 15th-century Franco- \nFlemish composers. His pedagogical essay “On Contrapuntal Practice” is based largely \non his research into this music. His interest in vocal music and in speech as music has \nled to a wide variety of concert\, electroacoustic\, and music theater works that \nexperiment with the human voice in different ways. \nArjomand has worked extensively as a composer\, pianist\, lecturer\, and musical adviser \nfor modern dance. He has worked to develop collaborative models in which composer \nand choreographer can trust one another to work freely and independently toward a \ncommon goal. His approach to dance theater composition emphasizes contrapuntal \nrelationships between sound and movement. \nArjomand is the recipient of awards from New York Foundation for the Arts\, the Alice M. \nDitson Fund\, the FACE Foundation\, and the New York City Artist Corps. His music has \nbeen presented by ensembles and soloists in venues throughout the United States\, \nEurope\, the Middle East\, and Asia. A highly sought-after teacher\, he is currently on the \nfaculty at Columbia University and the Steinhardt School at New York University\, where \nhe is the recipient of the 2022-2023 Steinhardt Teaching Excellence Award. He \nmaintains a private teaching studio in Brooklyn. \nListen to an interview with Ramin Amir Arjomand on The Earfull\, where he discusses \nhis early life in Tehran\, the secrets of counterpoint\, and truth and trust in performance. \n 
URL:https://www.pianyc.net/event/spectrum-solo-piano-exile-series-at-pearl-street-bar/
LOCATION:Pearl Street Bar\, 147 Front St\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://cdn.evbuc.com/images/1152765853/255143359397/1/original.20251014-122853
GEO:40.7027497;-73.9870969
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Pearl Street Bar 147 Front St Brooklyn NY 11201 United States;X-APPLE-RADIUS=500;X-TITLE=147 Front St:geo:-73.9870969,40.7027497
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251109T170000
DTEND;TZID=America/New_York:20251109T200000
DTSTAMP:20260509T014744
CREATED:20250706T160852Z
LAST-MODIFIED:20250816T142041Z
UID:183321-1762707600-1762718400@www.pianyc.net
SUMMARY:Cycles II: Dichtertliebe Re-Imagined Premium Tickets at Roulette Intermedium
DESCRIPTION:Robert Schumann’s iconic reflection on lost love with two modern re-imaginings that reflect on similar themes of memory\, heartache\, and redemption. \nRobert Schumann: Dichterliebe Op. 48\nBernard Foccroulle: Zauberland (Selections)\nKatherine Balch: estrangement (BASS Commission) \nKristina Bachrach\, Lucy Fitz-Gibbon\, soprano; Randall Scarlata\, baritone\nMichael Brofman\, Lyndsi Maus\, Ryan McCullough\, piano \nPre-Concert Lectures (4:30PM):\nKatherine Balch (Associate Professor\, Adjunct\, Composition at Yale University) \nThis page is for PREMIUM TICKETS Only. To purchase Regular and Pay What You Want tickets for Cycles II: Schumann\, Foccroulle\, Balch CLICK HERE. \nPremium Tickets include: \n-Choose your seat. \n-One free drink per concert from the Bar (Beer\, Wine\, or Non-Alcoholic). \n-Complete programs\, notes\, texts and translations\, and a bonus listening guide made available before each concert. \n 
URL:https://www.pianyc.net/event/cycles-ii-dichtertliebe-re-imagined-premium-tickets-at-roulette-intermedium/
LOCATION:Roulette Intermedium\, 509 Atlantic Ave.\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F1044968523%2F590451800583%2F1%2Foriginal.20250603-171326?w=1000&auto=format%2Ccompress&q=75&sharp=10&s=7fd9be888425f48851759450e81af6ae
GEO:40.6856169;-73.9807735
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Roulette Intermedium 509 Atlantic Ave. Brooklyn NY 11217 United States;X-APPLE-RADIUS=500;X-TITLE=509 Atlantic Ave.:geo:-73.9807735,40.6856169
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251109T170000
DTEND;TZID=America/New_York:20251109T200000
DTSTAMP:20260509T014744
CREATED:20250818T005516Z
LAST-MODIFIED:20250906T184707Z
UID:185459-1762707600-1762718400@www.pianyc.net
SUMMARY:Cycles II: Dichtertliebe Re-Imagined\, at Roulette Intermedium
DESCRIPTION:Robert Schumann’s iconic reflection on lost love with two modern re-imaginings that reflect on similar themes of memory\, heartache\, and redemption. \nRobert Schumann: Dichterliebe Op. 48\nBernard Foccroulle: Zauberland (Selections)\nKatherine Balch: estrangement (BASS Commission) \nKristina Bachrach\, Lucy Fitz-Gibbon\, soprano; Randall Scarlata\, baritone\nMichael Brofman\, Lyndsi Maus\, Ryan McCullough\, piano  \nPre-Concert Lectures (4:30PM):\nKatherine Balch (Yale)
URL:https://www.pianyc.net/event/cycles-ii-dichtertliebe-re-imagined-at-roulette-intermedium/
