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DTSTART:20230312T070000
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DTSTART:20231105T060000
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DTSTART;TZID=America/New_York:20230918T123000
DTEND;TZID=America/New_York:20230922T143000
DTSTAMP:20260514T063620
CREATED:20230625T220011Z
LAST-MODIFIED:20230626T101502Z
UID:150977-1695040200-1695393000@www.pianyc.net
SUMMARY:Marc Devine on the Upper Terrace at Bryant Park
DESCRIPTION:Come on by and tap your toes to The Big Apple’s finest ragtime\, stride\, and jazz pianists around! Featuring special events and performances by distinguished musicians sprinkled throughout the schedule. \n \nMarc Devine is a Jazz pianist/bandleader in NYC. Rooted in the Bebop tradition\, Marc Devine is presenting REAL Jazz music and carrying on the message. Developing a taste for Jazz while still in highschool\, he attended the University of New Hampshire and played with several Jazz ensembles including two big bands and a Jazz choir. While at UNH\, Marc was exposed to great Jazz musicians such as Phil Woods\, Milt Hinton\, Frank Wess\, took some lessons with pianist James Williams and was introduced to the music and teaching of legendary trumpeter Clark Terry (famous for his work with Lionel Hampton\, Charlie Barnet\, Count Basie\, Duke Ellington\, The Tonight Show Band) and trumpeter Stephen Fulton. Marc went on to study with Stephen Fulton and Morris Nelms at the Clark Terry International Institute of Jazz Studies\, where he began to develop a style based on his piano influences Wynton Kelly\, Red Garland (both of whom played with Miles Davis)\, Hampton Hawes\, Bud Powell\, Count Basie and Errol Garner. Marc also had the opportunity to study and perform with Jazz greats Red Holloway\, Butch Miles\, Jessie Davis\, and\, of course\, Clark Terry. After leaving the Clark Terry school\, Devine moved to the Austin area where he played as a sideman and most often lead his own groups. His bands performed regularly at all of Austin’s Jazz venues and several festivals including The Zilker Park Jazz Festival\, The Kemah Jazz Festival\, and became a mainstay at the Texas Jazz Festival in Corpus Christi\, TX.
URL:https://www.pianyc.net/event/marc-devine-on-the-upper-terrace-at-bryant-park/2023-09-18/
LOCATION:Bryant Park\, Upper Terrace\, 36 W 40th St\, New York\, NY\, 10018\, United States
CATEGORIES:Live Musical Performance
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230919T160000
DTEND;TZID=America/New_York:20230919T173000
DTSTAMP:20260514T063620
CREATED:20230901T005148Z
LAST-MODIFIED:20230901T005148Z
UID:154225-1695139200-1695144600@www.pianyc.net
SUMMARY:Manhattan School of Music Jazz Piano Master Class: Jason Moran
DESCRIPTION:Jason Moran (BM ’97) \nThis Master Class is part of the Janice B. and Milford D. Gerton Master Class Series. \nBossi-Comelli Studio \nSince his formidable emergence on the music scene in the late 90s\, jazz pianist Jason Moran has proven more than his brilliance as a performer. The Blue Note Records recording artist has established himself as a risk-taker and innovator of new directions for jazz as a whole. \nIn almost every category that matters – improvisation\, composition\, group concept\, repertoire\, technique and experimentation – Moran\, and his group The Bandwagon – with bassist Tarus Mateen and drummer Nasheet Waits – have challenged the status quo\, and earned the reputation as “the future of jazz.”
URL:https://www.pianyc.net/event/manhattan-school-of-music-jazz-piano-master-class-jason-moran/
LOCATION:Manhattan School of Music\, 120 Claremont Avenue\, New York\, NY\, 10027\, United States
CATEGORIES:Live Musical Performance
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230919T183000
DTEND;TZID=America/New_York:20230919T193000
DTSTAMP:20260514T063620
CREATED:20230702T224641Z
LAST-MODIFIED:20230717T152957Z
UID:151137-1695148200-1695151800@www.pianyc.net
SUMMARY:Morton Feldman Returns to Eighth Street at New York Studio School of Drawing\, Painting and Sculpture
DESCRIPTION:Acclaimed violinist Miranda Cuckson and pianist Conor Hanick will perform a concert of works by Feldman\, whose musical creativity was intertwined to a remarkable degree with the visual arts and his personal relationships with contemporary artists. His quiet\, intimate\, and radiant compositions engage radically with our sensory experiences of time\, sound\, and space. \nProgram \nExtensions 1 (1951)\, for violin and piano \nProjection 1 (1950)\, for cello (performed on violin) \nVertical Thoughts 2 (1963)\, for violin and piano \nPiano Piece (to Philip Guston) (1963)\, for piano \nSpring of Chosroes (1977)\, for violin and piano \nNew York Studio School is grateful to Yamaha for its generous donation of a piano for this program. \nThis program was conceived by NYSS as a tribute to the New York Landmarks Conservancy during their 50th Anniversary celebrations. \nThe School wishes to make this event as accessible as possible. Please make a donation to NYSS as you are able (suggested donation $20 per person). Capacity is limited to 75 people.
URL:https://www.pianyc.net/event/morton-feldman-returns-to-eighth-street-at-new-york-studio-school-of-drawing-painting-and-sculpture/
LOCATION:New York Studio School of Drawing\, Painting and Sculpture\, 8 W 8th St\, New York\, NY\, NY 10011\, United States
CATEGORIES:Live Musical Performance
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DTSTART;TZID=America/New_York:20230919T193000
DTEND;TZID=America/New_York:20230919T213000
DTSTAMP:20260514T063620
CREATED:20230901T115207Z
LAST-MODIFIED:20230901T115207Z
UID:154258-1695151800-1695159000@www.pianyc.net
SUMMARY:Michele Rosewoman’s New Yor-uba (Early and Late Shows) at Lincoln Center
DESCRIPTION:Program\nPianist and composer Michele Rosewoman’s New Yor-Uba ensemble serves as a major forum for collaboration between masters of contemporary jazz and Cuban folkloric music. A fearless band leader\, the Mutual Mentorship for Musicians 2023 Lifetime Achievement Award winner has blossomed in new directions while remaining firmly rooted in tradition. Repertoire features Rosewoman’s original compositions and visionary arrangements and incorporates a large spectrum of Cuban spiritually-based music\, including Yorùbá (Nigeria)\, Arará (Dahomey)\, Abakuá (Calabar)\, son\, guiro\, and rumba — uniquely Cuban musical forms. New Yor-Uba’s concept and sound remain vital as Rosewoman continues to enhance the ensemble’s repertoire with new music and personnel. \nPerformers\nMichele Rosewoman\, piano/music director\nAlex Norris\, trumpet\nChris Washburne\, trombone\, tuba\nMike Thomas\, alto/soprano saxophones\nStacy Dillard\, tenor saxophone\nYunior Terry\, bass\nRobby Ameen\, drums\nRafael Monteagudo\, percussion\nRomán Díaz\, percussion\, vocals\nAbraham Rodriguez\, percussion\, vocals\nRoger Consiglio\, vocals
URL:https://www.pianyc.net/event/michele-rosewomans-new-yor-uba-early-and-late-shows-at-lincoln-center/2023-09-19/
LOCATION:Lincoln Center\, Lincoln Center Plaza\, New York\, NY\, NY 10023\, United States
CATEGORIES:Live Musical Performance
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