LOCATION:Roulette Intermedium\, 509 Atlantic Ave.\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://cdn.evbuc.com/images/1044967083/590451800583/1/original.20250603-171202
GEO:40.6856169;-73.9807735
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Roulette Intermedium 509 Atlantic Ave. Brooklyn NY 11217 United States;X-APPLE-RADIUS=500;X-TITLE=509 Atlantic Ave.:geo:-73.9807735,40.6856169
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251109T170000
DTEND;TZID=America/New_York:20251109T210000
DTSTAMP:20260509T014744
CREATED:20251025T184015Z
LAST-MODIFIED:20251025T184015Z
UID:190439-1762707600-1762722000@www.pianyc.net
SUMMARY:Kevin Hays 7th Sense: with Seamus Blake\, Brian Blade\, and Doug Weiss at Dizzy's
DESCRIPTION:Grammy-winning pianist Kevin Hays reunites with Seamus Blake\, Doug Weiss\, and Brian Blade to revisit his celebrated Blue Note album 7th Sense. Called “a jolt of joy” by The New York Times\, the music returns with favorites from the original recording alongside new pieces written for this powerhouse quartet. \nPERFORMANCE LINEUP \nKevin Hays\, piano\nSeamus Blake\, tenor saxophone\nSteve Nelson\, vibraphone\nDoug Weiss\, bass\nBrian Blade\, drums
URL:https://www.pianyc.net/event/kevin-hays-7th-sense-with-seamus-blake-brian-blade-and-doug-weiss-at-dizzys/2025-11-09/
LOCATION:Dizzy’s Club\, 10 Columbus Circle\, New York\, NY\, 10019\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=:
GEO:40.7684251;-73.9831903
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Dizzy’s Club 10 Columbus Circle New York NY 10019 United States;X-APPLE-RADIUS=500;X-TITLE=10 Columbus Circle:geo:-73.9831903,40.7684251
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251109T170000
DTEND;TZID=America/New_York:20251109T180000
DTSTAMP:20260509T014744
CREATED:20251026T173030Z
LAST-MODIFIED:20251105T205806Z
UID:190634-1762707600-1762711200@www.pianyc.net
SUMMARY:Jazz Vespers: Daryl Sherman and Jay Leonhart\, at Saint Peter's Church
DESCRIPTION:NYC’s unique Jazz Prayer Service.\nSundays at 5 since 1965. All are welcome. Free to attend!\n\nThis week\, we welcome…\n\nDaryl Sherman (piano/voice)\nJay Leonhart (bass)
URL:https://www.pianyc.net/event/jazz-vespers-daryl-sherman-and-jay-leonhart-at-saint-peters-church/
LOCATION:Saint Peter’s Church\, 619 Lexington Avenue\, New York\, NY\, 10022\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://cdn.evbuc.com/images/1146884923/181870069803/1/original.20251007-154156
GEO:40.7585654;-73.9703834
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Saint Peter’s Church 619 Lexington Avenue New York NY 10022 United States;X-APPLE-RADIUS=500;X-TITLE=619 Lexington Avenue:geo:-73.9703834,40.7585654
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251109T190000
DTEND;TZID=America/New_York:20251109T210000
DTSTAMP:20260509T014744
CREATED:20251026T173031Z
LAST-MODIFIED:20251026T220314Z
UID:190635-1762714800-1762722000@www.pianyc.net
SUMMARY:Concierto IV: Shoutout to Freud\, at Kala Yoga
DESCRIPTION:Concierto IV: Shoutout to Freud \nA shadow appears. \nThe shadow contains everything the ego refuses to recognize as part of the self\, hiding the impulses that conflict with one’s self-image of “goodness”. The inner shadow is composed of what we repress; emotions such as fear\, desire\, rage\, shame are hidden under the tip of an iceberg of our consciousness (shoutout to Freud). There is a danger of shadows unseen. The shadow we refuse to own\, becomes an externalization of our inner conflict\, slowly projecting its cast onto others. Gaston Bachelard wrote that “Memories are motionless\, and the more securely they are fixed in space\, the sounder they are.” To unfix the shadow\, we cautiously cast a light\, making peace with what flickers in the dark. \nAn array of light comes in. \nThis inquiry extends into the terrain of the body. The shadow becomes a passage into the domain of unseen forces\, where consciousness confronts its own limits. Fragility seems to sit between the psychic and the political\, the visible and the repressed\, and its ties to the subconscious\, to what the body carries even when unspoken. \nThe body whispers before it screams. \nThe show operates as a whisper of light\, tracing the motion of the shadow as it moves from containment to expression. The body becomes an extension of the motionless into motion\, unfixing shadow\, allowing the repressed to become visible. \n  \nWork Description \nJess Silber\, Jonah Bobo and Bella Crescenzi present Don’t Take the Music Out of Life (2025) \nDon’t Take the Music Out of Life (2025) mirrors the quiet chaos of the mind in its most vulnerable moments. The piece moves through the nonlinear journey of depression\, not as a problem to be solved\, but as a landscape to be understood. Here\, the inner shadow becomes the muse. \n  \nThrough voice\, piano\, and dance\, Silber draws audiences into the dark corners of her mind; a dialogue between the voice inside and the one the world can hear. Bella’s performance practice is deeply rooted in collaboration\, as a deepening to the exploration of the singular body. This piece asks listeners to sit within stillness\, to find rhythm in darkness\, and to let the quiet parts of themselves be heard. \n  \nArtists Descriptions \nJess Silber \nJess Silber is a singer-songwriter and filmmaker whose work moves fluidly between sound\, movement\, and visual art. Her lyrics often unravel the chaotic intimacy of one’s inner monologue tracing the search for meaning and self within the confines of an often dissonant world. Silber is presenting Don’t Take the Music Out of Life (2025) which is a 40-minute musical piece composed and written by Jess Silber\, instrumentally arranged by Jonah Bobo\, and expressed through movement by Bella Crescenzi. \nBella Crescenzi \nBella Crescenzi is a New York–raised dance artist based in NYC whose work lives in the spaces between change\, presence\, and connection. Bella’s major influences in creating choreographic work is born through and with the essences and dynamics of sound\, drawing inspiration from instruments\, acoustic voices\, and folk sound. She holds a BFA in Dance from the University of the Arts in Philadelphia and international studies in Performance Art from the Santa Reparata International School of Art in Naples and Florence\, Italy. \nBella’s experiences in her dance and performance practices is deeply rooted in collaboration\, as a deepening to the exploration of the singular body. Her practice is influenced by the simplicity of human existence and impermanence; to fully accept the finite happenings of life\, we must surrender to the here and now. \nCredits \n\nDancer: Bella Crescenzi\nMusical Performance by Jess Silber\nShow Photo by James Hastur\nShow Video by James Hastur\nPoster Photographer: Sophie Barfod\nShow Producer: Sophie Barfod\nCurator: Sophie Barfod\n\n 
URL:https://www.pianyc.net/event/concierto-iv-shoutout-to-freud-at-kala-yoga/
LOCATION:Kala Yoga\, 783 Driggs Avenue\, Brooklyn\, NY\, 11211\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://cdn.evbuc.com/images/1159042483/396796758423/1/original.20251021-204333
GEO:40.7114075;-73.9611147
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kala Yoga 783 Driggs Avenue Brooklyn NY 11211 United States;X-APPLE-RADIUS=500;X-TITLE=783 Driggs Avenue:geo:-73.9611147,40.7114075
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251109T190000
DTEND;TZID=America/New_York:20251109T190000
DTSTAMP:20260509T014744
CREATED:20251027T232302Z
LAST-MODIFIED:20251029T192417Z
UID:190810-1762714800-1762714800@www.pianyc.net
SUMMARY:Manhattan School of Music Student Recital: Gaston Frydman\, Classical Piano
DESCRIPTION:Manhattan School of Music Student Recital \nPerformer(s)\nGastón Frydman\, Classical Piano \nRecital Hall\nGreenfield Hall
URL:https://www.pianyc.net/event/manhattan-school-of-music-student-recital-gaston-frydman-classical-piano/
LOCATION:Manhattan School of Music\, 120 Claremont Avenue\, New York\, NY\, 10027\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://external-content.duckduckgo.com/iu/?u=https%3A%2F%2Fwww.ip.gov.py%2Fip%2Fwp-content%2Fuploads%2F2019%2F07%2FGaston-Frydman1-1024x683.jpg&f=1&nofb=1&ipt=a641c454fec2be01ba4bfb179b7fca707d7d220da0f9c4634009fa445aae8a5d
GEO:40.8123903;-73.9614817
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Manhattan School of Music 120 Claremont Avenue New York NY 10027 United States;X-APPLE-RADIUS=500;X-TITLE=120 Claremont Avenue:geo:-73.9614817,40.8123903
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251109T193000
DTEND;TZID=America/New_York:20251109T210000
DTSTAMP:20260509T014744
CREATED:20250621T212850Z
LAST-MODIFIED:20250622T120104Z
UID:182119-1762716600-1762722000@www.pianyc.net
SUMMARY:János Balázs Solo Recital at Carnegie Hall
DESCRIPTION:Performer\nJános Balázs\, Piano \n 
URL:https://www.pianyc.net/event/janos-balazs-solo-recital-at-carnegie-hall/
LOCATION:Carnegie Hall\, 881 Seventh Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Live Musical Performance
ATTACH;FMTTYPE=image/jpeg:https://www.balazsjanos.com/wp-content/uploads/2018/05/cover3.jpg
GEO:40.764938;-73.979897
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Hall 881 Seventh Avenue New York NY 10019 United States;X-APPLE-RADIUS=500;X-TITLE=881 Seventh Avenue:geo:-73.979897,40.764938
END:VEVENT
END:VCALENDAR